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Applied arts. Arts and crafts --- anno 1900-1999 --- Netherlands --- Karla Olgers, Caroline Boot --- textiel --- Textiel ; weefsels ; Nederland ; Bauhaus ; 20ste eeuw --- textielkunst --- Bauhaus --- Tentoonstellingscatalogi ; Tilburg ; Nederlands Textielmuseum --- 746.1 --- Duitsland --- Nederland --- 746.037 --- weefkunst --- (069) --- kunstonderwijs --- Berger Otti --- Oestreicher Lisbeth --- Fischer Hermann --- van der Mijll Dekker Kitty --- Kähler Greten --- tapijten --- tapijtkunst --- 745.52 --- 373.67 --- Textielkunst ; weven --- Textielkunst ; 1900 - 1950 --- (Musea. Collecties)
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textilia --- vloertapijten --- wandtapijten --- 1915 - 1930 --- Amsterdam --- Textielkunst ; Amsterdamse School ; 1915-1930 --- Tentoonstellingscatalogi ; Tilburg ; Nederlands Textielmuseum --- 746.037 --- (069) --- Textielkunst ; 1900 - 1950 --- (Musea. Collecties) --- Exhibitions --- tapisserie --- Amsterdamse school (Architecture) --- Textile design --- Textile fabrics --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Influence --- History --- textilia (objectnaam) --- vloertapijt --- Architecture --- Decorative arts --- Dry-goods --- Weaving --- Textile fibers --- Decoration and ornament --- Design --- Textile industry
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746.037 --- 746.1 --- Textielkunst weefsels tapijten 1ste h. 20ste eeuw --- Bauhaus textiel weven --- Tentoonstellingscatalogi Berlijn Bauhaus-Archiv --- Textielkunst 1900 - 1950 --- Textielkunst weven --- Hand weaving --- Textile artists --- Textile design --- Bauhaus ; textiel ; weven --- Tentoonstellingscatalogi ; Berlijn ; Bauhaus-Archiv --- Textielkunst ; weefsels ; tapijten ; 1ste h. 20ste eeuw --- Decoration and ornament --- Design --- Textile industry --- Artists --- Weaving --- History --- Textielkunst ; 1900 - 1950 --- Textielkunst ; weven --- Bauhaus --- Berlin (Germany). --- Dessau (Dessau, Germany). --- Weimar (Thuringia, Germany). --- Baohaosi --- Bauhaus Dessau --- Staatliches Bauhaus
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The definitive reference work in a revised and updated edition. In a fleeting 14-year period between two world wars, Germany’s Bauhaus school of art and design changed the face of modernity. With utopian ideas for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology, which they applied across media and practices from film to theater, and sculpture to ceramics. This book is made in collaboration with the Bauhaus-Archiv /Museum für Gestaltung in Berlin, the world’s largest collection on the history of the Bauhaus. Documents, studies, more than 250 new photographs, sketches, plans, and models record not only the realized works but also the leading principles and personalities of this idealistic creative community through its three successive locations in Weimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings guided by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection brims with the colors, materials, and geometries that made up the Bauhaus vision of a “total” work of art. As we approach the Bauhaus centennial, this is a defining account of its energy and rigor, not only as a trailblazing movement in modernism but also as a paradigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. Featured artists include Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, and Lilly Reich. -- ‡c From publisher’s description.
Design --- 7.037 --- 77.037 --- 746.037 --- Beeldende kunst ; architectuur ; 1ste h. 20ste eeuw ; Bauhaus --- Interieurarchitectuur ; meubelkunst ; 20ste eeuw --- Kunst en theater ; 20ste eeuw --- History --- Kunstgeschiedenis ; 1900 - 1950 --- Fotografie ; 1900 - 1950 --- Textielkunst ; 1900 - 1950 --- Bauhaus. --- Bauhaus --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- History. --- Beeldende kunst ; architectuur ; 1ste helft 20ste eeuw ; Bauhaus --- Art styles --- Architecture --- architecture [discipline] --- abstraction --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- Germany
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The oeuvre of the artists of the Wiener Werkstätte is known worldwide; however, to date, only scant interest has been afforded the women artists. The ceramicists G. Baudisch, S.Singer, and V. Wieselthier are well known; Mathilde Flögl, Hilda Jesser, Maria Likarz, and Felice Rix at least evoke some association, but only experts are familiar with Martha Alber, Rose Krenn, and Margarete Reingold.As part of research carried out at the MAK, approx. 180 women artists have been identified whose participation in the development of Viennese arts and crafts is presented in this exhibition for the first time. The professional image of women artisans is analyzed, including its emancipatory potential; the catalog illustrates these women’s enormous wealth of ideas that has contributed to the unique status of the Wiener Werkstätte.
Arts décoratifs --- Vienne --- Femmes artistes --- Vienne. --- Wiener Werkstätte. --- Exhibitions --- art history --- vrouw in de kunst --- Wiener Werkstätte --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- 7.036 --- 738 --- 745.52 --- Oostenrijk --- 20ste eeuw (kunst) --- Twintigste eeuw (kunst) --- Keramiek (kunst) --- Textiel (design) --- 7.037(436) --- 738.037 --- 746.037 --- 391.037(436) --- houten speelgoed --- postkaarten --- Kunstgeschiedenis ; 1900 - 1950 ; Oostenrijk --- Keramiek ; 1900 - 1950 --- Textielkunst ; 1900 - 1950 --- Mode ; 1900 - 1950 ; Oostenrijk --- Applied arts. Arts and crafts --- decorative arts [discipline] --- modernisme --- vrouwelijke kunstenaars --- Bauhaus --- 20ste eeuw --- Wenen --- Wiener Werkstätte. --- modernisme. --- vrouwelijke kunstenaars. --- Bauhaus. --- 20ste eeuw. --- Wenen. --- vrouwelijke kunstenaar
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"The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role of these women in debates about medium in the twentieth century and a nuanced history of the Bauhaus come to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts."--Publisher's description.
Textile design --- Weaving --- Women textile designers --- Modernism (Art) --- Art and craft debate --- 745.52 --- 7.01 --- 7.037 --- Berger Otti --- Stözl Gunta --- Albers Anni --- fotografie --- kunst en architectuur --- architectuur --- Bauhaus --- twintigste eeuw --- Duitsland --- esthetica --- kunsttheorie --- textielkunst --- textiel --- kunst --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Art/craft debate --- Art-craft hierarchy --- Art versus craft debate --- Craft and art debate --- Craft/art debate --- Craft versus art debate --- Art --- Handicraft --- Textile designers --- Women designers --- Warping --- Textile industry --- Decoration and ornament --- Design --- History --- Bauhaus. --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- weaving --- industrial design --- art theory --- feminisme --- gender --- 746.037(430) --- 746.1 --- 746.01 --- Textielkunst ; 1ste helft 20ste eeuw ; Bauhaus --- Textielkunst ; 1900 - 1950 ; Duitsland --- Textielkunst ; weven --- Textielkunst ; theorie, filosofie, esthetica
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The digitalization of the world seems to require manual compensation. Everywhere, people are crocheting, embroidering, knitting, and weaving. The boundary between arts and crafts appears to be blurring. As early as 1878, Gottfried Semper referred to textiles as the original art form. The Wiener Werkstätte and the Bauhaus broke through the barriers—a decisive impulse for the masters of modernism. Thread, weave, network, and pattern are simultaneously foundation, result, and inspiration and spill over into the areas painting, sculpture, installation, and media art. This opulently designed volume presents both an artistic and an intercultural dialogue, comparing works by Gustav Klimt, Edgar Degas, Jackson Pollock, Eva Hesse, Chiharu Shiota, and Sergei Jensen to historical textiles from centuries past. Interdisciplinary essays provide extensive discussions of the materials and ideas utilized in work with textiles. Artists featured (selection): Magdalena Abakanowicz, Anni Albers, Joseph Beuys, Louise Bourgeois, Edgar Degas, Sonia Delaunay, Lucio Fontana, Mona Hatoum, Eva Hesse, Josef Hoffmann, Sergei Jensen, Mike Kelley, Kimsooja, Paul Klee, Peter Kogler, Piero Manzoni, Agnes Martin, William Morris, Robert Morris, Blinky Palermo, Sigmar Polke, Gerhard Richter, Chiharu Shiota, Yinka Shonibare, Sophie Taeuber-Arp, Dorothea Tanning, Lenore Tawney, Rosemarie Trockel, Édouard Vuillard, Pae White Exhibition schedule: Kunstmuseum Wolfsburg, October 12, 2013–March 2, 2014 | Staatsgalerie Stuttgart March 21–June 22, 2014
textile materials --- Art --- painting [image-making] --- installations [visual works] --- sculpting --- Man Ray --- Gogh, van, Vincent --- Jensen, Sergej --- Gnoli, Domenico --- El Anatsui --- Knoebel, Imi --- Moser, Koloman --- Morellet, François --- Warhol, Andy --- Rauschenberg, Robert --- Ruthenbeck, Reiner --- Arndt, Gertrud --- Bonnard, Pierre --- Kelley, Mike --- Reich, Lilly --- Mellan, Claude --- Soulages, Pierre --- Shiota, Chiharu --- Klimt, Gustav --- Tanning, Dorothea --- Mies van der Rohe, Ludwig --- Hoffmann, Josef Franz Maria --- Palermo, Blinky --- Champaigne, de, Philippe --- Sieverding, Katharina --- Amer, Ghada --- Hatoum, Mona --- Larner, Liz --- Itten, Johannes --- Hesse, Eva --- Aladağ, Nevin --- Kher, Bharti --- Kiefer, Anselm --- Beuys, Joseph --- Tawney, Lenore --- Bourgeois, Louise --- Vallotton, Felix --- Ryman, Robert --- Cane, Louis --- Bloch, Pierrette --- Hammwöhner, Sebastian --- Pistoletto, Michelangelo --- Kogler, Peter --- Merz, Mario --- Morris, Robert --- Velde, Van de, Henry --- Holzapfel, Olaf --- Pollock, Jackson --- Manzoni, Piero --- Polke, Sigmar --- Sandback, Frederick Laue --- Klee, Paul --- Vuillard, Edouard --- Feldmann, Friederike --- Morris, William --- Marden, Brice --- Degas, Edgar --- Kusama, Yayoi --- Rankin, Jessica --- Delaunay, Sonia --- Martin, Agnes --- Torres Garcia, Joaquin --- Boetti, Alighiero --- Abakanowicz, Magdalena --- Rohlfs, Christian --- Matisse, Henri --- Risch, Jens --- Shonibare, Yinka --- Albers, Anni --- Richter, Gerhard --- Trockel, Rosemarie --- Kimsooja --- Wols --- White, Pae --- Mondriaan, Piet --- Liebermann, Max --- Hugo, Pieter --- Textile fabrics in art --- Textiles et tissus dans l'art --- Exhibitions --- Expositions --- textielkunst --- etnische kunst --- toegepaste kunsten --- gender --- sociale geschiedenis --- cultuurgeschiedenis --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- White Pae --- Warhol Andy --- Vuillard Edouard --- van de Velde Henry --- Vallotton Felix --- Trübner Heinrich Wilhelm --- Trockel Rosemaire --- Torres García Joaquin --- Tawney Lenore --- Tanning Dorothea --- Taeuber-Arp Sophie --- 7.036 --- 745.52 --- Soulages Pierre --- Sieverding Katharina --- Shonibare Yinka --- Shiota Chiharu --- Sassen Vivian --- Sandback Fred --- Ryman Robert --- Ruthenbeck Reiner --- Rohlfs Christian --- Risch Jens --- Richter Gerhard --- Rauschenberg Robert --- Rankin Jessica --- Polke Sigmar --- Pistoletto Michelangelo --- Passehl Janet --- Palermo Blinky --- Moser Koloman --- Morris William --- Morellet François --- Mondriaan Piet --- Mondrian Piet --- Reich Lilly --- Mies van der Rohe Ludwig --- Merz Mario --- Mellan Claude --- Matisse Henri --- Martin Agnes --- Manzoni Piero --- Ray Man --- Liebermann Max --- Larner Liz --- Kusama Yayoi --- Kogler Peter --- Knoebel Imi --- Klimt Gustav --- Klee Paul --- Kiefer Anselm --- Kher Bharti --- Kelley Mike --- Jensen Sergej --- Itten Johannes --- Hugo Pieter --- Holzapfel Olaf --- Hatoum Mona --- Hammwörther Sebastian --- Gomes Sonia --- van Gogh Vincent --- Gnoli Domenico --- Giese Imi --- Fortuny Mariano --- Fontana Lucio --- Feldmann Friederike --- Eshkol Noa --- Eigen Frauke --- Dieker Birgit --- Delaunay-Terk Sonia --- Degas Edgard --- de Champaigne Philippe --- Cane Louis --- Bourgeois Louise --- Bonnard Pierre --- Boetti Alighiero --- Alighiero e Boetti --- Bloch Pierrette --- Beuys Joseph --- Arndt Gertrud --- Arikan Burak --- Anatsui El --- Amer Ghada --- Albers Anni --- Aladag Nevin --- Abakanowicz Magdalena --- textiel --- 746.038 --- 746.037 --- 746(03) --- Textiel ; kunstenaars werken met --- Textiel ; in de kunst ; als materiaal ; als onderwerp --- Thema's in de kunst ; textiel ; weefsels ; stoffen --- Kunstmaterialen ; textiel --- Tentoonstellingscatalogi ; Wolfsburg ; Kunstmuseum --- 779.8 --- conceptuele kunst --- Textielkunst ; 1950 - 2000 --- Textielkunst ; 1900 - 1950 --- Textielkunst ; encyclopedieën --- textielkunst, overige --- Torres García, Joaquín --- Hoffmann, Josef --- textielkunst. --- etnische kunst. --- gender. --- sociale geschiedenis. --- cultuurgeschiedenis. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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