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Student. --- Juden. --- Geschichte 1959-1975. --- Wien.
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Cuba --- Latin America --- Soviet Union --- Foreign relations --- Relations --- Relations extérieures --- --URSS, --- 1959-1975 --- --Soviet Union --- Relations extérieures --- URSS, 1922-1991 --- Soviet Union - Relations - Latin America --- Latin America - Relations - Soviet Union --- Soviet Union - Relations - Cuba --- Cuba - Foreign relations - 1959 --- -Cuba - Relations - Soviet Union
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Judd, Donald --- Art, American - 20th century. --- Art criticism. --- Donald Judd 1928-1994 (°Excelsior Springs, Missouri, V.S.) --- Geschriften ; kunstkritiek ; 1959-1975 ; D. Judd --- 73.07 --- 749.07 --- Minimal Art --- kunst --- twintigste eeuw --- minimalisme --- minimal art --- 7.071 JUDD --- Judd Donald --- Beeldhouwkunst ; beeldhouwers A - Z --- Meubelontwerpers ; designers ; interieurarchitecten --- Art, American --- Judd, Donald,
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Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art–in both his works and writings–that challenged many of modernism’s core tenets by resisting the categories of painting and sculpture. Judd described this work as “specific objects.” Critics labeled it minimalism. Perhaps because Judd’s own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic.
Art --- art [fine art] --- preservation [function] --- art criticism --- Judd, Donald --- Geschriften ; kunstkritiek ; 1959-1975 ; D. Judd --- Beeldhouwkunst ; 20ste eeuw ; D. Judd --- Architectuur ; interieurarchitectuur ; 20ste eeuw ; D. Judd --- Judd, Donald 1928-1994 (°Excelsior Springs, Missouri, Verenigde Staten) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- art [discipline]
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When the right-wing military dictatorship of Francisco Franco decided in 1959 to devalue the Spanish currency and liberalize the economy, the country's already steadily growing tourist industry suddenly ballooned to astounding proportions. Throughout the 1960s, glossy images of high-rise hotels, crowded beaches, and blondes in bikinis flooded public space in Spain as the Franco regime showcased its success. In Destination Dictatorship, Justin Crumbaugh argues that the spectacle of the tourist boom took on a sociopolitical life of its own, allowing the Franco regime to change in radical and profound ways, to symbolize those changes in a self-serving way, and to mobilize new reactionary social logics that might square with the structural and cultural transformations that came with economic liberalization. Crumbaugh's illuminating analysis of the representation of tourism in Spanish commercial cinema, newsreels, political essays, and other cultural products overturns dominant assumptions about both the local impact of tourism development and the Franco regime's final years.
Tourism --- Culture and tourism --- Fascism --- Motion pictures --- Neo-fascism --- Authoritarianism --- Collectivism --- Corporate state --- National socialism --- Synarchism --- Totalitarianism --- Ethnotourism --- Tourism and culture --- Holiday industry --- Operators, Tour (Industry) --- Tour operators (Industry) --- Tourism industry --- Tourism operators (Industry) --- Tourist industry --- Tourist trade --- Tourist traffic --- Travel industry --- Visitor industry --- Service industries --- National tourism organizations --- Travel --- Political aspects --- Government policy --- History. --- Study and teaching. --- Economic aspects --- Spain --- Social conditions. --- Politics and government. --- Geschichte 1959-1975
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