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During the 1920s the iconic New Woman was splashed across magazine pages and projected on the silver screen. A global phenomenon, she embodied an ideal of female empowerment based on real women making revolutionary changes in life and art. This groundbreaking, richly illustrated volume examines the diverse "new women" whose work profoundly marked the medium of photography from the 1920s to the 1950s. Over 120 international photographers are featured, including Lola Álvarez Bravo, Elizaveta Ignatovich, Germaine Krull, Dorothea Lange, Tsuneko Sasamoto, and Homai Vyarawalla. Against the odds, these women were at the forefront of experimentation with the camera and produced invaluable visual testimony that reflects their personal experiences as well as the extraordinary social and political transformations of the era.

Women photographers --- Photography, Artistic --- fotografie --- fotografiegeschiedenis --- twintigste eeuw --- fotografen --- vrouwen --- 77.037 --- Women as photographers --- Photographers --- History --- Exhibitions --- Femmes photographes.

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Photobooks --- Photography --- Book design --- Propaganda, Soviet --- Photographs --- Photographers --- History. --- Political aspects --- fotografie --- fotografiegeschiedenis --- fotoboeken --- grafisch ontwerp --- grafische vormgeving --- boekontwerp --- Sovjet-Unie --- twintigste eeuw --- interbellum --- 77.037

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fotografie --- vrouwelijke kunstenaars --- 1920 - 1940 --- 20ste eeuw --- Frankrijk --- CDL --- 77.037 --- Exhibitions --- Photography, Artistic --- Women photographers --- Women as photographers --- History&delete& --- Photographers --- History --- vrouwelijke kunstenaars. --- 1920 - 1940. --- 20ste eeuw. --- Frankrijk.

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Chronophotography. --- Art and photography. --- Human locomotion. --- Animal locomotion. --- Human mechanics. --- Animal mechanics. --- Photography --- Chronophotographie --- Art et photographie --- Locomotion humaine --- Locomotion animale --- Mécanique humaine --- Mécanique animale --- Photographie --- History --- Histoire --- Marey, Etienne-Jules, --- Marta Braun --- fotografie en film --- chronofotografie --- Marey Etienne-Jules --- 77.071 MAREY --- 77.037 BRAUN --- 77.01 BRAUN --- fotografie --- beweging --- Frankrijk --- negentiende eeuw

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This lavishly illustrated volume looks at the myriad ways in which the burgeoning art of photography dialogued with Impressionist painting. In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued artistic ambitions, as evidenced by their experimentation with composition and perspective, by means of various technical procedures. Until the First World War, the relationship between photography and painting was characterized both by competition and mutual influence. The exhibition and catalogue examine these interactions and illuminate the development of the new medium from the 1850s to its establishment as an autonomous art form around 1900.

Photography --- Impressionism (Art) --- Art and photography --- Fotografie ; landschappen ; Frankrijk --- Fotografie ; oude technieken ; daguerreotypie --- Fotografie ; 19de en 20ste eeuw --- Impressionisme ; Luminisme --- Schilderkunst ; Impressionisme ; ontstaan --- 77.037 --- Photography and art --- History --- Fotografie ; 1900 - 1950 --- photography [process] --- Impressionist [style] --- anno 1800-1899 --- Art styles --- Painting --- easel paintings [paintings by form]