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Cultures and Traditions of Wordplay and Wordplay Research
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ISBN: 3110630877 Year: 2018 Publisher: Berlin : De Gruyter,

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This volume focuses on realisations of wordplay in different cultures and social and historical contexts, and brings together various research traditions of approaching wordplay. Together with the volume DWP 7, it assembles selected papers presented at the interdisciplinary conference The Dynamics of Wordplay / La dynamique du jeu de mots (Trier, 2016) and stresses the inherent dynamicity of wordplay and wordplay research.


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Poesia per gioco: prontuario di figure artificiose
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ISBN: 8815005919 Year: 1984 Publisher: Bologna

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Crossing languages to play with words : multidisciplinary perspectives
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ISBN: 9783110463095 3110463091 3110465612 3110465604 3110463474 9783110465600 Year: 2016 Publisher: De Gruyter

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Wordplay involving several linguistic codes represents an important modality of ludic language. It is attested in different epochs, communicative situations, genres, and contexts of use. The translation of wordplay, which is generally seen as a challenging enterprise, illustrates another dimension of crossing linguistic borders in wordplay. The third volume of the series The Dynamics of Wordplay unites contributions from different disciplines which study the creative and playful use of elements from different languages and the transfer of ludic language into other linguistic systems. It sheds light on the multi-dimensionality, special linguistic make-up, and specific interactive potential of wordplay at the interface of different languages and cultures. The individual studies collected in this volume will be of interest to scholars from different scientific fields, such as linguistics and literary studies as well as cultural and media studies.


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Jeux de mots - enjeux littéraires, de François Rabelais à Richard Millet : essais en hommage à Sjef Houppermans
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ISBN: 9789004352629 Year: 2018 Publisher: Leiden Boston Brill

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'Jeux de mots' celebrates the creative power of wordplay from Rabelais to present times. Puns, portmanteaus, bon mots, neologisms, fetish-words: this collective volume focuses on literary wordplay in very different fields such as literary onomastics and constrained writing, both in prose and in poetry. Specialists in the field show how, from Rabelais to Richard Millet through Roussel and Roubaud and from Mallarmé to Fargue through Apollinaire and nonsense verse, prose and poetry explore the productivity of words, their power of metamorphosis and their capacity to make meaning shift. The volume ends with a section on wordplay in philosophy and the cinema.


Book
Cultures and Traditions of Wordplay and Wordplay Research
Authors: ---
ISBN: 9783110586343 9783110586374 9783110630879 3110586371 3110586347 9783110709728 3110709724 3110630877 Year: 2018 Publisher: Berlin : De Gruyter,

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Abstract

This volume focuses on realisations of wordplay in different cultures and social and historical contexts, and brings together various research traditions of approaching wordplay. Together with the volume DWP 7, it assembles selected papers presented at the interdisciplinary conference The Dynamics of Wordplay / La dynamique du jeu de mots (Trier, 2016) and stresses the inherent dynamicity of wordplay and wordplay research.


Book
Jeux de Mots - Enjeux Littéraires, de Francois Rabelais à Richard Millet : essais en hommage à Sjef Houppermans
Authors: ---
ISBN: 9004355456 9789004355453 9789004352629 9004352627 Year: 2018 Publisher: Leiden, [The Netherlands] ; Boston, [Massachusetts] : BRILL,

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Jeux de mots célèbre le pouvoir créateur des jeux de langage dans la littérature de Rabelais à nos jours. Calembour, mot-valise, bon mot, néologisme, mot-fétiche : ce volume collectif s’attache au jeu de mots littéraire dans des domaines aussi variés que l’onomastique littéraire et l’écriture à contraintes, aussi bien dans la prose que dans la poésie. Les études de spécialistes ici réunies montrent comment, de Rabelais à Richard Millet en passant par Roussel et Roubaud et de Mallarmé à Fargue en passant par Apollinaire et le ‘nonsense verse’, la prose et la poésie explorent la productivité des mots, leur pouvoir de métamorphose et leur aptitude à faire infiniment glisser le sens. Le volume se termine par une ouverture sur le jeu de mots en philosophie et au cinéma. Jeux de mots celebrates the creative power of wordplay from Rabelais to present times. Puns, portmanteaus, ‘bon mots’, neologisms, fetish-words: this collective volume focuses on literary wordplay in very different fields such as literary onomastics and constrained writing, both in prose and in poetry. Specialists in the field show how, from Rabelais to Richard Millet through Roussel and Roubaud and from Mallarmé to Fargue through Apollinaire and ‘nonsense verse’, prose and poetry explore the productivity of words, their power of metamorphosis and their capacity to make meaning shift. The volume ends with a section on wordplay in philosophy and the cinema.


Book
Les structures linguistiques de la genèse des jeux de mots
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ISBN: 3261038837 9783261038838 Year: 1988 Volume: 23 Publisher: Bern: Lang,

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Cinders
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ISBN: 0803216890 Year: 1991 Publisher: Lincoln, Neb. University of Nebraska Press

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Feu la cendre
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ISBN: 2721004808 9782721003287 2721003283 9782721004802 Year: 2005 Publisher: Paris: Des Femmes,

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«Il y a plus de quinze ans, une phrase m’est venue, comme malgré moi, revenue, plutôt, singulière, singulièrement brève, presque muette : Il y a là cendre. Là s’écrivait avec un accent grave : là, il y a cendre. Il y a, là, cendre. Mais l’accent, s’il se lit à l’œil, ne s’entend pas : il y a là cendre. À l’écoute, l’article défini, la, risque d’effacer le lieu, la mention ou la mémoire du lieu, l’adverbe là… Mais à la lecture muette, c’est l’inverse, là efface la, la s’efface : lui-même, elle-même, deux fois plutôt qu’une. Cette tension risquée entre l’écriture et la parole, cette vibration entre la grammaire et la voix, c’est aussi l’un des thèmes du polylogue. Celui-ci était fait pour l’œil ou pour une voix intérieure, une voix absolument basse. Mais par là même il donnait à lire, peut-être à analyser ce qu’une mise en voix pouvait appeler et à la fois menacer de perdre, une profération impossible et des tonalités introuvables.» J.D.

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