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Dumont's Handbuch für Grafiker: eine Anleitung für die Praxis
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ISBN: 3770112164 Year: 1988 Publisher: Köln Dumont


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Prentkunst en drukwerk : een complete handleiding voor het herkennen van manuele en mechanische drukprocédés van houtsnede tot ink jet printing
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ISBN: 9029084944 Year: 1988 Publisher: Amsterdam : Meulenhoff/Landshoff,


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Conditional design workbook
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ISBN: 9789078088585 9078088583 Year: 2013 Publisher: Amsterdam: Valiz,

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Abstract

Conditional Design is a design method formulated by the graphic designers Luna Maurer, Jonathan Puckey, Roel Wouters and the artist Edo Paulus which foregrounds process over finished products. As a design strategy, it is defined by playfully designed sets of rules and conditions that stimulate collaboration between participants and lead to unpredictable outcomes. The Conditional Design workbook provides insights into the Conditional Design method and invites readers to actively join in and participate in the workshops presented in the book. Readers are taken on a step-by-step journey through the workshops, showing how they evolved. Playing with human interaction, frameworks and generative systems Conditional Design offers endless creative opportunities. The systems are simple, the processes are challenging and fun and the results are often surprising. The book can also be used as a guide to create your own workshop.


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Het symbolisme in België : [Tentoonstelling : Musea voo Schone Kunsten van België, Brussel, van 26 maart tot 27 juni 2010 ]
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ISBN: 9789061539421 Year: 2010 Publisher: Anvers, Antwerpen Fonds Mercator, Mercatorfonds


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De Géricault à Delacroix : Knecht et l'invention de la lithographie, 1800-1830
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ISBN: 2850569208 9782850569203 Year: 2005 Publisher: Paris: Somogy,

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Ce volume rassemble les premières planches lithographiques imprimées en France de 1800 à 1830 et enrichies de textes de spécialistes de l'estampe. Il évoque l'inventeur de ce procédé, F.-J. Knecht, et montre combien il a contribué à la diffusion de l'art.


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Zeichnungen des Lichts : clichés-verre von Corot, Daubigny und anderen aus deutschen Sammlungen
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ISBN: 9783422067233 Year: 2007 Publisher: Dresden Staatliche Kunstsammlungen Dresden

De Pissarro à Picasso : l'eau-forte en couleurs en France : oeuvres des collections de la Bibliothèque nationale et du Zimmerli Art Museum
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ISBN: 2080135384 2080136062 9782080135384 Year: 1992 Publisher: [New Brunswick, N.J.] : Paris : Zimmerli Art Museum ; Flammarion,

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Color etching flowered in France in the years 1885 to 1910, breaking the centuries-long tradition of artistic printmaking as an exclusively black and white medium. Its development was encouraged primarily by a renewed interest in eighteenth-century printmaking techniques and by the discovery of Japanese woodblock prints whose methods of composition and juxtaposition of unmixed areas of color demonstrated the dramatic and highly decorative effects that could be achieved by the superimposition of colored inked plates on a single sheet of paper. Although color etching began as an art form restricted to a small circle of artists working in Paris who were attracted to its intimacy and technical demands, its great aesthetic potential spawned a movement of considerable consequence by the turn of the century, especially for the circle of young, avant-garde artists including Jacques Villon, Joaquin Sunyer, Francis Jourdain, and Theophile Steinlen, who gathered around the master printmaker Eugene Delatre in Montmartre during the 1890s. By depicting life in the streets, cabarets and cafes of Paris, these artists fully exploited the creative possibilities of the color etching technique, producing subtly colored prints that were charged with atmosphere. Through a selection of works drawn from the collections in the Bibliotheque Nationale in Paris and the Zimmerli Art Museum at Rutgers University. Phillip Dennis Cate and Marianne Grivel explore the origin and expansion of color etching in France, tracing its development within the nineteenth-century renaissance of printmaking in France and analyze its aesthetic evolution in relation to major artistic movements such as Impressionism and Symbolism. Extensive artists' biographies and a complete list of the works of art illustrated make this an essential study for collectors, students, and for all those interested in late nineteenth-century French art.

The spirit of Montmartre: cabarets, humor, and the avant-garde, 1875-1905

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