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"The first three decades of the twentieth century saw the largest period of immigration in U.S. history. This immigration, however, was accompanied by legal segregation, racial exclusionism, and questions of residents' national loyalty and commitment to a shared set of "American" beliefs and identity. The faulty premise that homogeneity--as the symbol of the "melting pot"--was the mark of a strong nation underlined nativist beliefs while undercutting the rich diversity of cultures and lifeways of the population. Though many authors of the time have been viewed through this nativist lens, several texts do indeed contain an array of pluralist themes of society and culture that contradict nativist orientations. In The Pluralist Imagination from East to West in American Literature, Julianne Newmark brings urban northeastern, western, southwestern, and Native American literature into debates about pluralism and national belonging and thereby uncovers new concepts of American identity based on sociohistorical environments. Newmark explores themes of plurality and place as a reaction to nativism in the writings of Louis Adamic, Konrad Bercovici, Abraham Cahan, Willa Cather, Paul Laurence Dunbar, Charles Alexander Eastman, James Weldon Johnson, D. H. Lawrence, Mabel Dodge Luhan, and Zitkala-Ša, among others.This exploration of the connection between concepts of place and pluralist communities reveals how mutual experiences of place can offer more constructive forms of community than just discussions of nationalism, belonging, and borders. "--
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In the wake of addressing multiculturalism, transculturalism, racism, and ethnicity, the issue of xenophobia and xenophilia has been somewhat marginalized. The present collection seeks, from a variety of angles, to investigate the relations between Self and Other in the New Literatures in English. How do we register differences and what does an embrace signify for both Self and Other? The contributors deal with a variety of topics, ranging from theoretical reflections on xenophobia, its exploration in terms of intertextuality and New Zealand/Maori historiography, to analyses of migrant and border narratives, and issues of transitionality, authenticity, and racism in Canada and South Africa. Others negotiate identity and alterity in Nigerian, Malaysian, Australian, Indian, Canadian, and Caribbean texts, or reflect on diaspora and orientalism in Australian–Asian and West Indian contexts.
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APARECE EN DICIEMBRE DE 2018. La diversidad es un tema clave del siglo XXI perfilado ya en las grandes transformaciones del siglo XX. En las últimas décadas, los estudios culturales participan activamente en el debate sobre la representación y el tratamiento de la diversidad y ponen énfasis en el reconocimiento y la configuración de la diversidad cultural. El presente volumen se propone analizar de qué manera los textos ficcionales (en un amplio sentido de la palabra, que incluye también el teatro, el cine así como otros medios audiovisuales y escénicos) contribuyen a formar, reflejar y perfilar la diversidad cultural y su compromiso moral.
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Emphasizing the role of travel and migration in the performance and transformation of identity, this volume addresses representations of travel, mobility, and migration in 19th' 21st-century travel writing, literature, and media texts. In so doing, the book analyses the role of the various cultural, ethnic, gender, and national encounters pertinent to narratives of travel and migration in transforming and problematizing the identities of both the travelers and "travelees" enacting in the borderzones between cultures. While the.
Travel in literature --- Literature and globalization --- Multiculturalism in literature --- Cultural pluralism in literature --- Travelers' writings --- Pluralism (Social sciences) in literature --- Globalization and literature --- Voyages and travels in literature --- History and criticism --- Globalization
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Cultural pluralism in literature. --- Nationalism and literature --- National characteristics, American, in literature. --- American drama --- Theater and society --- Pluralism (Social sciences) in literature --- Literature and nationalism --- Literature --- Actors --- Society and theater --- Theater --- History. --- History and criticism. --- History --- Social status --- Social aspects
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American national characteristics in literature --- Amerikaans volkskarakter in de literatuur --- Caractéristiques nationales américaines dans la littérature --- National characteristics [American ] in literature --- Pluralism (Social sciences) in literature --- Pluralisme (Sociale wetenschappen) in de literatuur --- Pluralisme (sciences sociales) dans la littérature --- Volkskarakter [Amerikaans ] in de literatuur --- American drama --- History and criticism --- Theater and society --- United States --- History --- 20th century --- Nationalism and literature
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""Out of many, one."" But how do the many become one without sacrificing difference or autonomy? This problem was critical to both identity formation and state formation in late 18th- and 19th-century America. The premise of this book is that American writers of the time came to view the resolution of this central philosophical problem as no longer the exclusive province of legislative or judicial documents but capable of being addressed by literary texts as well. The project of E Pluribus Unum is twofold. Its first and underlying concern is the general philosophic problem of the one and the m
American literature --- 19th century --- History and criticism --- Politics and literature --- United States --- History --- Literature and society --- Group identity in literature --- United States. Constitution in literature --- Cultural pluralism in literature. --- Group identity in literature. --- Individualism in literature. --- Pluralism (Social sciences) in literature --- History and criticism. --- United States. --- In literature.
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The construction of history as a social common denominator is a powerful achievement of the nineteenth-century novel, a form dedicated to experimenting with democratic social practice as it conflicts with economic and feudal visions of social order. Through revisionary readings of familiar nineteenth-century texts The English Novel in History 1840-1895 takes a multidisciplinary approach to literary history. It highlights how narrative shifts from one construction of time to another and reformulates fundamental ideas of identity, nature and society. Elizabeth Ermarth discusses the
English fiction --- Social classes in literature. --- Literature and history --- Literature and society --- Social classes --- Cultural pluralism in literature. --- Power (Social sciences) in literature. --- Sex role in literature. --- Pluralism (Social sciences) in literature --- Class distinction --- Classes, Social --- Rank --- Caste --- Estates (Social orders) --- Social status --- Class consciousness --- Classism --- Social stratification --- History and criticism. --- History --- Great Britain --- Social conditions --- Fiction --- English literature --- anno 1800-1899
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Literature --- Cultural pluralism --- Minorities in literature --- Critical pedagogy --- Minorities as a theme in literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Study and teaching --- Minority authors --- Cultural pluralism in literature --- 82:3 --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- Pluralism (Social sciences) in literature
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