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book (16)

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Dissertation
Caryl Phillips's Cambridge and the sources he drew upon
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Year: 1995

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Book
Caryl Phillips (1958-)
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Year: 2004 Publisher: Leuven : Editions Peeters,

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Book
"One is exiled when one refuses to obey the commandments of conquest mission" : religion as metaphor in Caryl Phillips's diasporic philosophy
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Year: 2002 Publisher: Amsterdam : Rodopi,

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Book
Conversations with Caryl Phillips
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ISBN: 9781604732108 Year: 2009 Publisher: Jackson : University Press of Mississippi,

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Conversations with Caryl Phillips collects nineteen interviews conducted over more than two decades on both sides of the Atlantic and in the Caribbean. While Phillips (b. 1958) admittedly tends to hide behind his characters in his fiction, he is completely forthcoming in his interviews, where he describes in detail the personal experiences of migration and dislocation that inspired his writing. He shares ideas about his aesthetics, in particular his noted use of a fractured, polyphonic form. These exchanges demonstrate Phillips's knowledge about the contemporary world of politics and of writing while revealing his engaging humor, his sharp intelligence, and his deep commitment to the overarching aims of his work.


Dissertation
Race, class and gender in Michelle Cliff's "Free enterprise" and Caryl Phillips's "Cambridge" : interaction and complexity

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Dissertation
A postcolonial to Shakespeare's "The merchant of Venice" and "Othello" : Phillips's "The nature of blood"

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The European tribe
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ISBN: 0375707042 9780375707049 Year: 2000 Publisher: New York: Vintage books,

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Book
The anglo-caribbean migration novel
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ISBN: 128257521X 9786612575211 1441648461 9781441648464 8479087870 9788479087876 Year: 2004 Publisher: Alicante Publicaciones de la Universidad de Alicante

How novelists work
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ISBN: 1854111922 Year: 2000 Publisher: Poetry Wales Press,

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Caryl Phillips
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ISBN: 0719055563 0719055555 9780719055560 Year: 2002 Publisher: Manchester : Manchester University Press,

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This volume starts from a textual analysis of Phillip's fiction and examines how it charts a new Diasporic sensibility, grounded in the novelist's Caribbeanness, but also expressive of a redifined sense of Britishness. Focusing on Phillips's pervasive interest in displacement, it also addresses characterization and the non-conventional form of his current narratives, two major aspects of his art which is discussed here in the context of current debates on post-colonialism.

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