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Nordenskiöld --- A. E. (Adolf Erik) --- 1832-1901

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912 <017.2> --- 017.2 <480> NORDENSKIOLD, ADOLF ERIK --- 094.2 <480 HELSINGFORS / HELSINKI> --- #BIBC:boekadm --- 094.2 <480 HELSINGFORS / HELSINKI> Oude drukken: bibliotheekcatalogi----Finland--HELSINGFORS--HELSINKI --- Oude drukken: bibliotheekcatalogi----Finland--HELSINGFORS--HELSINKI --- 017.2 <480> NORDENSKIOLD, ADOLF ERIK Catalogi van persoonsbibliotheken--Finland--NORDENSKIOLD, ADOLF ERIK --- Catalogi van persoonsbibliotheken--Finland--NORDENSKIOLD, ADOLF ERIK --- 912 <017.2> Cartografie. Kaarten. Plattegronden. Atlassen--Private verzamelingen --- Cartografie. Kaarten. Plattegronden. Atlassen--Private verzamelingen --- Maps --- Bibliography --- Catalogs --- Nordenskiöld, A. E. --- Nordenskiöld, AE --- Map collections --- Helsingin yliopisto --- Helsinki (Finlande) --- Helsingin yliopisto. --- Nordenskiöld, Adolf Erik, --- Maps - Bibliography - Catalogs --- Nordenskiöld, Adolf Erik, - 1832-1901 --- Nordenskiöld, Adolf Erik, - 1832-1901 - Map collections - Catalogs

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Rudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place for scientists, artisans, musicians and teachers. Using archival and collection research from across North American and Europe, David Pantalony has traced the material and social influences of this space on the development of modern acoustics. In particular, he has detailed the manner in which Koenig modified, extended, spread and challenged Hermann von Helmholtz's Sensations of Tone. A large part of the research on Koenig comes from the actual products of his workshop which survive in museums and collections around the world. The second section of Altered Sensations provides a Catalogue Raisonné of Koenig’s entire line of instruments, including their history, details from specific examples, locations, and references in the literature. This catalogue will serve as a practical guide for curators and researchers as well as a comprehensive overview of nineteenth-century acoustical practice.

Instrument manufacture -- France -- History -- 19th century. --- Koenig, Rudolph (Karl Rudolph), 1832-1901. --- Music -- Acoustics and physics -- 19th century. --- Musical instrument makers -- France. --- Scientific apparatus and instruments -- France -- History -- 19th century. --- Physics --- Humanities --- Technology, Industry, and Agriculture --- Natural Science Disciplines --- Perception --- History, Modern 1601 --- -History, 19th Century --- Industry --- Music --- Acoustics --- Auditory Perception --- Science --- History --- Mental Processes --- Disciplines and Occupations --- Technology, Industry, Agriculture --- Psychological Phenomena and Processes --- Psychiatry and Psychology --- History & Archaeology --- History - General --- Music Philosophy --- Music, Dance, Drama & Film --- Sound. --- Koenig, Rudolph. --- Psychology. --- History. --- Medicine --- Acoustics. --- Physics. --- Psychology, general. --- History of Science. --- History and Philosophical Foundations of Physics. --- History of Medicine. --- Continuum mechanics --- Mathematical physics --- Pneumatics --- Radiation --- Wave-motion, Theory of