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017.42 <44> PROUTE --- 76 <017.4> --- Fondscatalogi. Catalogi van uitgevers en boekhandelaren--Frankrijk--PROUTE. --- Grafische kunsten. Grafiek. Prentkunst--Antiquariaatscatalogi.

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-39715-8

Color in advertising --- Color printing --- 655.3.024 --- 76.017.4 --- 766 --- Printing --- Advertising, Color in --- Advertising --- Color --- Commercial art --- 766 Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek --- 76.017.4 Grafische kunsten. Grafiek. Prentkunst--Kleur --- Grafische kunsten. Grafiek. Prentkunst--Kleur --- Kleurendruk --- Kleuren --- Colorimetrie --- Kleurindelingen --- Kleur (kleur) --- Kleurindeling

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In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets.The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.

Book history --- color prints [prints] --- Graphics industry --- color printing --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Color prints --- Art and society --- Estampe en couleurs --- Art et société --- History --- History. --- Histoire --- 76.017.4 --- 76 "14/16" --- 655.3.024 --- Grafische kunsten. Grafiek. Prentkunst--Kleur --- Grafische kunsten. Grafiek. Prentkunst--15e-17e eeuw. Periode 1400-1699 --- Colour printing --- 76.017.4 Grafische kunsten. Grafiek. Prentkunst--Kleur --- Color prints, European --- Art et société --- Color prints, European. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects

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Color etching flowered in France in the years 1885 to 1910, breaking the centuries-long tradition of artistic printmaking as an exclusively black and white medium. Its development was encouraged primarily by a renewed interest in eighteenth-century printmaking techniques and by the discovery of Japanese woodblock prints whose methods of composition and juxtaposition of unmixed areas of color demonstrated the dramatic and highly decorative effects that could be achieved by the superimposition of colored inked plates on a single sheet of paper. Although color etching began as an art form restricted to a small circle of artists working in Paris who were attracted to its intimacy and technical demands, its great aesthetic potential spawned a movement of considerable consequence by the turn of the century, especially for the circle of young, avant-garde artists including Jacques Villon, Joaquin Sunyer, Francis Jourdain, and Theophile Steinlen, who gathered around the master printmaker Eugene Delatre in Montmartre during the 1890s. By depicting life in the streets, cabarets and cafes of Paris, these artists fully exploited the creative possibilities of the color etching technique, producing subtly colored prints that were charged with atmosphere. Through a selection of works drawn from the collections in the Bibliotheque Nationale in Paris and the Zimmerli Art Museum at Rutgers University. Phillip Dennis Cate and Marianne Grivel explore the origin and expansion of color etching in France, tracing its development within the nineteenth-century renaissance of printmaking in France and analyze its aesthetic evolution in relation to major artistic movements such as Impressionism and Symbolism. Extensive artists' biographies and a complete list of the works of art illustrated make this an essential study for collectors, students, and for all those interested in late nineteenth-century French art.

Etching, French --- Color prints, French --- Eau-forte française --- Estampe en couleurs française --- Exhibitions --- Expositions --- 76.017.4 --- 76 <44> "18/19" --- 76.02 --- 655.3.024 --- Grafiek ; gekleurde etsen ; Frankrijk ; 1870-1910 --- Tentoonstellingscatalogi ; Amsterdam ; Van Gogh Museum --- 76.037 --- (069) --- Grafische kunsten. Grafiek. Prentkunst--Kleur --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--Hedendaagse Tijd --- Technieken van de grafische kunsten --- Kleurendruk --- Grafische kunst ; 1900 - 1950 --- (Musea. Collecties) --- CDL --- 76.035 --- 76.02 Technieken van de grafische kunsten --- 76 <44> "18/19" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--Hedendaagse Tijd --- 76.017.4 Grafische kunsten. Grafiek. Prentkunst--Kleur --- Eau-forte française --- Estampe en couleurs française --- Exhibitions.

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76:655.5 <01> --- 76.017.4 --- 655.3.024 --- 655 <083> --- 017.2 <41> WADDLETON, NORMAN --- 094.2 <41 CAMBRIDGE> --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Bibliografieën. Catalogi --- Grafische kunsten. Grafiek. Prentkunst--Kleur --- Kleurendruk --- Grafische industrie. Drukkerij. Uitgeverij. Boekhandel-- algemeen--Tabellen. Lijsten. Indices --(niet-bibliografische) --- Catalogi van persoonsbibliotheken--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--WADDLETON, NORMAN --- Oude drukken: bibliotheekcatalogi----Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--CAMBRIDGE --- 094.2 <41 CAMBRIDGE> Oude drukken: bibliotheekcatalogi----Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--CAMBRIDGE --- 017.2 <41> WADDLETON, NORMAN Catalogi van persoonsbibliotheken--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--WADDLETON, NORMAN --- 76.017.4 Grafische kunsten. Grafiek. Prentkunst--Kleur --- 76:655.5 <01> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Bibliografieën. Catalogi