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Acta Slavica Estonica is an international series of publications on current issues of Russian and other Slavic languages, literatures and cultures. Another volume in the long tradition of Tartu Pushkin studies includes works by scholars from Estonia, Russia, USA, Ukraine, the Czech Republic and Switzerland. There are comments on individual texts as well as extensive historical and literary studies. A separate section is devoted to a study that demonstrates the possibilities of the statistical approach to the problems of attribution and dating of poetic texts. The most extensive section contains various biographical and bibliographical material, significantly expanding our understanding of Russian periodicals, Russian-European cultural ties and literary history of the early 19th century.

Pushkin --- 19th-century literature --- Russian literature --- literary criticism

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Acta Slavica Estonica is an international series of publications on current issues of Russian and other Slavic languages, literatures and cultures. Another volume in the long tradition of Tartu Pushkin studies includes works by scholars from Estonia, Russia, USA, Ukraine, the Czech Republic and Switzerland. There are comments on individual texts as well as extensive historical and literary studies. A separate section is devoted to a study that demonstrates the possibilities of the statistical approach to the problems of attribution and dating of poetic texts. The most extensive section contains various biographical and bibliographical material, significantly expanding our understanding of Russian periodicals, Russian-European cultural ties and literary history of the early 19th century.

Literature & literary studies --- Russian --- c 1800 to c 1900 --- Pushkin --- 19th-century literature --- Russian literature --- literary criticism

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Die Menge rückt im 19. Jahrhundert ins Zentrum der Aufmerksamkeit, da sich mit ihr auf vielfältige Weise die durch die Tendenzen der Modernisierung und deren Deregulierungen hervorgerufenen Probleme und Aporien exemplarisch verhandeln lassen. Die Modernität der Menge besteht in der Dynamik der Ströme von Körpern, der Vielheit, der multitude, des Schwarms oder des Gewimmels, obwohl die Figur selbst eine Figur des Singulars ist. Der Band bestimmt die Arten und Weisen der Repräsentation der Menge in den Paradoxien ihrer Darstellbarkeit und medialen Inszenierungen, die Dispositive der Wahrnehmung, die sprachlichen Ordnungen und Mechanismen ihres Ausschlusses, ihre Epistemologien und Figuren in Literatur und Film, Diskursen und Theorien. Mit Beiträgen von Friedrich Balke, Walburga Hülk, Wolfram Nitsch, Gianluca Solla, Georges Didi-Huberman u. a.

20th century literature --- 19th century literature --- Crowd --- Modernism --- Modernity --- Moderne --- Literatur des 20. Jahrhunderts --- Literatur des 19. Jahrhunderts --- Masse --- Menge

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ENThis three-volume book investigates the Russian transformations of one of the central concepts of Greek Christology, the self-humiliation or kenosis of Christ. The author applies rhetoric (paradox, metaphor, metonymy) as a means to elucidate mechanisms of theological persuasion and to trace the representations of the humiliated Christ and his imitations in various media from liturgy and iconology to everyday practice and literary fiction. The exploration of post-Christian literature of the 19th and 20th century (N. Chernyshevskii, M. Gor’kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin) demonstrates the existence of a kenotic Christology after Christianity.RUThis three-volume book investigates the Russian transformations of one of the central concepts of Greek Christology, the self-humiliation or kenosis of Christ. The author applies rhetoric (paradox, metaphor, metonymy) as a means to elucidate mechanisms of theological persuasion and to trace the representations of the humiliated Christ and his imitations in various media from liturgy and iconology to everyday practice and literary fiction. The exploration of post-Christian literature of the 19th and 20th century (N. Chernyshevskii, M. Gor’kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin) demonstrates the existence of a kenotic Christology after Christianity.

RELIGION / Christianity / History. --- Christology, Christianity, Russian literature, iconology, Христос, самоуничижение, Христа, Уффельманн, Уффельман, post-Christian literature, 19th century literature, 20th century literature, N. Chernyshevskii, M. Gor’kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin.

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Although we have always been fascinated with famous people, the invention of modern celebrity culture dates to the nineteenth century. During Romanticism, literary authors occupied a prominent position among early stars. These changes not only had implications for the cultural role of the author, but also that of the public. A star exists by virtue of its audience, and as authors became public figures, the phenomenon of the fan and associated culture of fandom came into existence. Star Authors in the Age of Romanticism analyzes Dutch literary celebrity culture specifically while also examining its unique place in a growing body of international scholarship on the subject. This book examines the Dutch development of literary celebrity by focusing on five famous Dutch authors from the nineteenth century: Willem Bilderdijk, Hendrik Tollens, Nicolaas Beets, François HaverSchmidt (alias Piet Paaltjens), and Eduard Douwes Dekker (better known as Multatuli).

Dutch poetry --- Poets, Dutch --- Celebrities --- Celebrity culture --- Celebs --- Cult of celebrity --- Famous people --- Famous persons --- Illustrious people --- Well-known people --- Persons --- Fan clubs --- Dutch poets --- Flemish poetry --- Dutch literature --- History and criticism --- History --- Authors and readers --- History and criticism. --- 1800-1899 --- Netherlands. --- fandom, fan practices, 19th-century literature and culture, literary history.