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Book
Adrian Piper : race, gender, and embodiment
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ISBN: 0822348969 9780822348962 0822349205 9780822349204 0822393735 1283265958 9786613265951 Year: 2011 Publisher: Durham [N.C.]: Duke university press,

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Abstract

In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances critically engaged with popular representations of race, gender, sexuality, and class; they challenged viewers to accept personal responsibility for xenophobia and discrimination and the conditions that allowed them to persist. Piper’s work confronts viewers and forces them to reconsider assumptions about the social construction of identity. Adrian Piper: Race, Gender, and Embodiment is an in-depth analysis of this pioneering artist’s work, illustrated with more than ninety images, including twenty-one in color.Over the course of a decade, John P. Bowles and Piper conversed about her art and its meaning, reception, and relation to her scholarship on Kant’s philosophy. Drawing on those conversations, Bowles locates Piper’s work at the nexus of Conceptual and feminist art of the late 1960s and 1970s. Piper was the only African American woman associated with the Conceptual artists of the 1960s and one of only a few African Americans to participate in exhibitions of the nascent feminist art movement in the early 1970s. Bowles contends that Piper’s work is ultimately about our responsibility for the world in which we live.

Out of order, out of sight. 2: Selected writings in art criticism 1967-1992
Author:
ISBN: 0262161559 0262161567 9780262161565 9780262161558 Year: 1996 Publisher: Cambridge (Mass.) : MIT press,

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Book
Adrian Piper : a reader
Author:
ISBN: 9781633450332 1633450333 Year: 2018 Publisher: New York, N.Y.: Museum of modern art,

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"Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them". Artbook& website (viewed on May 4, 2018)

Keywords

conceptual artists --- Piper, Adrian --- philosophy --- performance art --- mixed media works --- identity --- typescripts --- art criticism --- gelatin silver prints --- photography [process] --- Conceptual --- stats [copies] --- video art --- painting [image-making] --- Art --- ethnicity --- Piper, Adrian, --- African American women artists --- Conceptual art --- Performance art --- Interactive art --- kunst --- 7.071 PIPER --- racisme --- gender studies --- performance --- performances --- yoga --- concept art --- conceptuele kunst --- kunsttheorie --- filosofie --- Verenigde Staten --- Arts, Modern --- Happenings (Art) --- Performing arts --- Afro-American women artists --- Women artists, African American --- Women artists --- Participatory art --- Social practice (Art) --- Piper, Adrian M. S., --- Criticism and interpretation. --- 700.6 --- performancekunst --- ostracisme --- sociale uitsluitingsmechanismen --- gender --- 705.9 --- genderexpressie --- Kant, Immanuel --- Kantiaans --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- kunstgeschiedenis, 21e eeuw --- #breakthecanon --- 7.07 --- Vrouwelijke kunstenaars --- Filosofie ; Immanuel Kant --- Kunst en racisme --- Conceptuele kunst --- Thema's in de kunst ; ras ; gender ; geslacht --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Piper, Adrian, - 1948 --- -African American women artists --- -Piper, Adrian, - 1948 --- -Art --- -Piper, Adrian, - 1948-

Participation
Author:
ISBN: 9780854881475 9780262524643 0262524643 0854881476 Year: 2006 Volume: *2 Publisher: London: Whitechapel,

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L’art qui cherche à produire des situations dans lesquelles des relations se forment entre les spectateurs est placé dans un contexte historique et théorique dans des écrits clés de critiques et d’artistes. Le désir de faire sortir les spectateurs du rôle d’observateurs passifs et de les faire entrer dans le rôle de producteurs est l’une des caractéristiques de l’art du XXe siècle. Cette tendance peut être trouvée dans des pratiques et des projets allant des conceptions d’exposition d’El Lissitzky aux happenings d’Allan Kaprow, des objets minimalistes à l’art de l’installation. Plus récemment, ce type d’art participatif est allé jusqu’à encourager et produire de nouvelles relations sociales. Le célèbre argument de Guy Debord selon lequel le capitalisme fragmente le lien social est devenu la prémisse de beaucoup d’art relationnel cherchant à défier et à fournir des alternatives aux mécontentements de la vie contemporaine. Cette publication rassemble des textes qui placent ce développement artistique dans un contexte historique et théorique. La participation commence par des écrits qui fournissent un cadre théorique pour l’art relationnel, avec des essais d’Umberto Eco, Bertolt Brecht, Roland Barthes, Peter Bürger, Jen-Luc Nancy, Edoaurd Glissant et Félix Guattari, ainsi que la première traduction en anglais de l’influent Problems and Transformations in Critical Art de Jacques Rancière. Le livre comprend également des écrits centraux d’artistes tels que Lygia Clark et Hélio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn et Rirkrit Tiravanija. Et il présente des débats critiques et curatoriaux récents, avec des discussions de Lars Bang Larsen, Nicolas Bourriaud, Hal Foster et Hans-Ulrich Obrist.

Keywords

art criticism --- kunstenaarsgeschriften --- philosophy of art --- hedendaagse kunst --- art [fine art] --- kunstbeschouwing --- Contemporary [style of art] --- Art --- interactive art --- Tiravanija, Rirkrit --- Höller, Carsten --- Hirschhorn, Thomas --- Beuys, Joseph --- Clark, Lygia --- Deller, Jeremy --- Kaprow, Allan --- Oiticica, Hélio --- Interactive art --- Arts audiences --- Authorship --- Sociological aspects --- kunst --- nineties --- eenentwintigste eeuw --- participatie --- 82:7 --- interactieve kunst --- interactiviteit --- kunsttheorie --- Barthes Roland --- Beuys Joseph --- Bourriaud Nicolas --- Bürger Peter --- Carnevale Graciela --- Clark Lygia --- Collective Actions --- Cufer Eda --- Debord Guy --- Deller Jeremy --- Eco Umberto --- Foster Hal --- Glissant Edouard --- Group Material --- Guattari Félix --- Hirschhorn Thomas --- Höller Carsten --- Kaprow Allan --- Larsen Lars Bang --- Nancy Jean-Luc --- Nesbit Molly --- Obrist Hans Ulrich --- Oiticica Hélio --- Piper Adrian --- Rancière Jacques --- Schwarze Dirk --- Tiravanija Rirkrit --- 7.038/039 --- Literatuur en kunst --- Arts audiences. --- Interactive art. --- Sociological aspects. --- 7.01 --- 82:7 Literatuur en kunst --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over interactie ; participatie ; dialoog met het publiek --- public art --- community art --- Kunst --- gemeenschapskunst --- openbare kunst --- kunstkritiek --- kunstfilosofie --- Rapport du spectateur à l'objet créé --- Participation --- Performance --- Eco, Umberto --- Barthes, Roland, --- Bourriaud, Nicolas --- Bürger, Peter --- Carnevale, Graciela --- Cufer, Eda --- Debord, Guy --- Foster, Hal --- Glissant, Édouard, --- Guattari, Félix --- Hirschhorn, Thomas, --- Larsen, Lars Bang --- Nancy, Jean-Luc --- Nesbit, Molly --- Obrist, Hans Ulrich --- Piper, Adrian, --- Rancière, Jacques, --- Schwarze, Dirk --- artists' statements --- Authorship - Sociological aspects --- Barthes, Roland, 1915-1980 --- Glissant, Édouard, 1928-2011 --- Guattari, Félix 1930-1992 --- Hirschhorn, Thomas, 1957 --- -Höller, Carsten --- Piper, Adrian, 1948 --- -Rancière, Jacques, 1940 --- -Schwarze, Dirk --- Performance, art

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