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Art nouveau --- Austrian visual arts --- History --- Vienna Secession
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Art nouveau --- Austrian visual arts --- History --- Vienna Secession
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Art styles --- Sezessionstil --- Vienna Secession --- anno 1800-1999
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Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna’s “female Secession” created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between “art” and “craft,” “decorative” and “profound,” and “masculine” and “feminine” in art. Tracing the history of the women’s art movement in Secessionist Vienna—from its origins in 1897, at the Women’s Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst—Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women’s art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria’s women’s art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group’s ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel. Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as “works from women’s hands.” It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history.
Women artists --- Decorative arts --- Art, Austrian --- Education --- History --- Wiener Frauenakademie --- History. --- Vienna Secession. --- artistic toys. --- ceramics. --- child art. --- craft. --- decorative arts. --- folk art. --- primitivism. --- women artists.
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Art, Austrian --- Austrian art --- Wiener Secession. --- Vienna Secession --- Wiener Sezession --- Wiener Secession, Vereinigung Bildender Künstler --- Vereinigung Bildender Künstler Österreichs "Sezession" --- Vereinigung Bildender Künstler "Wiener Secession" --- Secession (Vienna, Austria) --- Secessione viennese --- Galería de Secesión, Viena --- Vienna Secession Gallery --- Sécession viennoise
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« À chaque âge son art, à chaque art sa liberté. » Devise de la Sécession viennoise Mouvement dissident, la Sécession viennoise (1892-1906) fut portée par une vingtaine d'artistes éclairés luttant contre l'académisme conservateur qui pétrifiait Vienne et tout l'empire austro-hongrois.Courant de l'Art nouveau, la Sécession, officiellement fondée en 1897 par Klimt, Moll et Hoffmann, ne fut pas une révolution artistique anonyme parmi tant d'autres. Contestataires par essence, les sécessionnistes viennois ont peint ce qu'on ne devait pas peindre : les frôlements, les baisers, les violences. Se déf
Art, Austrian --- Austrian art --- Wiener Secession. --- Vienna Secession --- Wiener Sezession --- Wiener Secession, Vereinigung Bildender Künstler --- Vereinigung Bildender Künstler Österreichs "Sezession" --- Vereinigung Bildender Künstler "Wiener Secession" --- Secession (Vienna, Austria) --- Secessione viennese --- Galería de Secesión, Viena --- Vienna Secession Gallery --- Sécession viennoise --- Art autrichien
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A symbol of modernity, the Viennese Secession was defined by the rebellion of twenty artists who were against the conservative Vienna Künstlerhaus' oppressive influence over the city, the epoch, and the whole Austro-Hungarian Empire.Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a "total art", without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this
Art, Austrian --- Austrian art --- Wiener Secession. --- Vienna Secession --- Wiener Sezession --- Wiener Secession, Vereinigung Bildender Künstler --- Vereinigung Bildender Künstler Österreichs "Sezession" --- Vereinigung Bildender Künstler "Wiener Secession" --- Secession (Vienna, Austria) --- Secessione viennese --- Galería de Secesión, Viena --- Vienna Secession Gallery --- Sécession viennoise
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Art --- intellectual history --- Vienna Secession --- anno 1800-1899 --- anno 1900-1909 --- Vienna --- Sécession (mouvement artistique). --- Vie artistique --- Vie intellectuelle --- Wiener Secession (groupe d'artistes). --- Sécession (mouvement artistique) --- Social aspects --- Wiener Secession --- Vienna (Austria) --- Intellectual life
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The artistic stagnation of Vienna at the end of the nineteenth century was rudely shaken by the artists of the Secession. Their works at first shocked a conservatie public ; but their successive exhibitions, their magazine "Ver Sacrum", and their application to the applied arts and architecture soon brought them an enthusiastic following and wealthy patronage. This book brilliantly traces the course of this development, of the Wiener Werkstätte that followed, and the individual works of the artists concerned. Klimt, Kokoschka and Schiele were the leading figures in the fine arts ; Wagner, Olbrich, Loos and Hoffmann in architecture and the applied arts. In other fields Mahler, Freud and Schnitzler were influencing the avant-garde. The author quotes extensively from the writings, many of them not previously published in english, of contemporary reviewers, critics and the artists themselves. He has eye-witness accounts of the exhibitions, the opening of the Secession building, the work in progress on the Palais Stoclet and the Kabarett Fledermaus. The result is a fascinating documentary study of the successes and failures, hopes and fears of the members of an artistic movement which is much admired today.
Arts, Modern --- Art moderne --- Wiener Secession --- Arts, Austrian --- 7.035.9 <436> --- -Austrian arts --- Art nouveau. Jugendstil--Oostenrijk --- Vienna Secession --- Wiener Sezession --- Wiener Secession, Vereinigung Bildender Künstler --- Vereinigung Bildender Künstler Österreichs "Sezession" --- Vereinigung Bildender Künstler "Wiener Secession" --- Secession (Vienna, Austria) --- Secessione viennese --- Galería de Secesión, Viena --- Vienna Secession Gallery --- Sécession viennoise --- Wiener Secession. --- -Art nouveau. Jugendstil--Oostenrijk --- 7.035.9 <436> Art nouveau. Jugendstil--Oostenrijk --- Art --- Austrian arts --- Arts, Austrian - Austria - Vienna - 20th century
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Art, Modern --- Artists --- Biography. --- Wiener Secession. --- kunst --- architectuur --- twintigste eeuw --- Oostenrijk --- schilderkunst --- grafiek --- kunstnijverheid --- art nouveau --- 7.036.1 --- Persons --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Biography --- Vienna Secession --- Wiener Sezession --- Wiener Secession, Vereinigung Bildender Künstler --- Vereinigung Bildender Künstler Österreichs "Sezession" --- Vereinigung Bildender Künstler "Wiener Secession" --- Secession (Vienna, Austria) --- Secessione viennese --- Galería de Secesión, Viena --- Vienna Secession Gallery --- Sécession viennoise
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