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Hito Steyerl est à juste titre considérée comme l'une des artistes les plus stimulantes et pertinentes parmi celles et ceux qui questionnent l'impact de l'internet et du numérique sur la vie quotidienne. Ses films et ses écrits constituent une analyse efficace, provocatrice, et souvent drôle, de la vitesse vertigineuse avec laquelle les images et les données sont reconfigurées, modifiées, dispersées, élevées vers l"infini ou éliminées dans l'oubli.Too Much World rassemble une série d'essais et de lectures des films réalisés par Hito Steyerl depuis dix ans. Des essais inédits de Sven Lütticken, Karen Archey, Ana Teixeira Pinto et Nick Aikens, ainsi que des textes de Thomas Elsaesser, Pablo Lafuente, David Riff et Steyerl elle-même, sont complétés par plus de cent pages de photogrammes en couleur, constituant un vaste diaporama des investigations que mène l'artiste autour du statut, de la circulation et de la signification des images.
Motion pictures in art --- Motion pictures --- Motion picture producers and directors --- kunst --- film --- eenentwintigste eeuw --- Steyerl Hito --- Duitsland --- 7.071 STEYERL --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Production and direction --- History and criticism --- Steyerl, Hito --- Exhibitions --- Steyerl, Hito, --- Steyerl, Hito, - 1966 --- -Motion pictures in art --- -Steyerl, Hito --- -Steyerl, Hito, - 1966-
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A massive, long-overdue retrospective on the multimedia image critique of Hito Steyerl, influential artist and author of Duty-Free Art and The Wretched of the ScreenOver the past 30 years, through video and installation, the immensely influential German artist and writer Hito Steyerl (born 1966) has been tracking the ways that images have mutated—from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image—and the implications these mutations have had for the representation of wars, genocides and the flow of capital. “We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand,” writes Brian Kuan Wood of the digital visual worlds that the artist presents.At nearly 500 pages, this book—the first substantial overview on Steyerl—looks at multimedia installations and film projects of the past ten years, as well as earlier works, all of which are united by the artist’s unflagging interrogation of the politics of the image.
kunst --- video-installaties --- video --- kunst en politiek --- film --- eenentwintigste eeuw --- Steyerl Hito --- Duitsland --- 7.071 STEYERL --- Exhibitions --- Art --- video [art discipline] --- video art --- video artists --- multimediakunst --- Steyerl, Hito --- Installations (art) --- Installations vidéo (art) --- Art vidéo --- Art numérique --- Kunst en cultuur ; globalisering --- Kunst en activisme --- Kunst en politiek ; 21ste eeuw --- Beeldende kunst ; Duitsland ; 21ste eeuw --- Videokunst ; 21ste eeuw --- Steyerl, Hito °1966 (°München, Duitsland) --- 778.5.07 --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- video [discipline]
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