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"In this innovative book, Gundula Kreuzer argues for the foundational role of technologies in the conception, production, and study of nineteenth-century opera. She shows how composers increasingly incorporated novel audiovisual effects in their works and how the uses and meanings of the required machineries consistently changed, sometimes still resonating in contemporary stagings, performance art, and popular culture. Focusing on devices (which she dubs 'Wagnerian technologies') intended to amalgamate opera's various media while veiling their mechanics, Kreuzer offers a practical counternarrative to Wagner's idealist theories of total illusionism. Curtain, Gong, Steam's multifaceted exploration of the three titular technologies repositions Wagner as catalyst more than inventor in the history of operatic production. With its broad chronological and geographical scope, the book deepens our understanding of the material and mechanical conditions of historical operatic practice as well as of individual works, both well known and obscure"--Provided by publisher.
Wagner, Richard --- Aesthetics. --- MUSIC / Genres & Styles / Opera. --- Opera and technology --- Opera and technology. --- Opera --- PERFORMING ARTS / Theater / General. --- History --- Production and direction --- Production and direction. --- Stage-setting and scenery --- Stage-setting and scenery. --- Wagner, Richard, --- 1800-1899. --- Technology and opera --- Technology --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- MUSIC / History & Criticism. --- 1800-1899 --- 19th century art. --- 19th century music. --- 19th century opera. --- 19th century. --- 20th century. --- acoustics. --- architecture. --- art history. --- artistic. --- audiovisual. --- composer. --- composition. --- french opera. --- german opera. --- inventor. --- music history. --- musical composition. --- opera. --- performance art. --- pop culture. --- popular culture. --- popular music. --- stage crew. --- technology. --- theatre. --- wagner. --- wagnerian technology.
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In this enlightening and entertaining book, one of the most original and sophisticated musicologists writing today turns his attention to music's most dramatic genre. Extending his ongoing project of clarifying music's various roles in Western society, Kramer brings to opera his distinctive and pioneering blend of historical concreteness and theoretical awareness. Opera is legendary for going to extremes, a tendency that has earned it a reputation for unreality. Opera and Modern Culture shows the reverse to be true. Kramer argues that for the past two centuries the preoccupation of a group of famous operas with the limits of supremacy and debasement helped to define a normality that seems the very opposite of the operatic. Exemplified in a series of beloved examples, a certain idea of opera-a fiction of opera-has contributed in key ways to the modern era's characterizations of desire, identity, and social order. Opera and Modern Culture exposes this process at work in operas by Richard Wagner, who put modernity on the agenda in ways no one after him could ignore, and by the young Richard Strauss. The book continues the initiative of much recent writing in treating opera as a multimedia rather than a primarily musical form. From Lohengrin and The Ring of the Niebelung to Salome and Elektra, it traces the rich interplay of operatic visions and voices and their contexts in the birth pangs of modern life.
Opera --- Sex in opera. --- Music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Sexuality in opera --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- Social aspects. --- Philosophy and aesthetics. --- Philosophy --- History and criticism --- Wagner, Richard, --- Strauss, Richard, --- 19th century music history. --- 19th century opera music. --- anti anti semitism. --- desire. --- fiction of opera. --- german composer. --- german music history. --- identity. --- lohengrin prelude. --- modernism. --- modernist opera. --- modernity. --- multimedia. --- music dramas. --- music. --- musicology. --- nationalism. --- opera composition. --- opera. --- operatic. --- performance. --- richard strauss. --- richard wagner. --- salome complex. --- sexuality. --- social order. --- supremacism. --- the ring. --- visuality. --- western music. --- western opera. --- western society.
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