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Everett Ruess was twenty years old when he vanished into the canyonlands of southern Utah, spawning the myth of a romantic desert wanderer that survives to this day. It was 1934, and Ruess was in the fifth year of a quest to record wilderness beauty in works of art whose value was recognized by such contemporary artists as Dorothea Lange, Ansel Adams, and Edward Weston. From his home in Los Angeles, Ruess walked, hitchhiked, and rode burros up the California coast, along the crest of the Sierra Nevada, and into the deserts of the Southwest. In the first probing biography of Everett Ruess, acclaimed environmental historian Philip L. Fradkin goes beyond the myth to reveal the realities of Ruess's short life and mysterious death and finds in the artist's astonishing afterlife a lonely hero who persevered.
Poets, American --- Explorers --- Discoverers --- Navigators --- Voyagers --- Adventure and adventurers --- Heroes --- Discoveries in geography --- Ruess, Everett, --- 20th century artists. --- american artists. --- american disappearances. --- american legends. --- american mystery. --- american southwest. --- american west. --- ansel adams. --- art history. --- artist biography. --- crime. --- criminal investigation. --- depression era art. --- dorothea lange. --- edward weston. --- great depression. --- historical disappearances. --- history. --- into the wild. --- mysteries of the west. --- mysterious death. --- mystery and adventure. --- southwestern history. --- unsolved disappearances. --- unsolved mysteries. --- utah artists. --- utah history. --- utah mysteries. --- vagabond artists.
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Memory Work demonstrates the evolution of the pioneering minimalist sculptor Anne Truitt. An artist determined to make her way through a new aesthetic in the 1960s, Truitt was tireless in her pursuit of a strong cultural voice. At the heart of her practice was the key theme of memory, which enabled her not only to express personal experience but also to address how perception was changing for a contemporary viewership. She gravitated toward the idea that an object in one's focus could unleash a powerful return to the past through memory, which in turn brings a fresh, even critical, attention to the present moment. In addition to the artist's own popular published writings, which detail the unique challenges facing female artists, Memory Work draws on unpublished manuscripts, private recordings, and never-before-seen working drawings to validate Truitt's original ideas about the link between perception and mnemonic reference in contemporary art. De Baca offers an insider's view of the artist's unstinting efforts to realize her artistic vision, as well as the cultural, political, and historical resonances her oeuvre has for us today.
Sculpture, American --- Sculpture, Modern --- Truitt, Anne, --- Dean, Anne, --- Truitt, Anne Dean, --- Criticism and interpretation. --- 1960s sculptor. --- 20th century artists. --- american artists. --- american sculptors. --- anne truitt first. --- anne truitt hardcastle. --- anne truitt valley forge. --- anne truitt. --- art criticism. --- art history. --- artists. --- contemporary artists. --- hardcastle. --- memory studies. --- memory. --- mid century minimalism. --- minimal artist. --- minimalism. --- minimalist art. --- minimalist sculptor. --- perception and mnemonic reference. --- production of memory. --- truitts sculptures. --- visual artist.
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This absorbing biography, often conveyed through Peter Selz's own words, traces the journey of a Jewish-German immigrant from Hitler's Munich to the United States and on to an important career as a pioneer historian of modern art. Paul J. Karlstrom illuminates key historical and cultural events of the twentieth-century as he describes Selz's extraordinary career-from Chicago's Institute of Design (New Bauhaus), to New York's Museum of Modern Art during the transformative 1960's, and as founding director of the University Art Museum at UC Berkeley. Karlstrom sheds light on the controversial viewpoints that at times isolated Selz from his colleagues but nonetheless affirmed his conviction that significant art was always an expression of deep human experience. The book also links Selz's long life story-featuring close relationships with such major art figures as Mark Rothko, Dore Ashton, Willem de Kooning, Sam Francis, and Christo-with his personal commitment to political engagement.
Art historians --- Art critics --- Art museum curators --- Art curators --- Curators, Art museum --- Art museums --- Museum curators --- Historians --- Employees --- Selz, Peter, --- Selz, Peter Howard, --- Selz, Hans Peter, --- Selz, Peter Howard, -- 1919-. --- Art historians -- United States -- Biography.. --- Art critics -- United States -- Biography.. --- Art museum curators -- United States -- Biography. --- 1960s artists. --- 20th century artists. --- american art museums. --- art and politics. --- art collectors. --- art culture. --- art history majors. --- art history. --- art museum history. --- art. --- artist biography. --- artists. --- california art enthusiasts. --- california art. --- christo. --- contemporary art. --- dore ashton. --- gallery directors. --- history. --- influential artists. --- jewish german artists. --- mark rothko. --- modern art. --- moma. --- museum curators. --- museums. --- new bauhaus. --- new york art. --- post wwii art. --- post wwii era. --- sam francis. --- uc berkley. --- willem de kooning. --- wwii artists.
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