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In this book, a number of protagonists of Italian modern architecture provide vivid dialogues - here taken to mean 'the talking of the soul with itself' - on how they perceive the interaction between idea, design and construction. Drawing on these personal views, Dialogues on Architecture explores the relationship that exists between the poetic and the technical-scientific spheres in architecture, underlining their complementary and conflictual natures.Dialogues on Architecture rejects the interpretation of architecture as orientated exclusively towards the end result and reconnects the previously interrupted narratives that follow a design from its conception to its completion. Featuring texts from Franco Albini, Lodovico B. di Belgiojoso, Guido Canella, Aurelio Cortesi, Roberto Gabetti & Aimaro Isola, Ignazio Gardella, Vittorio Gregotti, Vico Magistretti, Enrico Mantero, Paolo Portoghesi, Aldo Rossi, Giuseppe Terragni, and Vittoriano Vigano.
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American Bauhaus' creates a space for the history of Black Mountain College, which provided a new creative home for many World War II refugees in Europe from 1933 to 1957 and allowed the Bauhaus to live on in the United States. A unique place of freedom and creativity that became home to some of the most important artists of the 20th century!00In 1992, today's Partner and Creative Director at studio1500 Erik Schmitt attended the reunion of Black Mountain College in San Francisco. The school is credited with shaping some of the greatest artists in American history: Willem de Kooning, John Cage, Merce Cunningham, Buckminster Fuller, Franz Kline, and Robert Rauschenberg among them. Schmitt was invited because his two aunts and their family friend Ruth Asawa attended BMC. He took extensive notes that day and took photographs at the cocktail party after the event at Ruth Asawa?s home. Those quotes and photographs are the foundation of the book American Bauhaus.00Each quote has a page devoted to it. The quote is presented in its entirety along with the time it was uttered. A fragment of the quote is also reproduced at a large scale bleeding off the edge of the page and traveling onto the following spread. In essence, it is an evocation of the interplay of the conversation that took place on that day. The name of the book, American Bauhaus was inspired by a quote Erik Schmitt recorded on the day of the reunion by Peter Oberlander who remembered Joseph Albers saying ?Black Mountain is a minimal version of the Bauhaus ? Go there.?
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72.036 --- Noorwegen --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur)
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