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Pseudo-Isidorian decretals --- 001.95 --- 091:348 --- Wetenschappelijk bedrog en mystificatie --- Handschriftenkunde. Handschriftencatalogi-:-Kerkelijk recht. Canoniek recht --- 091:348 Handschriftenkunde. Handschriftencatalogi-:-Kerkelijk recht. Canoniek recht --- 001.95 Wetenschappelijk bedrog en mystificatie --- Congresses

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001.95 --- 133.9 --- 159.96 --- 77 --- Wetenschappelijk bedrog en mystificatie --- Spiritisme. Telekinese --- Paranormale belevingen --- Fotografie --- 77 Fotografie --- 159.96 Paranormale belevingen --- 133.9 Spiritisme. Telekinese --- 001.95 Wetenschappelijk bedrog en mystificatie

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"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website

photography [process] --- Photography --- Photographie --- Trick photography --- Photography, Handworked --- Effets spéciaux --- Special effects --- fotografie --- twintigste eeuw --- speciale effecten --- fotografische techniek --- beeldmanipulatie --- vervalsingen --- collages --- fotomontage --- 77.05 --- 778 --- 001.95 --- Fotografie--Bijzondere toepassingen --- Wetenschappelijk bedrog en mystificatie --- Exhibitions --- 001.95 Wetenschappelijk bedrog en mystificatie --- 778 Fotografie--Bijzondere toepassingen --- Photographic amusements --- Photography, Trick --- Handworked photography --- Altered prints --- Art and photography --- Drawing --- Effets spéciaux. --- Effets spéciaux.

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347.781.03 <41> --- 001.95 --- 82-995 --- Nabootsing. Reproductie. Fotocopie--(auteursrecht)--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Wetenschappelijk bedrog en mystificatie --- Literaire vervalsingen. Falsificaties --- 82-995 Literaire vervalsingen. Falsificaties --- 001.95 Wetenschappelijk bedrog en mystificatie --- Forman, Harry Buxton --- Wise, Thomas James

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Imaginary histories. --- Literary forgeries and mystifications --- Literature and history --- Medievalism --- Middle Ages in literature --- 001.95 --- Alternate histories (History) --- Alternative histories (History) --- History --- 001.95 Wetenschappelijk bedrog en mystificatie --- Wetenschappelijk bedrog en mystificatie --- History and literature --- History and poetry --- Poetry and history --- Errors, inventions, etc. --- Chatterton, Thomas, 1752-1770 --- Criticism and interpretation. --- Chatterton, Thomas --- Imaginary histories