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S17/0500 --- S17/0214 --- S32/1100 --- 7.032.1 --- Art, Buddhist --- -Art, Buddhist --- -Art, Central Asian --- Art, Chinese --- Chinese art --- Central Asian art --- Art, Lamaist --- Art --- Buddhism and art --- China: Art and archaeology--Buddhist art: general --- China: Art and archaeology--Archaeology China: Pre-Han and Han --- Central Asia--Civilization, culture and art --- Oosterse- en Aziatische kunst in de Oudheid --- 7.032.1 Oosterse- en Aziatische kunst in de Oudheid --- Art, Central Asian --- Buddhist art
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7.032.1 --- 7 <51> --- S17/0400 --- S17/0600 --- Oosterse- en Aziatische kunst in de Oudheid --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--China --- China: Art and archaeology--Chinese art: general and history --- China: Art and archaeology--Calligraphy and painting: general (incl. technic. and esthetic aspects) --- 7.032.1 Oosterse- en Aziatische kunst in de Oudheid --- Art --- 20th century --- Hong Kong (China) --- History --- Art schools --- Shanghai (China)
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Art, Ancient --- Art --- Symbolism in art --- Themes, motives --- 7.032.1 --- -Art, Ancient --- -Symbolism in art --- -Allegory (Art) --- Signs and symbols in art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Oosterse- en Aziatische kunst in de Oudheid --- Themes, motives. --- Allegory (Art) --- 7.032.1 Oosterse- en Aziatische kunst in de Oudheid --- Art, Primitive --- Art, Ancient - Middle East - Themes, motives --- Art - Middle East - Themes, motives --- Symbolism in art - Middle East
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Volume two of Marylin Rhie’s widely acclaimed and formative multi-volume work presents a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia from 316-439 A.D. during the formative early periods of Buddhism in the Eastern Chin and Sixteen Kingdoms Period. Using texts translated from the Chinese together with stylistic and technical analyses, the chronology and sources of the art are more clearly defined than in previous studies for the regions of South and North China (other than Kansu) and the important sites of Tumshuk, Kucha and Karashahr on the Northern Silk Route in eastern Central Asia. Furthermore, by incorporating extensive religious and historical materials, this work not only contributes to clarifying the regional characteristics of the art, but also offers new insights into the broader, interregional relationships of this politically fragmented period.
S17/0500 --- S17/0510 --- S17/0520 --- #SML: Chinese memorial library --- China: Art and archaeology--Buddhist art: general --- China: Art and archaeology--Buddhist art: paintings --- China: Art and archaeology--Buddhist art: sculpture --- Buddhist art --- Art bouddhique --- S17/0214 --- S32/1100 --- 7.032.1 --- Art, Buddhist --- -Art, Buddhist --- -Art, Central Asian --- Chinese art --- Central Asian art --- Art, Lamaist --- Buddhism and art --- China: Art and archaeology--Archaeology China: Pre-Han and Han --- Central Asia--Civilization, culture and art --- Oosterse- en Aziatische kunst in de Oudheid --- Art, Chinese. --- 7.032.1 Oosterse- en Aziatische kunst in de Oudheid --- S17/0215 --- China: Art and archaeology--Archaeology: Three Kingdoms till Song --- Art, Chinese --- Art --- Art, Gandhara --- Gandhara art --- Art, Central Asian. --- Art chinois --- Art de l'Asie centrale
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