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2017 (1)

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Book
The incomparable Monsignor : Francesco Bianchini's world of science, history and court intrigue
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ISBN: 9780192856654 0192856650 Year: 2022 Publisher: Oxford : Oxford University Press,

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Abstract

"Monsignor Francesco Bianchini was the culture tsar of Rome under his friend Pope Clement XI, who reigned from 1700 to 1721. Famous as an astronomer, historian, and archaeologist, Bianchini also dabbled in high-stakes diplomacy and low-level espionage. Monsignor's scientific expertise ranged from observational astronomy to the imaginative reconstruction of ancient monuments. He discovered several comets; designed and built a glorious solar observatory in a Roman basilica; discovered and interpreted ancient inscriptions; and wrote an account of the first 32 centuries of human history, from the Creation to the fall of Assyria. During the first part of Clement's 20-year reign, which was dominated by the War of the Spanish Succession, Bianchini visited England while on a diplomatic mission to France. In London he met Newton, who esteemed him as one of the world's very few "candid seekers of truth," and in Paris he met James Stuart, the claimant to the thrones of Britain. When James set up his court-in-exile in Italy, his good friend Bianchini became one of the courtiers. Heilbron presents Bianchini as an exemplar of the churchman-diplomat-scholar of the time, deeply learned yet caught up in worldly affairs. Heilbron's account roves with ease, verve, and wit between erudition and antiquities, astronomy and history, and international and papal politics whose high point was the daring rescue of an imprisoned princess"--


Book
Cosmos and community in early medieval art
Authors: ---
ISBN: 9780300219166 0300219164 9780300228496 030022849X 0300247761 9780300247763 Year: 2017 Publisher: New Haven

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"In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, [it] illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history"--Jacket flap.

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