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Book
L'underdrawing del disegno genovese : dentro la genesi dell'opera grafica attraverso l'esame nell'infrarosso
Authors: ---
ISBN: 9788897752370 8897752373 Year: 2014 Publisher: Genova : Genova University Press : De Ferrari,

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Book
Dessin sous-jacent et la technologie dans le peinture. Perspectives
Authors: --- ---
Year: 1997 Publisher: Louvain-la-Neuve : Collège Érasme,

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Book
Alla maniera : technical art history and the meaning of style in 15th to 17th century painting: papers presented at the twenty-second Symposium for the Study of Underdrawing and Technology in Painting held online, 28-30 March 2022
Authors: --- --- ---
ISBN: 9789042952164 9042952164 9789042952171 Year: 2024 Publisher: Paris Peeters

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Underdrawings in Renaissance paintings
Authors: --- --- --- --- --- et al.
ISBN: 1857099877 9780300092257 9781857099874 Year: 2002 Publisher: Londen National Gallery Company


Book
Technical studies of paintings : problems of attribution (15th-17th centuries): papers presented at the nineteenth Symposium for the Study of Underdrawing and Technology in Painting, held in Bruges, 11-13 September 2014
Authors: --- --- ---
ISBN: 9789042935327 9789042937192 9042935324 Year: 2018 Volume: 19 Publisher: Paris Peeters

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Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their workshops. However, technical studies often also reveal complex working methods, while new scientific imagery sometimes challenges accepted attributions and instigates reconsiderations of traditional attributions. The XIXth symposium for the Study of Underdrawing and Technology in Painting which was held in Bruges on 11-13 September 2014 was dedicated to technical studies of paintings: problems of attribution (15th-17th centuries). It focussed on the various ways in which technical studies can provide answers to the often complex issue of attribution and will discuss the challenges that art historians face in proposing conclusive theories. This book captures the variety of twenty-four papers presented at the symposium.


Book
Drawings for paintings in the age of Rembrandt

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The realistic character of seventeenth-century Dutch art seems to suggest that artists painted from life, but they often executed their paintings on the basis of preliminary drawings. Accompanying the international loan exhibition Drawings for Paintings in the Age of Rembrandt, this richly illustrated volume demonstrates the important role of drawings in the creative process. Among the drawings discussed are quick compositional sketches, figure studies, and careful construction drawings. Underdrawings on panel and canvas supports are also studied. Such preparatory studies are juxtaposed with their related paintings in the catalog to provide new insights into this important aspect of Dutch art.


Book
The quest for the original
Authors: --- --- ---
ISBN: 9789042921726 9042921722 Year: 2009 Volume: 16 Publisher: Leuven : Peeters,

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The Symposium XVI for the Study of Underdrawing and Technology in Painting. The Quest for the Original, Bruges-September 2006, was organized by the Laboratoire d'étude des œuvres d'art of the Université catholique de Louvain, in collaboration with Illuminare, Centre for the Study of Illuminated Manuscripts of the KULeuven and KIKIRPA, Royal Institute for Cultural Heritage, Brussels. Articles are on painting of the Low Countries, Italy, France, Germany, Denmark... between medieval and modern times, not only easelpainting, but also bookillumination, painting on glas and ceramics and framing in the Southern Netherlands (15th until 17th c.). Some methodological issues are discussed. Molly Faries accepted to share her experience for an update on equipments for examination of paintings in the Infrared. The organizers had received for presentation in Bruges more interesting papers than they could accept; they include some of them in this publication. The volume also presents a bibliography in the infrared studies for the years 2005-2007


Book
La peinture et le laboratoire : procédés, méthodologie, applications
Authors: --- ---
ISBN: 9789042910478 904291047X 2877235920 Year: 2001 Volume: 13 Publisher: Leuven Peeters

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Keywords

underdrawings --- Painting --- Conservation. Restoration --- technical art history --- conferences --- Museology --- Belgique --- België --- Colloques --- Colloquia --- Nederland --- Pays-Bas --- Peinture --- Schilderkunst --- Painting, Renaissance --- Underdrawing --- Infrared technology --- Peinture de la Renaissance --- Dessin sous-jacent --- Rayonnement infra-rouge --- Expertising --- Congresses --- Conservation and restoration --- Congresses. --- Expertise --- Congrès --- Conservation et restauration --- Technologie --- wetenschappelijk onderzoek --- schilderijen --- conservatie --- Veken, Joseph van der --- Benson, Ambrosius --- Bouts, Albrecht --- Orley, Bernard van --- Brueghel, Pieter (de Jonge) --- Berruguete, Pedro --- Lopez, Gregorio --- Brugge --- Histoire de l'art --- Peintres --- Restauration, histoire --- Technologie, histoire --- Academic collection --- Conferences - Meetings --- Congrès --- Paintings, Renaissance --- Renaissance painting --- Drawing --- Technique --- van Orley, Bernard --- Brueghel, Pieter II --- Painting, Renaissance - Netherlands - Expertising - Congresses. --- Painting, Renaissance - Belgium - Expertising - Congresses. --- Underdrawing - Congresses. --- Infrared technology - Congresses. --- Flandre (Comté) --- Radiographie --- Attribution --- wetenschappelijk onderzoek. --- schilderijen. --- conservatie. --- Veken, Joseph van der. --- Benson, Ambrosius. --- Bouts, Albrecht. --- van Orley, Bernard. --- Brueghel, Pieter II. --- Berruguete, Pedro. --- Lopez, Gregorio. --- Bouts, Albert


Book
La peinture dans les Pays-Bas au 16e siècle : pratiques d'atelier : infrarouges et autres méthodes d'investigation
Authors: --- --- ---
ISBN: 9042908025 2877234665 9789042908024 Year: 1999 Publisher: Leuven Peeters

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En relation avec la remarquable exposition Bruges et la Renaissance. De Memling à Pourbus (1998), organisée par la ville et les musées communaux de Bruges, le colloque XII pour l'étude du dessin sous-jacent et de la technologie dans la peinture, avait pour sujet la peinture dans les pays-Bas au 16e siècle. Pratiques d'atelier. Infrarouges et autres méthodes d'investigation. Nombre de communications y étaient consacrées. Outre les communications consacrées à l'art des Pays-Bas, l'art allemand était également présent avec Hans Holbein et quelques maîtres colonais comme le Maître du Retable de Saint Barthélémy. Ont été également examinées des oeuvres de quelques uns des plus grands peintres de l'art italien Piero della Francesca, Ghirlandaio, Paolo Uccello, Perugino, Verochio et Léonard de Vinci. Ce sont les retombées de ce colloque que vous trouverez dans le présent volume

Keywords

technical art history --- congres / 1997 --- infrared reflectography --- Painting --- Spectrometric and optical chemical analysis --- ateliers [studios, organizations] --- underdrawings --- fysicochemie --- Museology --- anno 1500-1599 --- Belgium --- Netherlands --- Belgique --- België --- Colloques --- Colloquia --- Nederland --- Pays-Bas --- Peinture --- Schilderkunst --- technieken --- wetenschappen --- restauratie --- radiografie --- Van Scorel, Jan --- Engebrechtsz., Cornelis --- Bosch, Jheronimus --- Provoost, Jan --- Orley, Bernard van --- Gossaert, Jan --- Cleve, Joos van --- Benson, Ambrosius --- Bellegambe, Jean --- Claeissens, Antoon --- Perugino --- Raphaël --- Leonardo da Vinci --- Piero della Francesca --- Eyck, Jan van --- Verrocchio, Andrea del --- Uccello, Paolo --- Holbein, Hans (De Oude) --- Jean de France (duc de Berry) --- 16de eeuw --- Noordelijke Nederlanden --- Zuidelijke Nederlanden --- Painting, Dutch --- Painting, Belgian --- Underdrawing --- Infrared technology --- Expertising --- Congrès --- Histoire de l'art --- Pays-Bas (anciens) --- Peintres --- Restauration, histoire --- Technologie, histoire --- #gsdbA --- Academic collection --- 75 <491.9> --- -Underdrawing --- -Painting, Belgian --- -Painting, Dutch --- 702.8 --- Dutch painting --- Belgian painting --- Drawing --- Infra-red technology --- Technology --- Schilderkunst--De Nederlanden. Benelux --- Expertising. --- Technique --- Conferences - Meetings --- 75 <491.9> Schilderkunst--De Nederlanden. Benelux --- Painting, Flemish --- Congresses. --- van Orley, Bernard --- van Cleve, Joos --- Painting, Dutch - 16th century - Expertising - Congresses. --- Painting, Belgian - 16th century - Expertising - Congresses. --- Underdrawing - Congresses. --- Infrared technology - Congresses. --- wetenschappen. --- radiografie. --- van Scorel, Jan. --- Engebrechtsz., Cornelis. --- Bosch, Jheronimus. --- Provoost, Jan. --- van Orley, Bernard. --- Gossaert, Jan. --- van Cleve, Joos. --- Benson, Ambrosius. --- Bellegambe, Jean. --- Claeissens, Antoon. --- Perugino. --- Rafaël. --- Leonardo da Vinci. --- Piero della Francesca. --- van Eyck, Jan. --- Andrea del Verrocchio. --- Uccello, Paolo. --- Holbein, Hans (De Oude). --- Jean de France (duc de Berry). --- 16de eeuw. --- Noordelijke Nederlanden. --- Zuidelijke Nederlanden. --- van Scorel, Jan --- Perugino, Pietro --- Rafaël --- van Eyck, Jan --- Andrea del Verrocchio


Book
Du dessin au tableau au siècle de Rembrandt

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Une exploration des différentes méthodes employées par les artistes du siècle d'or hollandais, comme Adriaen van Ostade, Jacob van Ruisdael ou encore Aelbert Cuyp, pour créer leurs peintures à l'aide d'esquisses préliminaires et de dessins préparatoires. Les feuilles d'études sont présentées en regard des oeuvres peintes dont elles constituent les fondations. ©Electre 2018

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