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Thematology --- French literature --- Initiations in literature --- Theosophy in literature --- Littérature française --- History and criticism --- Histoire et critique --- 840 --- -Initiations in literature --- -Theosophy in literature --- -French literature --- Franse literatuur --- -Addresses, essays, lectures --- Addresses, essays, lectures --- Initiations in literature. --- Theosophy in literature. --- History and criticism. --- 840 Franse literatuur --- Littérature française --- 840 French literature. Literature in French --- French literature. Literature in French --- French poetry --- Bildungsromans, French. --- Littérature et mythe. --- Théosophie --- Romantisme (mouvement littéraire) --- Dans la littérature --- Fabre d'Olivet, Antoine, --- Saint-Martin, Louis-Claude de, --- Prévost, --- Stendhal, --- Hugo, Victor, --- Sand, George, --- Chateaubriand, François-René, --- Nerval, Gérard de, --- Baudelaire, Charles, --- Mallarmé, Stéphane, --- Breton, André, --- Prévost, Antoine François, --- Sand, George, 1804-1876 --- Nerval, Gérard de --- Mallarmé, Stéphane, --- Breton, André, --- Chateaubriand, François René de, --- French literature - History and criticism --- Littérature et mythe. --- Théosophie --- Dans la littérature --- Prévost, Antoine François, --- Nerval, Gérard de --- Chateaubriand, François René de,

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While W.B. Yeats' occultism has long been acknowledged, Surette is the first to show that Ezra Pound's early intimacy with Yeats was based largely on a shared interest in the occult, and that Pound's The Cantos is a deeply occult work. Surette argues that Pound's editing of T.S. Eliot's The Waste Land was not motivated primarily by stylistic concerns, as has generally been contended by the New Critics, but by thematic considerations. In fact, it was precisely because Eliot knew Pound to be well informed about the occult that he asked for Pound's assistance with The Waste Land.

Esoteric sciences --- Pound, Ezra --- Yeats, William B. --- Eliot, T.S. --- Yeats, William Butler --- Modernism (Literature) --- European literature --- Theosophy in literature. --- Occultism in literature. --- History and criticism. --- Pound, Ezra, --- Eliot, T. S. --- Yeats, W. B. --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Йейтс, У. Б. --- Ĭeĭts, U. B. --- Йейтс, Уильям Батлер, --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Eliot, Thomas Stearns --- Pound, Ezra Loomis, --- Atheling, William, --- Bawnd, Izrā, --- Paount, Ezra, --- Pʻaundŭ, Ejŭra, --- Pavnd, Ezra, --- E. P. --- P., E. --- T. J. V., --- V., T. J., --- Pangde, --- Poet of Titchfield Street, --- Criticism and interpretation. --- Ai-lüeh-tʻe, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס. --- Pound, Ezra Loomis --- Atheling, William --- Bawnd, Izrā --- Paount, Ezra --- Pʻaundŭ, Ejŭra --- Pavnd, Ezra --- T. J. V. --- V., T. J. --- Pangde --- Poet of Titchfield Street