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The pathetick musician : moving an audience in the Age of Eloquence
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ISBN: 9780199373734 0199373736 Year: 2016 Publisher: New York: Oxford university press,

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Abstract

What is rhetorical music? In The Pathetick Musician, Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, The Pathetick Musician is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, The Pathetick Musician is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music.

Musica poetica : musical-rhetorical figures in German baroque Music
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ISBN: 0803212763 9780803212763 Year: 1998 Publisher: Lincoln (Nebr.): University of Nebraska press,

The Languages of Psyche : Mind and Body in Enlightenment Thought : Clark Library lectures, 1985-1986
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ISBN: 0520070445 0520071190 0520910435 0585033935 9780520910430 9780585033938 9780520070448 9780520071193 Year: 1990 Publisher: Berkeley, California : University of California Press,

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The Languages of Psyche traces the dualism of mind and body during the "long eighteenth century," from the Restoration in England to the aftermath of the French Revolution. Ten outstanding scholars investigate the complex mind-body relationship in a variety of Enlightenment contexts—science, medicine, philosophy, literature, and everyday society. No other recent book provides such an in-depth, suggestive resource for philosophers, literary critics, intellectual and social historians, and all who are interested in Enlightenment studies.


Book
The instrumental music of Schmeltzer, Biber, Muffat and their contemporaries
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ISBN: 9781859283967 9781409419402 1859283969 1409419401 1315238950 1283015455 9786613015457 1351887602 9781283015455 9781315238951 9781351887588 9781138247536 1351887599 Year: 2016 Publisher: London ; New York : Routledge,

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Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works.

Keywords

Instrumental music --- Music --- History and criticism. --- Philosophy and aesthetics. --- Schmelzer, Johann Heinrich, --- Biber, Heinrich Ignaz Franz, --- Muffat, Georg, --- Liechtenstein-Castelcorn, Karl, --- Criticism and interpretation. --- Philosophy and aesthetics --- Biber, Heinrich Ignaz Franz, 1644-1704 -- Criticism and interpretation. --- Biber, Heinrich Ignaz Franz, --1644-1704 --Criticism and interpretation. --- Instrumental music -- Austria -- 17th century -- History and criticism. --- Liechtenstein-Castelcorn, Karl, --d. 1695. --- Muffat, Georg, 1653-1704 -- Criticism and interpretation. --- Muffat, Georg, --1653-1704 --Criticism and interpretation. --- Music -- 17th century -- Philosophy and aesthetics. --- Schmelzer, Johann Heinrich, ca. 1623-1680 -- Criticism and interpretation. --- Schmelzer, Johann Heinrich, --ca. 1623-1680 --Criticism and interpretation. --- Music, Dance, Drama & Film --- Music History & Criticism, General --- History and criticism --- Biber, Heinrich Ignaz Franz von --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music, Instrumental --- Carl, --- Castelcorn, Carl Liechtenstein-, --- Castelcorn, Karl Liechtenstein-, --- Kastlekorn, Charles Liechtenstein-, --- Liechtenstein-Castelcorn, Carl, --- Liechtenstein-Kastlekorn, Charles, --- Biber, Heinrich Ignaz Franz von, --- Biber, H. I. F. --- Von Biber, Heinrich Ignaz Franz, --- Biber, Johann Heinrich Franz von, --- Biber, Hainrich Ignaz Franz, --- Biber von Bibern, Hainrich Ignaz Franz, --- Ehrenruef, Johann Heinrich Schmelzer von, --- Schmeltzer, Johann Heinrich, --- Schmelzer, Heinrich, --- Schmelzer, J. H. --- Schmelzer von Ehrenruef, Johann Heinrich, --- Smelzer, Gio. Enrico, --- Von Ehrenruef, Johann Heinrich Schmelzer, --- Schmelzer, Johann Heinrich --- Criticism and interpretation --- Muffat, Georg --- Europe --- 17th century --- Austria --- Karl von Liechtenstein-Kastelkorn --- Liechtenstein-Castelcorn, Karl

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