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Beethoven, Ludwig van, --- Old French literature --- 78.21.1 Beethoven --- 78.21.2 Paris --- Beethoven, Ludwig van, - 1770-1827
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Beethoven, Ludwig van, --- Sibelius, Jean, --- Sibelius, Jean --- Beethoven, von, Ludwig --- 78.66 --- 78.21.1 Beethoven --- 78.21.1 Sibelius
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Concertos (Piano) --- Musical analysis --- Analyse musicale --- Analysis, appreciation. --- Analyse et appréciation --- Beethoven, Ludwig van, --- Analyse et appréciation --- 78.21.0 --- 78.21.1 Beethoven --- Concertos (Piano) - Analysis, appreciation.
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String quartets --- Analysis, appreciation. --- Quatuors à cordes --- Quatuors à cordes --- Analysis, appreciation --- Analyse et appréciation --- Beethoven, Ludwig van, --- 78.21.1 Beethoven --- 526.30 --- Genre- en werkbesprekingen --- van Beethoven, Ludwig --- Bītʹhūfin, --- Beethoven, L. van --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- String quartets - Analysis, appreciation.
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Musique --- Aspect social --- Histoire --- Philosophie et esthétique. --- Music --- Social aspects --- History --- Philosophy and aesthetics --- Philosophie et esthétique --- Beethoven, Ludwig van, --- Vienna (Austria) --- Vienne (Autriche) --- Intellectual life --- Vie intellectuelle --- Beethoven, Ludwig van --- Appreciation --- Criticism and interpretation --- Art patronage --- Austria --- 1789-1815 --- Haydn, Franz Joseph --- Disciples --- 78.21.1 Beethoven --- Musique - Aspect social - Autriche - Vienne - Histoire - 18e siècle. --- Musique - Aspect social - Autriche - Vienne - Histoire - 19e siècle. --- Musique - Philosophie et esthétique. --- Beethoven, Ludwig van (1770-1827) --- Wenen --- 18e eeuw --- 19e eeuw
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It is well known that Mozart developed his works in his head and then simply transcribed them onto paper, while Beethoven labored assiduously over sketches and drafts--"his first ideas," in Stephen Spender's words, "of a clumsiness which makes scholars marvel at how he could, at the end, have developed from them such miraculous results." Indeed Beethoven's extensive sketchbooks (which total over 8,000 pages) and the autograph manuscripts, covering several stages of development, reveal the composer systematically exploring and evolving his musical ideas. Through close investigation of individual works, Lewis Lockwood traces the creative process as it emerges in Beethoven's sketches and manuscripts. Four studies address the composition of the Eroica Symphony from various viewpoints. The chamber works discussed include the Cello Sonata in A Major, Opus 69 (of which the entire autograph manuscript of the first movement is published here in facsimile), the string quartet Opus 59 No. 1, and the Cavatina of the later quartet Opus 130. Lockwood's lucid analysis enhances our understanding of Beethoven's musical strategies and stylistic developments as well as the compositional process itself. In a final chapter the author outlines the importance of Beethoven's autographs for the modern performer.
840 --- Muziekgeschiedenis: essays (histor. onderwerpen, literaire analyses) --- Beethoven, Ludwig van --- -Criticism and interpretation --- Beethoven, Ludwig van, --- Bītʹhūfin, --- Beethoven, L. van --- Van Beethoven, Ludwig, --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- Criticism and interpretation. --- van Beethoven, Louis --- von Beethoven, Ludwig --- Beethoven, Ludwig --- van Beethoven, Ludwig --- 78.21.1 Beethoven --- 526.10 --- Biografieën, Stijl- en oeuvrebesprekingen --- Monografieën componisten en uitvoerders - Biografieën, Stijl- en oeuvrebesprekingen --- Composers --- Musical sketches --- Composition (Music) --- Creation (Literary, artistic, etc.) --- Musical analysis --- Music --- Compositeurs --- Aufsatzsammlung --- Autografen. --- Kamermuziek. --- Symfonieën. --- History and criticism --- Beethoven, Ludwig van. --- Manuscripts. --- Germany
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Fiction --- Music and literature --- Romanticism --- Women and literature --- Technique --- History --- Beethoven, Ludwig van --- Bronte, Emily --- Criticism and interpretation --- -Music and literature --- -Literature --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Literary movements --- Literature and music --- Literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- -Philosophy --- Brontë, Emily, --- Bell, Ellis, --- Bolangte, Aimili, --- Bronte, Emili, --- Bronte, Ėmilii︠a︡, --- Brontë, Emily Jane, --- Po-lang-tʻe, Ai-mi-li, --- エミリーブロンテ, --- Criticism and interpretation. --- Romanticism. --- Technique. --- -Technique --- -Brontë, Emily, --- Fiction writing --- Writing, Fiction --- Authorship --- Beethoven, Ludwig van, --- van Beethoven, Louis --- von Beethoven, Ludwig --- Beethoven, Ludwig --- Brontëová, Emily, --- Influence. --- van Beethoven, Ludwig --- Brontë, Emily --- Brontë, Emily Jane --- Bell, Ellis --- 78.78 --- 78.21.1 Beethoven --- Brontë, Emily, --- Bītʹhūfin, --- Beethoven, L. van --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- Fiction - Technique --- Women and literature - England - History - 19th century --- Brontë, Emily, - 1818-1848 - Criticism and interpretation --- Brontë, Emily, - 1818-1848
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