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Couleurs (Phys --- Kleuren (Natuurk --- 535.733.5
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733.5 --- Arts Sculpture Roman --- Hercules (Roman mythology) --- Relief (Sculpture), Roman. --- Sarcophagi, Roman. --- Hercule (Mythologie romaine) --- Relief (Sculpture) romain --- Sarcophages romains --- Art --- Relief (Sculpture), Roman --- Sarcophagi, Roman --- Roman sarcophagi --- Roman relief (Sculpture) --- Hercules --- Art. --- Hercules (Roman mythology) - Art
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Sculpture --- Antiquity --- Sarcophagi, Roman --- Relief (Sculpture), Roman --- Sarcophages romains --- Relief (Sculpture) romain --- Rome --- Antiquities --- Antiquités --- Sarcophagi, Roman. --- Relief (Sculpture), Roman. --- Antiquities. --- 726.829 --- #BIBC:bibl.Reekmans --- 902 --- 733.5 --- Roman sarcophagi --- Roman relief (Sculpture) --- Sarcofagen --- Archeologie --- Arts Sculpture Roman --- 902 Archeologie --- 726.829 Sarcofagen --- Antiquités --- Rome - Antiquities
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Portrait sculpture, Roman --- 733.5 --- 937.05092 --- Roman portrait sculpture --- Arts Sculpture Roman --- History Ancient world Italy 146-31 B.C. Persons --- Livia Empress, consort of Augustus, Emperor of Rome --- -Art --- Rome --- History --- -Portrait sculpture, Roman --- Livia, --- Augusta, --- Julia Augusta, --- Livia Drusilla, --- Art.
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This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was. This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
Portrait sculpture, Roman. --- Altered sculptures --- Sculpture de portraits romaine --- Sculptures transformées --- busts [figures] --- Portrait sculpture, Roman --- Plastieken --- Vandalisme --- Aanpassing --- Romeinse rijk. --- Plastieken. --- Portretten. --- Vandalisme. --- Aanpassing. --- 733.5 --- Arts Sculpture Roman --- Sculpture --- Roman history --- Political aspects. --- Mutilation, defacement, etc --- History --- Roman portrait sculpture --- Mutilation, defacement, etc. --- Stonework, Decorative --- Art --- Bas-relief --- Statues --- Sculpture, Primitive --- busts [general, figures] --- Altered sculptures.
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Relief (Sculpture), Roman --- Sepulchral monuments --- Stele (Archaeology) --- 733.5 --- Stela (Archaeology) --- Stelae (Archaeology) --- Stelai (Archaeology) --- Steles (Archaeology) --- Archaeology --- Menhirs --- Funeral monuments --- Funerary monuments --- Graves --- Gravestones --- Memorial tablets --- Tablets, Memorial --- Tombstones --- Monuments --- Roman relief (Sculpture) --- Catalogs --- Arts Sculpture Roman --- Italy --- Antiquities. --- Catalogs. --- Portrait sculpture, Roman
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Dionysia --- Romans --- Vaso borraccia di Salò --- Orphisme --- Italy --- Salò (Italy) --- Italie --- Antiquities, Roman --- Antiquités romaines --- Vaso borraccia di Salò --- Salò, Italy --- Vaso borraccia di Salo --- 731.720937 --- 733.5 --- "Liber in deum" bottle --- Vaso borraccia "Liber in deum" --- Pilgrim bottles --- Arts Sculpture Decorative sculpture Ancient World Italy --- Arts Sculpture Roman --- Dionysia. --- Vaso borraccia di Salò. --- Salò (Italy) --- Antiquités romaines --- Ethnology --- Italic peoples --- Latini (Italic people) --- Orphic mysteries --- Orphism --- Cults --- Antiquities, Roman. --- Vaso borraccia di Salò. --- Salò, Italy - Antiquities, Roman
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Laocoon (Legendary character) --- -704.9426 --- 733.5 --- Laokoon (Legendary character) --- Legends --- Art --- Arts Iconography Human figures Groups of figures --- Arts Sculpture Roman --- Agesander --- Agēsandros --- Hagesandros --- Laocoön (Legendary character) --- Art, Classical --- Laocoön (Legendary character) --- Sculpture, Hellenistic --- 704.9426 --- Hellenistic sculpture --- Sculpture, Greek --- Classical art --- Classical antiquities --- Themes, motives --- Influence --- Agesander. --- Athenodorus. --- Polydorus. --- Museo Pio-Clementino (Vatican City) --- Pio-clementinisches Museum (Vatican City) --- Pio-Clementine Museum (Vatican City) --- Rome --- History --- Themes, motives. --- Art. --- Influence.
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