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Representative collection of playwrights from the sixteenth century to the present, serving as a summary introduction to the range of work carried out in Latin American drama. The dramatists selected have been limited to those from the Spanish-speaking Caribbean and Central and South America.
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The aim of this anthology is to present a selection of plays that are representative of a fresh spirit and of societal pressures and changes in Spanish American culture. The plays shun the earlier realistic, sentimental, and melodramatic conventions of Spanish American theater. Instead, they reflect the tenor of the dramatic imagination of the mid-to-late twentieth century—an imagination that sought new forms and ways of expressing a new awareness of the Spanish American dilemma. In selecting these plays, William I. Oliver looked for more than mere illustrations of these changes. As a practicing director and playwright, he sought works that are effective on the stage as well as on the page. As an editor and translator, he sought works “that could be translated culturally as well as linguistically.” The six plays in this varied and vigorous anthology are the measure of his success. The plays included are The Day They Let the Lions Loose, by Emilio Carballido (Mexico); The Camp, by Griselda Gambaro (Argentina); The Library, by Carlos Maggi (Uruguay); In the Right Hand of God the Father, by Enrique Buenaventura (Colombia); The Mulatto’s Orgy, by Luisa Josefina Hernández (Mexico); and Viña: Three Beach Plays, by Sergio Vodánovic (Chile).
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Junto al Pásig, expresa las profecías de Rizal acerca de una Filipinas esclava de los poderes imperialistas. La obra dramática de Rizal se limita a dos obras teatrales, cada una de un acto que comprende una presentación de más o menos treinta minutos. Fueron escritas cuando el autor tenía diecinueve y estudiaba en la Universidad de Santo Tomás. Junto al Pásig está escrita en el tradicional romance de octosílabos, propio del Siglo de Oro. Biographische Informationen José Protacio Rizal Mercado y Alonso Realonda (19 de junio de 1861, Calamba-30 de diciembre de 1896, Manila), fue patriota, médi
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Reúne 26 trabajos que se enmarcan dentro de algunas de las más fructíferas líneas de trabajo de la lingüística actual: sociolingüística, dialectología, lexicografía, revisión crítica de córpora y usos discursivos.
Spanish American drama --- Teatro hispanoamericano --- History. --- Historia.
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El presente volumen es resultado de una investigación desarrollada entre 1997 y 2002 que abarca una amplia gama temática, como la espectacularidad, la teatralidad y la escenificación, desde un enfoque de teoría cultural.
Spanish American drama --- Teatro hispanoamericano --- History. --- Historia.
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El volumen recopila trece artículos, de otros tantos especialistas, que versan sobre diversos aspectos del teatro latinoamericano en el exilio, tanto en Europa (España, Francia, Alemania), como en Estados Unidos.
Spanish American drama --- Theater --- History and criticism.
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Estudios sobre el teatro de Eduardo Pavlovsky, el teatro chileno y la expresión nacional del teatro ecuatoriano, entre otros temas.
Theater --- Spanish American drama --- History and criticism
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"Translations of eight plays by acclaimed women playwrights: Isidora Aguirre (Chile), Sabina Berman (Mexico), Myrna Casas (Puerto Rico), Teresa Marichal (Puerto Rico), Diana Raznovich (Argentina), Mariela Romero (Venezuela), Beatriz Seibel (Argentina), and Maruxa Vilalta (Mexico). Introductory essay and bio-bibliographical notes on each author offer ample contextualization supplemented by a useful bibliography of primary and secondary sources. Lively translations by editors and Kirsten Nigro produce stageworthy scripts. Outstanding collection highly recommended for classroom and dramatic use"--Handbook of Latin American Studies, v. 58.
Spanish American drama --- Spanish American literature --- Women authors.
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