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Biografieën --- Piazzolla, Astor (1921-1992) --- Bandoneon --- 20e eeuw
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Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Ray, Satyajit, 1921-1992 --- Motion pictures --- CINEMA --- RAY, SATYAJIT (1921-1992) --- INDE --- ECRITS
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Gitaar --- Tango's --- Piazzolla, Astor (1921-1992) --- Argentinië --- Latijns-Amerika --- 20e eeuw
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Heads of state --- Dubček, Alexander, --- Czechoslovakia --- Politics and government --- 929 DUBCEK, ALEXANDRE --- 943.7 --- Heads of state - Czechoslovakia - Biography --- Dubček, Alexander, - 1921-1992 --- Czechoslovakia - Politics and government - 1968-1989 --- Czechoslovakia - Politics and government - 1989-1992
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Ray, Satyajit, --- Criticism and interpretation --- Critique et interprétation --- CDL --- 791.471 RAY --- Rāẏa, Satyajit̲, --- Rāya, Satyajita, --- R̲ē, Satyajit, --- Satyajit Ray, --- Satyajit R̲ē, --- Satyajita Rāya, --- Rai, Sathyajith, --- Criticism and interpretation. --- Ray, Satyajit --- 1921-1992
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Migrant Form examines the works of James Joyce, Salman Rushdie, and Satyajit Ray for the anti-colonial arguments in their unsettled, and unsettling, aesthetics. Among the questions it engages are the following: What are the aesthetic moves through which art expresses its resistance to dominance and demands for conformity? How can we define anti-colonial aesthetics? How do these aesthetics manifest themselves in different media such as literature and film? Contending that Joyce inaugurates an anti-colonial «aesthetics of reconstitution», the book mines such aesthetics in Ulysses and Finnegans Wake to propose a formal model for postcolonialism. It also draws on that exercise to consider how Rushdie extends a play with reconfigured forms into an overt politics in two of his novels (Midnight's Children and The Satanic Verses). Turning its attention to film, the book contests the common view of Ray as a gentle realist and examines a formal restlessness in Ray's earlier work, Charulata (The Lonely Wife), before demonstrating how Ray stages his preference for restlessness in his final film, Agantuk (The Stranger).
Commonwealth fiction (English) --- Postcolonialism in literature. --- Aesthetics in literature. --- Postcolonialism in motion pictures. --- Nationalism in motion pictures. --- History and criticism. --- Joyce, James, --- Rushdie, Salman --- Ray, Satyajit, --- Aesthetics. --- Littérature anglophone --- Littérature du Commonwealth (anglaise) --- Postcolonialisme --- Nationalisme --- Joyce, James (1882-1941) --- Rushdie, Salman (1947-....) --- Ray, Satyajit (1921-1992) --- Histoire et critique --- Dans la littérature --- Au cinéma --- Critique et interprétation --- Littérature anglophone --- Littérature du Commonwealth (anglaise) --- Dans la littérature --- Au cinéma --- Critique et interprétation
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