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Liberty's Furniture 1875 -1915 biedt een helder en haast volledig overzicht van de vroegste periode Liberty
Liberty & Co. --- 1875 - 1915 --- Arts and Crafts --- Groot-Brittannië
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Wallraf-Richartz-Museum & Fondation Corboud (Keulen) --- fin de siècle --- 1875 - 1915 --- 19de eeuw --- 20ste eeuw --- Europa --- Parijs --- Berlijn --- Wenen --- München
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Sculpture --- Painting --- Applied arts. Arts and crafts --- anno 1900-1909 --- Prague --- geschiedenis --- architectuur (bouwwerken) --- Salons --- art nouveau --- symbolisme --- tentoonstellingsinrichting --- poëzie --- muziek --- toegepaste kunsten --- grafiek --- 1875 - 1915 --- 19de eeuw --- 20ste eeuw --- Praag --- Tsjechië --- burgerlijke architectuur; gebouwen; huisvesting --- 1875 - 1915. --- 19de eeuw. --- 20ste eeuw. --- Praag. --- Tsjechië.
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Lask, Emil, --- Lukãcs, György, --- Lukács, György, --- 1 LUKACS, GEORG --- Filosofie. Psychologie--LUKACS, GEORG --- Lask, Emil --- Lukacs, Gyorgy --- 1 LUKACS, GEORG Filosofie. Psychologie--LUKACS, GEORG --- Lukács, Georg --- Lukacs, Georges --- Lukács, György, --- Lukács, György --- Lask, Emil, - 1875-1915 --- Lukács, György, - 1885-1971
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Gustave Caillebotte (1848–1894), the son of a wealthy businessman, is perhaps best known as the painter who organized and funded several of the groundbreaking exhibitions of the Impressionist painters, collected their works, and ensured the Impressionists’ presence in the French national museums by bequeathing his own personal collection. Trained at the École des Beaux-Arts and sharing artistic sympathies with his renegade friends, Caillebotte painted a series of extraordinary pictures inspired by the look and feel of modern Paris that also grappled with his own place in the Parisian art scene. Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work. Michael Marrinan’s ambitious study draws upon new documents and establishes compelling connections between Caillebotte’s painting and literature, commerce, and technology. It offers new ways of thinking about Paris and its changing development in the nineteenth century, exploring the cultural context of Parisian bachelor life and revealing layers of meaning in upscale privilege ranging from haute cuisine to sport and relaxation. Marrinan has written what is sure to be a central text for the study of nineteenth-century art and culture.
Painters --- Peintres --- Biography. --- Biographies --- Caillebotte, Gustave, --- Paris (France) --- History --- Histoire --- naturalism [artistic form of expression] --- Painting --- schilderkunst --- Art styles --- Caillebotte, Gustave --- Paris --- Kunst en cultuur ; Parijs ; 1850-1950 --- Thema's in de schilderkunst ; stadsgezichten --- Beeldende kunst ; Frankrijk ; 19de eeuw --- Schilderkunst ; Frankrijk ; eind 19de, begin 20ste eeuw --- Schilderkunst ; beeldhouwkunst ; naturalisme ; 1875-1915 --- Schilderkunst ; Impressionisme ; ontstaan --- 75.07 --- Schilderkunst ; schilders A-Z
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Naturalism in art --- schilderkunst --- beeldhouwkunst --- naturalisme --- sociaal realisme --- fotografie --- leefcultuur --- 1875 - 1915 --- 19de eeuw --- 20ste eeuw --- Europa --- België --- naturalism [artistic form of expression] --- Art styles --- painting [image-making] --- Adler, Jules --- Frederic, Léon --- Zorn, Anders Leonard --- Gallen-Kallela, Akseli Valdemar --- Nielsen, Ejnar --- Dagnan-Bouveret, Pascal-Adolphe-Jean --- Ring, Laurits Andersen --- Järnefelt, Eero --- Laermans, Eugène --- Barlach, Ernst H. --- Uhde, von, Fritz --- Kollwitz, Käthe --- Pelez, Fernand Emmanuel --- Pellizza, Giuseppe --- Edelfelt, Albert Gustaf Aristides --- Clausen, George --- Breton, Jules --- Guthrie, James --- Guillou, Alfred --- Raffaelli, Jean-François --- O'Meara, Frank --- Bastien-Lepage, Jules --- Anto-Carte --- Stöhr, Ernst --- Claus, Emile --- Morbelli, Angelo --- Verstraete, Theodoor --- Forbes, Stanhope Alexander --- Sousa Pinto, de, José Julio --- Charlier, Guillaume --- Leemputten, Van, Frans --- Bouchard, Henri --- Lamb, Henry --- Meunier, Constantin --- Pion, Louis --- Herkomer, von, Hubert --- Leibl, Wilhelm Maria Hubertus --- Stott, Edward William --- Liebermann, Max --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Europe --- social realism --- labor --- History --- Painting --- Iconography --- Art --- Sculpture --- art history --- Homo sapiens [species] --- sculpting --- von Herkomer, Hubert --- Nielsen, Einar --- Edelfelt, Albert --- Leibl, Wilhelm --- Pelez, Fernand --- anno 1800-1999 --- anno 1900-1999 --- Belgium --- Painting, Modern --- Sculpture, Modern --- Peinture --- Naturalisme dans l'art --- Exhibitions --- Expositions --- Kunststijlen --- schilderen [kunst] --- naturalisme [artistieke uitdrukkingsvorm] --- CDL --- 75.035/036 --- naturalisme (x) --- dagelijks leven --- volkscultuur --- iconografisch materiaal --- Thema's in de kunst ; volksklasse ; de arbeider --- Schilderkunst ; beeldhouwkunst ; naturalisme ; 1875-1915 --- Kunst en maatschappij --- Tentoonstellingscatalogi ; Antwerpen ; Koninklijk Museum voor Schone Kunsten --- 7.037 --- 75.037 --- 73.037 --- (069) --- 705.7 --- 704.94930556 --- 709.0343 --- Kunstgeschiedenis ; 1900 - 1950 --- Schilderkunst ; 1900 - 1950 --- Beeldhouwkunst ; 1900 - 1950 --- (Musea. Collecties) --- Naturalisme --- Kunsten --- Schilderkunst --- Beeldhouwkunst --- Catalogi --- Geschiedenis --- 19e eeuw --- human figures [visual works] --- Kunst --- Catalogus --- Afrika --- Azië --- Nederland --- China --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Tekenkunst --- Maatschappij --- Voorlichting --- Literatuur --- stijlen in beeldende kunst (sociaal realisme) --- sculpture [visual works] --- easel paintings [paintings by form] --- sculptuur --- 1875 - 1915. --- 19de eeuw. --- 20ste eeuw. --- Europa. --- België. --- paintings [visual works]
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naturalism [artistic form of expression] --- Adler, Jules --- Zorn, Anders Leonard --- Gallen-Kallela, Akseli Valdemar --- Nielsen, Ejnar --- Dagnan-Bouveret, Pascal-Adolphe-Jean --- Järnefelt, Eero --- Barlach, Ernst H. --- Uhde, von, Fritz --- Kollwitz, Käthe --- Pelez, Fernand Emmanuel --- Pellizza, Giuseppe --- Edelfelt, Albert Gustaf Aristides --- Clausen, George --- Breton, Jules --- Guthrie, James --- Guillou, Alfred --- Raffaelli, Jean-François --- O'Meara, Frank --- Bastien-Lepage, Jules --- Anto-Carte --- Stöhr, Ernst --- Morbelli, Angelo --- Verstraete, Theodoor --- Forbes, Stanhope Alexander --- Sousa Pinto, de, José Julio --- Charlier, Guillaume --- Leemputten, Van, Frans --- Bouchard, Henri --- Lamb, Henry --- Pion, Louis --- Herkomer, von, Hubert --- Leibl, Wilhelm Maria Hubertus --- Stott, Edward William --- --1875-1915, --- --Exposition --- --1966 --- --catalogue --- --Working class in art --- Social problems in art --- Naturalism in art --- 1875-1915, --- 1966 --- --Naturalisme --- --naturalism [artistic form of expression] --- --Catalogues d'expositions --- Art styles --- Frederic, Léon --- Ring, Laurits Andersen --- Laermans, Eugène --- Claus, Emile --- Meunier, Constantin --- Liebermann, Max --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Europe --- Art, European --- Working class in art --- --Peinture --- --Europe --- Art, Modern --- --Art, European --- Art, European - 19th century - Exhibitions --- Art, European - 20th century - Exhibitions --- Naturalism in art - Europe - Exhibitions --- Social problems in art - Exhibitions --- Working class in art - Exhibitions --- Exposition --- Naturalisme --- Peinture
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