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Cette lecture organique est le fruit d'une recherche de plusieurs décades, en Europe et en Afrique, sur les Pères de l'Eglise et les Auteurs cisterciens, dans le domaine très monastique des "Commentaires des Psaumes" (Tractatus). Le premier travail porte sur Hilaire de Poitiers (décédé vers 367) ; sa préface aux 58 Commentaires qu'il nous a laissés (Instructio Psalmorum) est fondamentale. Elle est ici intégralement reproduite. Au Théologien des Gaules fait suite Athanase d'Alexandrie (décédé vers 373) qui, dans sa Lettre à Marcellin, nous introduit dans l'univers des Psaumes "comme dans un Paradis". Saint Augustin, à la suite d'Hilaire mais plus systématiquement, formulera en s'appuyant sur de nombreux exemples que "le Christ Total (Tête et Membres) est la clé de l'intelligibilité des Psaumes". Nous nous arrêterons un long moment sur l'énorme Commentaire de Cassiodore (décédé vers 580). Le Mystère Pascal du Christ éclaire constamment son interprétation. Quelques références à Guillaume de Saint Thierry et à Saint Bernard nous introduiront dans le monde cistercien. Nous soulignerons l'intérêt particulier des 17 Sermons de l'Abbé de Clairvaux sur le Psaume 90. Une évaluation finale permettra une aide pratique dans la fréquentation des Psaumes, guides par excellence de la prière de l'Eglise.

223.3 --- 276:221 --- 276:221 Patrologie. Patristiek-:-Bijbel: Oud Testament --- 276:221 Patrologie. Patristique-:-Bible: Ancien Testament --- Patrologie. Patristiek-:-Bijbel: Oud Testament --- Patrologie. Patristique-:-Bible: Ancien Testament --- 223.3 Psalmen --- 223.3 Psaumes --- Psalmen --- Psaumes

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This 103rd volume in the Studia Patristica series consists of 15 articles devoted to the translations and interpretations of the Bible in the Patristic period, and is the result of the Third International Patristic Conference, which was held at the John Paul II Catholic University of Lublin (Lublin, Poland) on October 16-17, 2019. The articles presented in this volume cover the entire patristic period and discuss various issues related to the meaning and interpretation of the Bible in the Alexandrian milieu and among Egyptian Monks, in the works of Origen, Jerome, Cyril, Philastrius of Brescia, Augustine, Paulinus of Nola, John Chrysostom and Sergius the Stylite. The articles presented allow us to better understand what the Bible meant to the authors of the Patristic period, and how they used it in their lives and works.

Theology --- Church history --- Fathers of the church --- 276:221 --- 276:221 Patrologie. Patristiek-:-Bijbel: Oud Testament --- 276:221 Patrologie. Patristique-:-Bible: Ancien Testament --- Patrologie. Patristiek-:-Bijbel: Oud Testament --- Patrologie. Patristique-:-Bible: Ancien Testament --- Church fathers --- Patristics --- Philosophy, Patristic --- Christians --- Apostolic Church --- Christianity --- Church, Apostolic --- Early Christianity --- Early church --- Primitive and early church --- Primitive Christianity --- Great Apostasy (Mormon doctrine) --- History --- Bible --- Criticism, interpretation, etc.

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In this work, Karl Shuve provides a new account of how the Song of Songs became one of the most popular biblical texts in medieval Western Christianity, through a close and detailed study of its interpretation by late antique Latin theologians. It has often been presumed that early Latin writers exercised little influence on the medieval interpretation of the poem, since there are so few extant commentaries from the period. But this is to overlook the hundreds of citations of and allusions to the Song in the writings of influential figures such as Cyprian, Ambrose, Jerome, and Augustine as well as the lesser-known theologian Gregory of Elvira. Through a comprehensive analysis of these citations and allusions, Shuve argues that contrary to the expectations of many modern scholars, the Song of Songs was not a problematic text for early Christian theologians, but was a resource that they mined as they debated the nature of the church and of the virtuous life. The first part of the volume considers the use of the Song in the churches of Roman Africa and Spain, where bishops and theologians focused on images of enclosure and purity invoked in the poem. In the second part, the focus is late fourth-century Italy, where a new ascetic interpretation, concerned particularly with women's piety, began to emerge. This erotic poem gradually became embedded in the discursive traditions of Latin Late Antiquity, which were bequeathed to the Christian communities of early medieval Europe.

Christian fundamental theology --- Bible OT. Wisdom books. Song of Songs --- anno 500-1499 --- anno 400-499 --- Northern Africa --- Italy --- Spain --- North Africa --- 223.6 --- 276:221 --- 276:221 Patrologie. Patristiek-:-Bijbel: Oud Testament --- 276:221 Patrologie. Patristique-:-Bible: Ancien Testament --- Patrologie. Patristiek-:-Bijbel: Oud Testament --- Patrologie. Patristique-:-Bible: Ancien Testament --- 223.6 Cantique ou Cantique des Cantiques --- 223.6 Hooglied --- Cantique ou Cantique des Cantiques --- Hooglied

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Augustinian art --- Femininity of God --- Wisdom (Biblical personification) --- Expository preaching --- 276:221 --- 276:225 --- 276:225 Patrologie. Patristiek-:-Bijbel: Nieuw Testament --- 276:225 Patrologie. Patristique-:-Bible: Nouveau Testament --- Patrologie. Patristiek-:-Bijbel: Nieuw Testament --- Patrologie. Patristique-:-Bible: Nouveau Testament --- 276:221 Patrologie. Patristiek-:-Bijbel: Oud Testament --- 276:221 Patrologie. Patristique-:-Bible: Ancien Testament --- Patrologie. Patristiek-:-Bijbel: Oud Testament --- Patrologie. Patristique-:-Bible: Ancien Testament --- Ḥokhmah (Biblical personification) --- Sophia (Biblical personification) --- Wisdom (Biblical character) --- God --- Femininity --- Assemblies of God. --- Asambleas de Dios --- Assembléias de Deus --- Preaching --- Personification in the Bible --- Christian art and symbolism --- Motherhood --- Miséricorde