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"The Brontës had their moors, I have my marshes," Lorine Niedecker wrote of flood-prone Black Hawk Island in Wisconsin, where she lived most of her life. Her life by water, as she called it, could not have been further removed from the avant-garde poetry scene where she also made a home. Niedecker is one of the most important poets of her generation and an essential member of the Objectivist circle. Her work attracted high praise from her peers--Marianne Moore, William Carlos Williams, Louis Zukofsky, Cid Corman, Clayton Eshleman--with whom she exchanged life-sustaining letters. Niedecker was also a major woman poet who interrogated issues of gender, domesticity, work, marriage, and sexual politics long before the modern feminist movement. Her marginal status, both geographically and as a woman, translates into a major poetry. Niedecker's lyric voice is one of the most subtle and sensuous of the twentieth century. Her ear is constantly alive to sounds of nature, oddities of vernacular speech, textures of vowels and consonants. Often compared to Emily Dickinson, Niedecker writes a poetry of wit and emotion, cosmopolitan experimentation and down-home American speech. This much-anticipated volume presents all of Niedecker's surviving poetry, plays, and creative prose in the sequence of their composition. It includes many poems previously unpublished in book form plus all of Niedecker's surviving 1930's surrealist work and her 1936-46 folk poetry, bringing to light the formative experimental phases of her early career. With an introduction that offers an account of the poet's life and notes that provide detailed textual information, this book will be the definitive reader's and scholar's edition of Niedecker's work.

American literature. --- English literature --- Agrarians (Group of writers) --- Niedecker, Lorine. --- Neidecker, Lorine --- 20th century poetry. --- literary studies. --- modernist poetry.

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This first translation of the complete poetry of Peruvian César Vallejo (1892-1938) makes available to English speakers one of the greatest achievements of twentieth-century world poetry. Handsomely presented in facing-page Spanish and English, this volume, translated by National Book Award winner Clayton Eshleman, includes the groundbreaking collections The Black Heralds (1918), Trilce (1922), Human Poems (1939), and Spain, Take This Cup from Me (1939). Vallejo's poetry takes the Spanish language to an unprecedented level of emotional rawness and stretches its grammatical possibilities. Striking against theology with the very rhetoric of the Christian faith, Vallejo's is a tragic vision-perhaps the only one in the canon of Spanish-language literature-in which salvation and sin are one and the same. This edition includes notes on the translation and a fascinating translation memoir that traces Eshleman's long relationship with Vallejo's poetry. An introduction and chronology provide further insights into Vallejo's life and work.

POETRY / General. --- Vallejo, César, --- Vallejo Mendoza, César Abraham, --- Mendoza, César Abraham Vallejo, --- Vallejo, César Abraham, --- Valʹekho, Sesar, --- Valliecho, Kaisar, --- Vallejo, Cholo, --- 20th century poetry. --- award winner. --- christian. --- christianity. --- collected works. --- creative writing. --- emotional. --- faith. --- life story. --- mfa. --- national book award. --- peruvian poetry. --- poetics. --- poetry collection. --- poetry studies. --- poetry translation. --- poetry. --- realistic. --- spanish language poetry. --- spanish language. --- theology. --- translation. --- true story. --- world poetry.

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A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan's books and magazine publications up to and including Letters: Poems 1953-1956. Deftly edited, it thoroughly documents the first phase of Duncan's distinguished life in writing, making it possible to trace the poet's development as he approaches the brilliant work of his middle period. This volume includes the celebrated works Medieval Scenes and The Venice Poem, all of Duncan's long unavailable major ventures into drama, his extensive "imitations" of Gertrude Stein, and the remarkable poems written in Majorca as responses to a series of collaged paste-ups by Duncan's life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan's early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems. The volume to follow, The Collected Later Poetry and Plays, will include The Opening of the Field (1960), Roots and Branches (1964), Bending the Bow (1968), Ground Work (1984), and Ground Work II (1987).

American literature. --- English literature --- Agrarians (Group of writers) --- Duncan, Robert, --- Duncan, Robert Edward, --- Symmes, Robert, --- Duncan, Edward Howard, --- R. D. --- D., R. --- Duncan, Edward Howe, --- Symmes, Robert Edward, --- 20th century poetry. --- american history. --- american poetry. --- art of poetry. --- books for poetry lovers. --- classical plays. --- classical poetry. --- complex literacy. --- creative writing. --- drama. --- emotional poems. --- engaging. --- gifts for mom. --- hardship. --- how to write a poem. --- inspirational stories. --- intense emotion. --- intense. --- leisure reads. --- literary art. --- literary skills. --- love poems. --- page turner. --- playwright. --- poems and plays. --- poetry book. --- poetry skills. --- robert duncan. --- touching. --- travel books. --- vacation reads.