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Doubles in literature. --- Roman. --- Split self in literature. --- D'Annunzio, Gabriele, --- D'Annunzio, Gabriele. --- Criticism and interpretation.
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Identity (Psychology) in literature --- Doubles in literature --- Difference (Psychology) in literature --- Split self in literature --- Literature, Modern --- Themes, motives --- Italian literature --- -Split self in literature --- Ottovolante (Group of writers) --- Doppelgänger in literature --- Doppelgängers in literature --- History and criticism --- Identity (Psychology) in literature - Congresses --- Doubles in literature - Congresses --- Difference (Psychology) in literature - Congresses --- Split self in literature - Congresses --- Literature, Modern - Themes, motives - Congresses
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German literature --- Thematology --- anno 1800-1999 --- Doubles in literature --- Split self in literature --- History and criticism --- -German literature --- -Doubles in literature --- Doppelgänger in literature --- Doppelgängers in literature --- Doubles in literature. --- Split self in literature. --- History and criticism. --- -History and criticism --- -Doppelgänger in literature --- Young Germany --- German literature - 19th century - History and criticism --- German literature - 20th century - History and criticism
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Fiction --- Doubles in literature. --- Roman --- Doubles dans la littérature --- Themes, motives. --- Thèmes, motifs --- Doubles in literature --- Split self in literature --- Multiple personality in literature --- Identity (Psychology) in literature --- Literature --- Psychology --- Split self in literature. --- Multiple personality in literature. --- Identity [Psychology] in literature. --- Psychology. --- Doubles dans la littérature --- Thèmes, motifs --- Literature - Psychology
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English fiction --- Autobiographical fiction --- Consciousness in literature. --- Point of view (Literature) --- Split self in literature. --- Consciousness in literature --- Split self in literature --- English --- Languages & Literatures --- English Literature --- Doubles in literature --- Fiction --- Narration (Rhetoric) --- History and criticism. --- History and criticism --- Technique --- Goncharov, Ivan Aleksandrovich, --- Woolf, Virginia, --- Joyce, James, --- Homer. --- Birmingham, Kevin. --- Гончаров, Иван Александрович,
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Comparative literature --- Thematology --- Split self in literature --- English literature --- Multiple personality in literature --- American literature --- Doubles in literature --- History and criticism --- English literature - History and criticism --- American literature - History and criticism
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Zum ersten Mal erörtert ein Buch das enigmatische Motiv des Doppelgängers, welches hier nicht nur in der deutschen Literatur untersucht wird, getrennt in Drama, Dichtung und Epik und unternimmt in einem breit angelegten Versuch den Brückenschlag zum (Stumm)film. Was in der bisher vorliegenden Sekundärliteratur nur angedeutet wurde, thematisiert dieses interdisziplinäre Werk, das auch auf Spaltungsphantasien in Malerei und Fotografie eingeht. Im Mittelpunkt stehen Facettenreichtum, Vieldeutigkeit und Langlebigkeit des fantastischen Doppelgänger-Motivs, welches sogar im literarischen Realismus oder durch die Erkenntnisse der Psychoanalyse kaum an Attraktivität verliert und sich im Zeitalter der technischen Reproduzierbarkeit psychischer Phänomene auf der Leinwand eindrucksvoll zurückmeldet. Für Literatur- und Filmwissenschaftler ist diese Thematik genauso interessant, wie für philosophisch und psychoanalytisch geschulte Leser.
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Doubles in literature --- Doubles in motion pictures --- Languages & Literatures --- Literature - General --- Doppelgänger in motion pictures --- Doppelgängers in motion pictures --- Motion pictures --- Doppelgänger in literature --- Doppelgängers in literature --- Split self in literature --- Congresses --- Congresses.
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