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7.04 --- Kunst en cultuur ; Renaissance ; iconologie --- 7.046 --- Iconografie ; humanistische ; klassieke mythologie --- Panofsky, Erwin --- 7.034 --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Kunstgeschiedenis ; Renaissance. Barok. Rococo --- #A9307H --- Art, Renaissance. --- Visual arts, c.1350-1550 --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Visual arts, c.1350-1550.
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Anatomie artistique. --- Anatomie. --- Anatomy, Artistic --- Anatomy, Artistic. --- Art de la Renaissance --- Art, Renaissance --- Art, Renaissance. --- Geschichte (1350-1550). --- Geschichte (1400-1600). --- Italian visual arts, 1300-1570. --- Kunst. --- Renaissance. --- history --- Special subjects: Human figures - Critical studies. --- Italien.
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This book is the first synthetic treatment of Venetian woodcarving and woodcarvers. It opens with an introduction covering all aspects of the subject - materials, techniques, patronage, genres, and style, as well as social history of the profession in late Medieval and Renaissance Venice. There follows a biographical dictionary of nearly 600 woodcarvers, largely based on unpublished archival documents, the most interesting of which are transcribed in entirety. The catalogue focuses on 13 works of particular interest in and outside of Venice. The corpus of 20 illustrations in color and 300 in black and white reproduces statues, altarpieces, crucifixes, and choir stalls in lavish and exquisite detail. Centro.
houtsnijwerk --- beeldhouwkunst --- altaarstukken --- 1350 - 1550 --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Venetië --- 761 <45 VENEZIA> --- 76 <45> "13/15" --- 761 <45 VENEZIA> Hoogdruktechnieken in de grafische kunst--Italië--VENEZIA --- Hoogdruktechnieken in de grafische kunst--Italië--VENEZIA --- Grafische kunsten. Grafiek. Prentkunst--Italië--15e-16e eeuw. Periode 1300-1599 --- Wood-carving, Renaissance --- Wood sculpture, Italian --- Italian wood sculpture --- Renaissance wood-carving --- History --- houtsnijwerk. --- sculptuur. --- altaarstukken. --- 1350 - 1550. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Venetië. --- sculptuur
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"You must see yourself." The exhortation was increasingly familiar to English men and women in the two centuries before the Reformation. They encountered it repeatedly in their devotional books, the popular guides to spiritual self-improvement that were reaching an ever-growing readership at the end of the Middle Ages. But what did it mean to see oneself? What was the nature of the self to be envisioned, and what eyes and mirrors were needed to see and know it properly? Looking Inward traces a complex network of answers to such questions, exploring how English readers between 1350 and 1550 learned to envision, examine, and change themselves in the mirrors of devotional literature. By all accounts, it was the most popular literature of the period. With literacy on the rise, an outpouring of translations and adaptations flowed across traditional boundaries between religious and lay, and between female and male, audiences. As forms of piety changed, as social categories became increasingly porous, and as the heart became an increasingly privileged and contested location, the growth of devotional reading created a crucial arena for the making of literate subjectivities. The models of private reading and self-reflection constructed therein would have important implications, not only for English spirituality, but for social, political, and poetic identities, up to the Reformation and beyond. - Publisher.
Literature --- 18.05 English literature. --- Christliche Literatur --- Devotion. --- Devotional literature. --- Erbauungsliteratur. --- Identity (Philosophical concept). --- Identität. --- Leser. --- Literature. --- Mittelenglisch. --- Mittelenglische Literatur --- Selbst. --- Selbstbeobachtung --- Selbstbeobachtung. --- Selbstreflexion --- Self (Philosophy). --- Selbstreflexion. --- Mittelenglische Literatur. --- 1300-1500. --- Geschichte 1350-1400. --- Geschichte 1350-1550. --- Geschichte 1400-1500. --- Geschichte 1500-1550. --- Geschichte. --- Spätmittelalter (Epoche). --- England --- England. --- Great Britain --- Religious life and customs. --- Devotional literature --- Identity (Philosophical concept) --- Self (Philosophy) --- Littérature de dévotion --- Moi (Philosophie) --- Identité --- Angleterre --- Vie religieuse --- Philosophical anthropology --- Christian spirituality --- English literature --- anno 1200-1499
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This book is an examination of the nature of the governments of towns and cities, great and small, in Renaissance Italy, and of why oligarchic regimes were becoming increasingly prevalent. Themes and questions arising from a case-study of the dramatic changes in the government of fifteenth-century Siena form the basis for the analysis of popular government and oligarchy throughout Italy, from Piedmont and the Veneto to Sicily, and of how they were shaped by social change, institutional developments and external threats and pressures, especially war. In a field dominated by local studies, this comparative approach provides a fresh understanding of the important problem of how and why broadly-based governments were losing ground to oligarchy throughout Italy.
History of Italy --- anno 1400-1499 --- anno 1500-1599 --- Local government --- Oligarchy --- Administration locale --- Oligarchie --- History. --- Histoire --- Italy --- Siena (Italy) --- Italie --- Sienne (Italie) --- Politics and government --- Politique et gouvernement --- Administration --- History --- Local government. --- Oligarchy. --- Politics and government. --- Lokaal bestuur. --- Stadstaten. --- Oligarchie. --- Kommunalpolitik. --- Politische Elite. --- Stadt. --- Histoire. --- 1268-1559. --- Geschichte 1350-1550. --- Italy. --- Italië. --- Siena. --- Italien. --- Politique et gouvernement. --- Local government - Italy - History --- Oligarchy - Italy - History --- Italy - Politics and government - 1268-1559 --- Siena (Italy) - Politics and government - 1355-1557 --- Political science --- Local administration --- Township government --- Subnational governments --- Administrative and political divisions --- Decentralization in government --- Public administration --- Sienne (Italy) --- Sienna (Italy) --- Siyenah (Italy) --- Comune di Siena (Italy) --- Siena (Tuscany) --- Renaissance
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"You must see yourself." The exhortation was increasingly familiar to English men and women in the two centuries before the Reformation. They encountered it repeatedly in their devotional books, the popular guides to spiritual self-improvement that were reaching an ever-growing readership at the end of the Middle Ages. But what did it mean to see oneself? What was the nature of the self to be envisioned, and what eyes and mirrors were needed to see and know it properly? Looking Inward traces a complex network of answers to such questions, exploring how English readers between 1350 and 1550 learned to envision, examine, and change themselves in the mirrors of devotional literature. By all accounts, it was the most popular literature of the period. With literacy on the rise, an outpouring of translations and adaptations flowed across traditional boundaries between religious and lay, and between female and male, audiences. As forms of piety changed, as social categories became increasingly porous, and as the heart became an increasingly privileged and contested location, the growth of devotional reading created a crucial arena for the making of literate subjectivities. The models of private reading and self-reflection constructed therein would have important implications, not only for English spirituality, but for social, political, and poetic identities, up to the Reformation and beyond. In Looking Inward, Bryan examines a wide range of devotional and secular texts, from works by Walter Hilton, Julian of Norwich, and Thomas Hoccleve to neglected translations like The Chastising of God's Children and The Pricking of Love. She explores the models of identification and imitation through which they sought to reach the inmost selves of their readers, and the scripts for spiritual desire that they offered for the cultivation of the heart. Illuminating the psychological paradigms at the heart of the genre, Bryan provides fresh insights into how late medieval men and women sought to know, labor in, and profit themselves by means of books.
Devotional literature. --- Littérature de dévotion --- Moi (Philosophie) --- Identité --- Religious life and customs. --- Vie religieuse --- 27 <420> "10/14" --- -Identity (Philosophical concept) --- Resemblance (Philosophy) --- Christian devotional literature --- Devotional theology --- Theology, Devotional --- Christian literature --- Kerkgeschiedenis--Engeland--?"10/14" --- Littérature de dévotion --- Identité --- Philosophical anthropology --- English literature --- Christian spirituality --- anno 1200-1499 --- Great Britain --- Self (Philosophy) --- Identity (Philosophical concept) --- England --- Angleterre --- Devotional literature --- Identity --- Philosophy --- Comparison (Philosophy) --- 18.05 English literature. --- Christliche Literatur --- Devotion. --- Erbauungsliteratur. --- Identity (Philosophical concept). --- Identität. --- Leser. --- Literature. --- Mittelenglisch. --- Mittelenglische Literatur --- Selbst. --- Selbstbeobachtung --- Selbstbeobachtung. --- Selbstreflexion --- Self (Philosophy). --- Selbstreflexion. --- Mittelenglische Literatur. --- 1300-1500. --- Geschichte 1350-1400. --- Geschichte 1350-1550. --- Geschichte 1400-1500. --- Geschichte 1500-1550. --- Geschichte. --- Spätmittelalter (Epoche). --- England. --- Medieval and Renaissance Studies.
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