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pseudo-wetenschappen --- Science --- parapsychologie --- 001.95 --- 5/6 (09) --- 159.99 --- Wetenschappelijk bedrog en mystificatie --- Geschiedenis van de exacte en toegepaste wetenschappen --- 001.95 Wetenschappelijk bedrog en mystificatie --- 690 --- occulte wetenschappen --- sciences occultes

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Fortsas, Jean-Népomucène-August Pichauld, --- Library --- 001.95 --- Wetenschappelijk bedrog en mystificatie --- 001.95 Wetenschappelijk bedrog en mystificatie --- Fortsas, Jean-Népomucène-August Pichauld, --- Libraries --- Belgium --- History --- Pichauld, Jean Népomucène Auguste --- Comte de Fortsas

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026 <43> --- 017 --- 001.95 --- Imaginary books and libraries --- -001.95 Wetenschappelijk bedrog en mystificatie --- Wetenschappelijk bedrog en mystificatie --- Books, Imaginary --- Imaginary libraries --- Libraries, Imaginary --- Libraries and imaginary books --- Libraries --- Literary forgeries and mystifications --- 017 Catalogi--(algemeen) --- Catalogi--(algemeen) --- 026 <43> Speciale bibliotheken--Duitsland voor 1945 en na 1989 --- Speciale bibliotheken--Duitsland voor 1945 en na 1989 --- Catalogs --- -Books, Imaginary --- 001.95 Wetenschappelijk bedrog en mystificatie --- -Speciale bibliotheken--Duitsland voor 1945 en na 1989 --- Catalogs. --- 017 Bibliography and bibliographies. Catalogues --- Bibliography and bibliographies. Catalogues --- Imaginary books and libraries - Catalogs.

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"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website

photography [process] --- Photography --- Photographie --- Trick photography --- Photography, Handworked --- Effets spéciaux --- Special effects --- fotografie --- twintigste eeuw --- speciale effecten --- fotografische techniek --- beeldmanipulatie --- vervalsingen --- collages --- fotomontage --- 77.05 --- 778 --- 001.95 --- Fotografie--Bijzondere toepassingen --- Wetenschappelijk bedrog en mystificatie --- Exhibitions --- 001.95 Wetenschappelijk bedrog en mystificatie --- 778 Fotografie--Bijzondere toepassingen --- Photographic amusements --- Photography, Trick --- Handworked photography --- Altered prints --- Art and photography --- Drawing --- Effets spéciaux.

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347.781.03 <41> --- 001.95 --- 82-995 --- Nabootsing. Reproductie. Fotocopie--(auteursrecht)--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Wetenschappelijk bedrog en mystificatie --- Literaire vervalsingen. Falsificaties --- 82-995 Literaire vervalsingen. Falsificaties --- 001.95 Wetenschappelijk bedrog en mystificatie --- Forman, Harry Buxton --- Wise, Thomas James