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Erotic literature. --- Erotic art. --- Littérature érotique --- Art érotique --- Sex in art --- Sex in the arts --- Sexuality in art

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This volume is a romp through the portrayal of love and sexuality in art. The book surveys Western artworks illustrating more or less explicitly delicate or amorous subjects.

iconography --- eroticism --- Sexology --- Iconography --- Thematology --- Love in art --- Sex in art --- Erotic art --- Art, Erotic --- Art, Immoral --- Erotic art, Primitive --- Art --- Erotica --- Sex in the arts --- Sexuality in art

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Sex in art --- Art --- Sex --- Sexualité dans l'art --- Sexualité --- History --- Histoire --- Sex (Biology) in art --- Sexually transmitted diseases in art --- History. --- Sexualité dans l'art --- Sexualité --- Sex in the arts --- Sexuality in art

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Die holländische Malerei des 17. Jahrhunderts reflektiert ihr Verhältnis zur sichtbaren Wirklichkeit. Sie thematisiert Ambivalenzen und Widersprüche. Als Avantgarde künstlerischer Medien trägt sie zur Herausbildung einer modernen “bürgerlichen” Subjektivität bei. Sie entlässt die Themen aus ihrer traditionellen ikonologischen Fixierung und evoziert unterschiedliche Imaginationen und Semantisierungen - Aspekte, die in der Forschung bisher kaum wahrgenommen worden sind. Das Buch versteht sich als Plädoyer für eine Kunstgeschichte als Kulturwissenschaft, die das semantische Potential von Kunst innerhalb diskursiver und sozialer zeitgenössischer Praxen untersucht und zugleich ihre Aktualität aufzeigt. Werke von Rembrandt, Metsu, Vermeer und Hoogstraten u. a. dienen als exemplarische Fallbeispiele zur Auseinandersetzung mit aktuellen kunst- und kulturwissenschaftlichen Debatten, beispielsweise zur Repräsentation von Geschlechterdifferenz, zur Text-Bild Beziehung und zum Affektdiskurs. The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.

Painting --- easel paintings [paintings by form] --- Netherlandish Renaissance-Baroque styles --- anno 1600-1699 --- Netherlands --- Painting, Dutch --- Women in art. --- Sex in art. --- Sex in the arts --- Sexuality in art --- Women in art --- Sex in art

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iconografie --- gender --- vrouwen --- mannen --- seksualiteit --- symbolisme --- mythologie --- esoterie --- 1850 - 1930 --- 19de eeuw --- 20ste eeuw --- 316.371 "18/19" --- Gender--Hedendaagse Tijd --- Exhibitions --- 316.371 "18/19" Gender--Hedendaagse Tijd --- Art, European --- Sex in art --- Sex role in art --- Sex in the arts --- Sexuality in art --- Art, Modern --- vrouw --- 1850 - 1930. --- 19de eeuw. --- 20ste eeuw.