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Essays over het leven en werk van de Italiaanse schilder Caravaggio (1571-1610) en analyse van het schilderij 'De liggende Johannes de Doper'.
Caravaggio --- Schilderkunst ; 16de eeuw ; 17de eeuw ; Caravaggio --- Schilderkunst ; Italië ; Barok --- Caravaggio (Michelangelo Merisi da Caravaggio) 1571-1610 (°Milaan, Italië) --- Schilderkunst ; clair-obscur ; licht en schaduw --- 75.017.2 --- Exhibitions --- Caravaggio. --- Johannes de Doper. --- 21.02 history of painting. --- Schilderijen. --- Caravaggio,
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Latour, de, Georges --- 75.07 --- 75.017.2 --- Schilderkunst ; 17de eeuw ; Georges de La Tour --- Schilderkunst ; Frankrijk ; 17de eeuw --- Schilderkunst ; Barok --- De La Tour, Georges 1593-1652 (°Vic-sur-Seille, Frankrijk) --- Carravaggisten --- Schilderkunst ; schilders --- Schilderkunst ; clair-obscur ; licht en schaduw
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Caravaggio, da, Michelangelo M. --- 75.07 --- 75.017.2 --- Schilderkunst ; 16de eeuw ; 17de eeuw ; Caravaggio --- Schilderkunst ; Italië ; Barok --- Caravaggio (Michelangelo Merisi da Caravaggio) 1571-1610 (°Milaan, Italië) --- Biografieën ; Caravaggio --- Schilderkunst ; schilders --- Schilderkunst ; clair-obscur ; licht en schaduw --- Caravaggio --- departement Beeldende Kunst 11 --- Caravaggio, Michelangelo Merisi da --- biografieën --- 790 --- barok --- schilderkunst 17de eeuw --- kunstenaars --- artistes --- geschiedenis. --- Caravaggio. --- 16de eeuw. --- 17de eeuw. --- Italië.
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Cast shadows have been exploited in art to enhance the impression of the surrounding light as well as that of the solidity of the casting objects. They can contribute to the mood of the scene, and can reveal the presence of features outside the space represented, but as Professor Gombrich points out, they appear only sporadicaly and have been more frequently ignored or suppressed in Western art. Gombrich touches on the ambiguous nature of shadows in myth, legend, and philosophy, and briefly analyses the factors governing their shape: the location and form of the light source, the shape of the illuminated object and that of the surface on which the shadow falls, and the position of the viewer. Early Renaissance painters such as Masaccio and Campin, intent on a faithful rendering of visual reality, did incorporate shadows in their art, but artists of Leonardo's time largely avoided painting them, and it was not until early in the seventeenth century that painters - particualrly Caravaggio and Rembrandt - were again interested in the effects of shadows. In subsequent centuries artists of the Romantic, Impressionist and Surrealist movements exploited the device of the cast shadow to enhance the realism or drama of their images.
Art
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shadows
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National Gallery [London]
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Shades and shadows in art
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Exhibitions
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Painting [European ]
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Kunst
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schaduwen
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National Gallery [Londen]
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CDL
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7.03
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Visual perception
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Paintings.
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742.5
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7.017.9
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Schilderkunst 17de eeuw Georges de La Tour --- De La Tour, Georges 1593-1652 (°Vic-sur-Seille, Lorraine, Frankrijk) --- Schilderkunst Frankrijk 17de eeuw --- Schilderkunst Barok --- Carravaggisten --- 75.07 --- 75.017.2 --- (069) --- Schilderkunst schilders --- Schilderkunst clair-obscur licht en schaduw --- (Musea. Collecties) --- La Tour, Georges du Mesnil de --- -La Tour, Georges du Mesnil de --- -Exhibitions --- Psychology --- Schilderkunst ; 17de eeuw ; Georges de La Tour --- Schilderkunst ; Frankrijk ; 17de eeuw --- Schilderkunst ; Barok --- Schilderkunst ; schilders --- Schilderkunst ; clair-obscur ; licht en schaduw --- La Tour, Georges du Mesnil de, --- La Tour, Claude du Menil de, --- La Tour, Ménil, --- Tour, Georges de la, --- De La Tour, Georges du Mesnil, --- De La Tour, Claude du Menil, --- De La Tour, Georges, --- La Tur, Zhorzh dʹo, --- Du Mesnil de La Tour, Georges, --- Exhibitions. --- Psychology. --- Picasso, Pablo
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