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63692117
grafische vormgeving --- Graphic arts --- digitale ontwerptechnieken --- 766.02 --- 766.039 --- 766:659.2 --- Grafische vormgeving ; technieken ; werken met grids --- Visuele communicatie --- Grafische vormgeving ; informatieweergave --- Lay-out --- Redactionele vormgeving --- 655.26 --- typografie --- grids --- 684.4 --- Gebruiksgrafiek ; technieken --- Gebruiksgrafiek ; 2000 - 2050 --- Gebruiksgrafiek ; voorlichting ; adviezen --- grafische vormgeving, typografie --- verwerkende industrie, grafische techniek, zetten --- Stramien --- Grids --- Rasterafbeelding --- 766.22.02 --- Grafische industrie en ontwerp ; schrift ; typografie ; technieken
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Together, Paris-based artists Léonore Bonaccini and Xavier Fourt make up the artist duo Bureau d'études. For the past several years, this French group has been producing cartographies of contemporary political, social and economic systems which allow people to empower and reposition themselves. Revealing what normally remains invisible, often in the shape of large-sized banners, and contextualizing apparently separate elements within another framework, these visualizations of peoples' interests and relations re-symbolize and actualize an order concealed and unknown.
cartes à figures [maps] --- Art --- mapmaking [process] --- Bureau d'Études (Artists' group) --- Art and social action --- Maps in art --- Politics in art --- Social problems in art --- 766.07 --- 766:659.2 --- 528.9 --- Social action and art --- Social action --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators --- Gebruiksgrafiek ; voorlichting ; adviezen ; dataverwerking --- Cartografie --- 766.32.044 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; infographics
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... the second volume in Rockport's Pattern and Palette series, is an invaluable tool for art directors, designers, and students working in the fashion, product, and graphic design fields, as well as anyone in the business of visual communication.
Color decoration and ornament --- Color guides --- Color in design --- Graphic arts --- Repetitive patterns (Decorative arts) --- 535.6 --- 766:659.2 --- Grafische vormgeving ; visuele communicatie --- Ornamentiek en kleur --- Patronen en kleur --- Repeat patterns (Decorative arts) --- Decoration and ornament --- Pattern perception --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Design --- Color --- Polychromy --- History --- Color in design. --- Color guides. --- Graphic arts.
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Flexible Visual Systems sums up 10 years of research at the University of Barcelona, 20 years of developing systems at TwoPoints.Net and 18 years of teaching systems at over 10 design universities throughout Europe on 320 pages.Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.To learn how to design flexible systems is not just learning another craft, it is going to change the way you think and work entirely. It is an approach, how to design. If you would place system design into a curriculum it would be the foundation course, putting you in the right mindset. You can apply the systemic approach to any discipline you will later specialize in, from corporate design, communication design, user experience design to textile design.The book is divided into three parts. The first part is a richly illustrated theoretic introduction (82 pages) explaining the past, present and future of flexible systems. It describes how they were used in the past, how they are used today and why they should not just organize formal solutions, but the way how we work.The second part is a hands-on, almost purely visual, description of how to design flexible systems on form, starting with a circle, triangle, square, pentagon and hexagon. Lots of instruction manuals and examples on how to use them on 148 pages!The third part explains how transformation processes can become flexible systems for visual identities. Especially creative coders, motion designers and people who love to experiment will have a lot of fun with this chapter!?It is a reference work for systematic and flexible visual work. And at the same time, it speaks of a great much of practical experience.[Es ist ein Basiswerk zu systematischen und flexiblen visuellen Arbeiten. Und gleichzeitig spricht daraus sehr viel praktische Erfahrung.]?Bron: https://www.slanted.de/product/flexible-visual-systems/
766:659.2 --- 7.013 --- Rastersystemen --- Grafische vormgeving ; technieken ; werken met grids --- Grafische vormgeving ; handboeken ; tips and tricks --- Gebruiksgrafiek ; voorlichting ; adviezen ; dataverwerking --- Kunst ; verhouding, vorm, ritme, symmetrie --- Vormgeving --- Grafische vormgeving --- Symbool --- Pictogram --- 766.12.02 --- Grafische industrie en ontwerp ; drager ; digitaal ; technieken --- Graphic arts --- grafische technieken --- visuele communicatie --- grafische vormgeving --- typografie
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On May 14, 1940, Otto Neurath and Marie Reidemeister fled from the harbour of Scheveningen in The Hague to England. It was the last boat that could escape from Holland before the German occupiers took the city. Years earlier, in 1934, they had fled the same danger from Vienna to Holland. Otto Neurath can be seen as the godfather of today's infographics. In the Gesellschafts- und Wirtschaftsmuseum (Social & Economic Museum) that he founded in Vienna, developments in various areas of society were shown by means of pictorial statistics to a broad audience ' rich and poor, literate and illiterate. At the Museum, Otto Neurath acted as the scientific director and inspirer, Marie Reidemeister as the 'Transformer' of data into sketches, and Gerd Arntz as the head of the graphics department which designed pictograms and layouts. These three continued that work in Holland under the acronym Isotype (International System Of TYpographic Picture Education).After internment as 'enemy aliens' on the Isle of Man, Neurath & Reidemeister were able to continue their work in the UK. Through Wolfgang Foges and his book packaging firm Adprint, they were commissioned to design Isotype charts for books supported by the Ministry of Information during the war ' what might be called 'soft propaganda'. From 1942, Isotypes were supplied for information about the embryonic welfare state (Beveridge Plan), for illustrated books about Britain's allies (USA and USSR), and on what British democracy should look like after the war.This book illustrates around 250 Isotypes from these publications and provides information about the producers, authors, editors, and designers, and not least about the working relationship between the Isotype Institute and Adprint. The examples presented show the remarkable quality of the graphics, produced under less than ideal circumstances during wartime.Bron: https://www.copyrightbookshop.be/shop/adprint-and-isotype-1942-1948-soft-propaganda-special-relationships-and-a-new-democracy/
Infographics --- Boekdesign --- Thema's in de grafische vormgeving ; politiek, ideologie en propaganda --- Thema's in de grafische vormgeving ; oorlog en propaganda --- Propaganda-affiches --- Neurath, Otto 1882-1945 (°Wenen, Oostenrijk) --- ISOTYPE International System of Typographic Picture Education --- Adprint (Isotype) --- 766:659.2 --- Gebruiksgrafiek ; voorlichting ; adviezen ; dataverwerking --- Infografiek --- Reclamedrukwerk --- 766.23.042 --- Grafische industrie en ontwerp ; schrift ; logo & pictogram ; thema's ; isotype
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How can you turn dry statistics into attractive and informative graphs? How can you present complex data sets in an easily understandable way? How can you create narrative diagrams from unstructured data? This handbook of information design answers these questions.Nicole Lachenmeier and Darjan Hil condense their extensive professional experience into an illustrated guide that offers a modular design system comprised of 80 elements. Their systematic design methodology makes it possible for anyone to visualize complex data attractively and using different perspectives.
Typografie --- Grafische vormgeving --- Woordenboek --- Infografiek --- ISOTYPE International System of Typographic Picture Education --- Visuele communicatie --- Infographics --- Presentatie van informatie ; diagrammen en grafieken --- Tekens ; codes ; beeldmerken ; pictogrammen --- Grafische vormgeving ; informatieweergave --- 766:659.2 --- Gebruiksgrafiek ; voorlichting ; adviezen ; dataverwerking --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- informatiedesign --- information design --- designtheorie --- 766.022 --- 766.32.044 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; infographics
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mgmt.design --- Orntoft Peter --- Franchi Francesco --- relajaelcoco --- Derek Kim --- Grafische vormgeving ; visualisering kwantitatieve informatie --- Grafische vormgeving ; informatieweergave --- Grafieken ; statistieken --- Infografieken --- Infographics --- Gebruiksgrafiek ; voorlichting ; adviezen --- visualisatie (informatica) --- visualization [computer] --- digitale vormgeving --- Graphic arts --- ontwerpen --- Artificial intelligence. Robotics. Simulation. Graphics --- design [discipline] --- visuele communicatie --- grafisch ontwerp --- grafisch design --- grafische vormgeving --- 766.022 --- informatiedesign --- 766:659.2 --- Visuele communicatie --- 766.32.044 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; infographics
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Arntz Gerd --- Isotype --- Neurath Otto --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- informatiedesign --- 754.46 --- Arntz, Gerd --- Neurath, Otto --- diagrammen --- infographics --- informatieborden --- pictogrammen --- grafische vormgeving, volgens thema, info/bewegwijzering --- 766:659.2 --- Grafische vormgeving ; over visuele informatie --- Infographics --- Pictogrammen --- Neurath, Otto 1882-1945 (°Wenen, Oostenrijk) --- Arntz, Gerd 1900-1988 (°Remscheid, Duitsland) --- Gebruiksgrafiek ; voorlichting ; adviezen ; dataverwerking --- 766.32.044 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; infographics
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"In the age of big data and digital distribution, when news travel ever further and faster and media outlets compete for a fleeting slice of online attention, information graphics have swept center stage. At once nuanced and neat, they distill abstract ideas, complex statistics, and cutting-edge discoveries into succinct, compelling, and masterful designs. Cartographers, programmers, statisticians, designers, scientists, and journalists have developed a new field of expertise in visualizing knowledge. This XL-sized compendium explores the history of data graphics from the Middle Ages right through to the digital era. Curated by Sandra Rendgen, some 400 milestones span astronomy, cartography, zoology, technology, and beyond. Across medieval manuscripts and parchment rolls, elaborate maps, splendid popular atlasses, and early computer-based information design, we systematically break down each work's historical context, including such highlights as Martin Waldseemüller's famous world map, the meticulous nature studies of Ernst Haeckel, and many unknown treasures." --
Graphic signs --- Documentation and information --- Mass communications --- Computer. Automation --- History of civilization --- Graphics industry --- 655.533 --- 655.533 Boekillustratie --- 655.533 Book illustrations. Pictorial matter in books --- Boekillustratie --- Book illustrations. Pictorial matter in books --- Infografiek --- Geschiedenis --- information design --- informatiedesign --- 766.03 --- 766.022 --- naslagwerk --- 766:659.2 --- Thema's in de grafische vormgeving ; cartografie ; kaarten en mappen --- Grafische vormgeving ; informatieweergave --- Gebruiksgrafiek ; voorlichting ; adviezen --- Visuele communicatie --- Cartography --- Illustration of books --- History --- History. --- Infographics --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- graphs --- geological maps --- historical maps --- topographic maps --- prints [visual works] --- graphic design --- data [information] --- diagrams --- Illustrations --- Arts graphiques --- Infographie --- Histoire. --- 766.32.044 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; infographics
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Diagrams of Power' collects contemporary artworks and projects that use data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities. The artists and designers featured critique conventionalized and established truths that obscure important histories or perpetuate oppressive regimes; they also contribute to positive social change by engaging communities and providing alternative strategies for storytelling, communication and organizing. Historical and contemporary uses of data and visualization in colonization, surveillance and management are problematized through critical interventions that use performance, embodiment and counternarratives.
Social justice --- Information visualization --- Graphic arts --- Charts, diagrams, etc --- Cartography --- grafisch ontwerp --- grafische vormgeving --- grafisch design --- cartografie --- 766.022 --- ecologie --- activisme --- kunst en politiek --- politiek --- information design --- informatiedesign --- 766:659.2 --- Visuele communicatie --- Diagrammen ; mappen --- Visuele presentatie --- 754.46 --- mapping --- kunst --- diagrammen --- infographics --- data-analyse --- Equality --- Justice --- Diagrams, charts, etc. --- Graphs --- Plots (Diagrams) --- Data visualization --- Visualization of information --- Information science --- Visual analytics --- Exhibitions --- Gebruiksgrafiek ; voorlichting ; adviezen ; dataverwerking --- grafische vormgeving, volgens thema, info/bewegwijzering --- 766.32.044 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; infographics
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