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Psychoacoustics : facts and models.
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ISBN: 3540526005 Year: 1990 Publisher: Berlin : Springer,

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Psychoacoustics.


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Het Instituut voor Psychoacustica en Elektronische Muziek
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Year: 1974 Publisher: Gent Rijksuniversiteit

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Psychoacoustics


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Psychoacoustique et perception auditive
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ISBN: 2855984130 Year: 9999 Publisher: Paris INSERM

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Bases of hearing science.
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ISBN: 0683027360 Year: 1984 Publisher: Baltimore (Md.) : Williams and Wilkins,

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Hearing. --- Psychoacoustics.


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Introductory hearing science : physical and psychological concepts
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Year: 1974 Publisher: Philadelphia (Pa.): Saunders

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Hearing --- Psychoacoustics

Bases of hearing science
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ISBN: 0683027379 Year: 1995 Publisher: Baltimore, Md. Philadelphia Hong Kong Williams & Wilkins

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Hearing --- Psychoacoustics


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Psychoacoustics
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ISBN: 1597569917 9781597569910 9781597569897 1597569895 Year: 2020 Publisher: San Diego, CA

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Auditory processing of complex sounds
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ISBN: 1317222725 1315622343 1317222733 9781315622347 9781317222736 9781317222712 1317222717 9781317222729 9781138655751 9781138191631 9781138655768 Year: 2017 Publisher: London Routledge

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Hörselscreening Av en Population Med Utvecklingsstörning : Utvärdering Av Psykoakustisk Testmetod Och Av OAE-Registrering Som Komplementär Metod
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ISBN: 9789175196169 Year: 2013 Publisher: Linkopings Universitet

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This thesis by Eva Andersson evaluates psychoacoustic testing methods and Otoacoustic Emission (OAE) recording as complementary methods for hearing screening in populations with intellectual disabilities. The study involved testing children and adults with varying degrees of hearing impairment using different audiometric methods. The results indicated that while psychoacoustic methods could be feasible for initial screening, OAE recording may serve as a useful complementary method, particularly for more severe cases. The research emphasizes the importance of patience and experience in audiologists for successful and reliable testing.


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MP3 : the meaning of a format
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ISBN: 0822352877 9780822352877 Year: 2012 Publisher: Durham: Duke university press,

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MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s. MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures--and the need for content to fit inside them--are every bit as central to communication as the boxes we call "media."

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