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76.02 <035> --- 762.2 --- 655.3 --- Technieken van de grafische kunsten--Grote handboeken. Compendia --- Etstechnieken: ets vernis mou --- Drukken--technieken en arbeidsprocessen --- 655.3 Drukken--technieken en arbeidsprocessen --- 762.2 Etstechnieken: ets vernis mou --- 76.02 <035> Technieken van de grafische kunsten--Grote handboeken. Compendia --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou --- etsen --- printing techniques --- Graphic arts --- druktechnieken --- etchings [prints] --- grafische technieken

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The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries. The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Durer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.--éd.

Gravure à l'eau-forte --- Etching, European --- Prints, European --- Catalogues d'exposition. --- Exhibitions. --- Graphic arts --- etchings [prints] --- anno 1400-1499 --- anno 1500-1599 --- Europe --- 762.2 --- 76 "15" --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou --- 76 "15" Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- Exhibitions --- Gravure à l'eau-forte

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This book surveys the history of the techniques of engraving, etching and plate printing - ie that of manual intaglio printmaking processes - from its beginning in the 1430s until today. These developments are observed in the light of the coherence between the technique of the intaglio print (such as its materials and methods of production); the 'style' or outward appearance of the print; the creator of the print; and the fashion typical of a particular social group, place and time. Economic, educational and social aspects are discussed, as well as the worldwide dissemination of the trade of intaglio printmaking. The author shows how intaglio printmaking developed steadily from the mid-fifteenth century, with the invention of the roller press and the etching of printing plates. By 1525 intaglio printmaking techniques could be said to have reached maturity and spread east and west following the European trade routes and colonisation. Further developments in plate-making resulted from a series of inventions and reinventions. After the abolition of the guilds on the European continent around 1800, and the introduction of photography and the expansion of the graphic industry, the engraving of images became a mere mechanical procedure. The handcrafted print made way for the large-scale mechanised graphic industry which emerged in the middle of the nineteenth century. Consequently artist-etchers withdrew to an elite position to concentrate on the manual aspects of printmaking, which is the situation today. This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries. Based on an exhaustive number of primary sources it will be an essential resource for collectors, curators, conservators, printmakers and students of technical art history.

Intaglio printing. --- Intaglio printing --- Impression en creux. --- Impression en creux --- History. --- Histoire. --- printmaking --- rolling presses --- intaglio [sculpture technique] --- Graphic arts --- etching [printing process] --- engraving [printing process] --- anno 1500-1799 --- anno 1800-1999 --- anno 1400-1499 --- 762.1 --- 762.2 --- 76 <09> --- 762 --- 762 Diepdruktechnieken in de grafische kunst --- Diepdruktechnieken in de grafische kunst --- 76 <09> Geschiedenis van de grafische kunsten --- Geschiedenis van de grafische kunsten --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou --- 762.1 Graveertechnieken: burijngravure; drogenaaldgravure; stippelgravure; crayonmanier --- Graveertechnieken: burijngravure; drogenaaldgravure; stippelgravure; crayonmanier --- Gravure --- Etsen --- Etstechniek

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Présentation d'eaux-fortes et d'encrages en couleurs de Camille Pissarro. ©Electre 2018

Etching, French --- Pissarro, Camille, --- French etching --- Pisaro, Ḳami, --- Pisarro, Camille, --- Pissarro, Jacob-Abraham-Camille, --- פיסארו, קמי, --- 76 PISSARRO, CAMILLE (1830-1903) --- 76 pissarro --- 76 <44> "18/19" --- 762.2 --- 763 --- 763 Vlakdruktechnieken in de grafische kunsten. Lithografie --- Vlakdruktechnieken in de grafische kunsten. Lithografie --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou --- 76 <44> "18/19" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--Hedendaagse Tijd --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--Hedendaagse Tijd --- Grafische kunsten. Grafiek. Prentkunst--PISSARRO, CAMILLE (1830-1903). --- Grafische kunsten. Grafiek. Prentkunst--PISSARRO, CAMILLE (1830-1903) --- Exhibitions --- Pissarro, Camille --- Catalogues d'exposition --- Prints, French --- Impressionism (Art)

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Décidément, l'eau-forte devient à la mode", constate Charles Baudelaire en avril 1862. Il souligne l'intérêt croissant pour ce médium qui semble d'être spontané et direct. La ligne de l'eau-forte laisse une grande liberté, évoque le geste du dessin et ne demande pas une longue formation. Une grande variété de sujets est traitée: le portrait, le paysage naturel ou urbain, des frontispices ou l'illustration de textes. Mais ce n'est pas l'approche thématique qui prime, au contraire, c'est souvent la recherche sur la fonction de la ligne, l'espace, l'atmosphère ou le mystère qui motivent les artistes. À cette époque l'eau-forte est considérée comme un art moderne. 0La publication et l'exposition (Musée d'art et d'histoire de Genève : 4 septembre - 13 décembre 2020) qui l'accompagne mettent en évidence ces recherches artistiques, de la ligne aux concentrations extrêmes, jusqu'à la surface presque noire. C'est une approche qui se voit très vite répandue partout, en France comme aux pays anglophones, au nord de l'Europe comme aussi en Italie.

Graphic arts --- etchings [prints] --- Musées d'art et d'histoire --- anno 1800-1999 --- Europe --- Etching, European --- Etching --- Etchings --- Art --- Prints --- Engraving --- European etching --- Geneva (Switzerland). --- Geneva. --- MAH-Genève --- Musée d'art et d'histoire de Genève --- Musée d'art et d'histoire (Geneva, Switzerland) --- Musée de Genève --- Musées d'art et d'histoire Genève. --- Museum of Art and History (Geneva, Switzerland) --- Musées d'art et d'histoire Genève --- 762.2 --- 76 <064> --- 76 "18/19" --- 76 "18/19" Grafische kunsten. Grafiek. Prentkunst--Hedendaagse Tijd --- Grafische kunsten. Grafiek. Prentkunst--Hedendaagse Tijd --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou