Listing 1 - 10 of 17 | << page >> |
Sort by
|
Choose an application
Human body --- Nudity --- Sex symbolism. --- Social aspects. --- Symbolic aspects. --- Sex symbolism --- Erotic symbolism --- Symbolism --- Nakedness --- Nude --- Nudism --- Symbolic aspects of the human body --- Social aspects --- Symbolic aspects
Choose an application
Civilization, Anglo-Saxon. --- Human body --- Nudity --- Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Nakedness --- Nude --- Nudism --- Anglo-Saxon civilization --- Anglo-Saxons --- History --- Civilization
Choose an application
Director-dramatist Howard Barker is a restlessly prolific, compulsively controversial and provocative multi-media artist. Beyond his internationally performed and acclaimed theatrical productions, and his award-winning theatre company The Wrestling School, he is also a poet, a painter whose work has been exhibited internationally, and a philosophical essayist cognisant of the unique power of art to provoke moral speculation, and of the distinctive theatricality of the human being in times of crisis. This collection of essays provides international perspectives on the full range of Barker's achievements, theatrical and otherwise, and argues for their unique importance and urgency at the forefront of several genres of provocative modern art. It includes an interview with the artist and an essay by Barker himself.
Barker, Howard, --- Criticism and interpretation. --- Howard Barker. --- I Saw Myself. --- Scenes from an Execution. --- The Bite of the Night. --- The Wrestling school. --- modern art. --- nakedness. --- paintings. --- plays. --- poetry. --- theatre. --- triple excavation. --- Performing arts. --- Theater.
Choose an application
Aesthetics --- S12/0820 --- S17/0410 --- China: Philosophy and Classics--Comparative philosophy --- China: Art and archaeology--Symbolism in Chinese art, iconography --- Nudity. --- Photography of the nude. --- Nude in art. --- Photography of the nude --- Nude in art --- Photographie de nus --- Nu --- Nudity --- Nude photography --- Nakedness --- Nude --- Nudism --- Nudity in art --- Human figure in art --- Essence (philosophie) --- Philosophie et art --- Art --- Esthétique --- Philosophie --- Chine
Choose an application
Déesses grecques --- Goddesses [Greek ] --- Godinnen [Griekse ] --- Goddesses, Greek --- Nudity --- Animals --- Nudité --- Animaux --- Religious aspects --- Aspect religieux --- -Goddesses, Greek --- -Nakedness --- Nude --- Nudism --- Greek goddesses --- Animal kingdom --- Beasts --- Fauna --- Native animals --- Native fauna --- Wild animals --- Wildlife --- Organisms --- Human-animal relationships --- Zoology --- -Religious aspects --- Déesses grecques --- Nudité --- Nudity - Religious aspects --- Animals - Religious aspects
Choose an application
The undraped human form is ubiquitous in Western art and even appears in the art of India and Japan. Only in China, François Jullien argues, is the nude completely absent. In this enthralling extended essay, he explores the different conceptions of the human body that underlie this provocative disparity. Contrasting nakedness (which implies a diminished state) with nudity (which represents a complete presence), Jullien explores the traditional European vision of the nude as a fixed point of fusion where form joins truth. He then shows that the absence of the nude in Chinese art evinces an understanding of the human body as changeable and transitory. Viewed in light of each other, these differing concepts allow for a new way of thinking about form, the ideal, and beauty, enabling us to delve deeper into the relationship between art and the ideas that lie at its roots. Beautifully illustrated and gracefully translated into English for the first time, 'The Impossible Nude' will fascinate anyone interested in art history, Chinese art, or aesthetics.
Nude in art. --- Nudity. --- Photography of the nude. --- S17/0430 --- S02/0300 --- China: Art and archaeology--Esthetics --- China: General works--Chinese culture and the West and vice-versa --- Nude in art --- Nudity --- Photography of the nude --- Nude photography --- Nakedness --- Nude --- Nudism --- Nudity in art --- Human figure in art
Choose an application
""A magnificent volume! It offers brand new perspectives on body politics and identity or subjectivity formation in the post-colonial world."" Dorothy Ko, Barnard College While there is widespread interest in dress and hygiene as vehicles of cultural, moral, and political value, little scholarly attention has been paid to cross-cultural understandings of dirt and undress, despite their equally important role in the fashioning of identity and difference. The essays in this absorbing and thought
Human body --- Bathing customs --- Hygiene --- Nudity --- Clothing and dress --- Bathing beaches --- Baths --- Body care --- Cleanliness --- Personal body care --- Personal cleanliness --- Personal hygiene --- Medicine, Preventive --- Health --- Sanitation --- Nakedness --- Nude --- Nudism --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- Social aspects --- Care and hygiene
Choose an application
Baring genitalia, or the threat thereof, as a form of protest has appeared with increasing frequency across sub-Saharan African countries since the 1990s. Naked agency provides a conceptual framework for reading African women's "defiant disrobing" not as a stable, singular event, but rather as part of an ongoing struggle between victimhood and sovereignty. An act that makes claims to ritual and political power that is nevertheless performed out of abjection and vulnerability to state- and locally-sanctioned death, naked protest is fundamentally biopolitical, but also offers forms of agency that trouble the liberal subject. Diabate therefore offers ways to understand protests as situated performances. Diabate's analysis primarily considers media accounts of naked protests, from films to autobiographical accounts, novels to fine art, and beyond, bringing into focus the work cultural production does in representing naked protest. Her book situates the particularities of each instance of women's naked protest within the interactions of the indigenous, the local, and the global, emphasizing the contingent, collective, and triumphant forms of agency produced through insurgent nakedness.
Human body --- Nudity --- Political activists --- Social action --- Women --- Political aspects --- Political activity --- Social policy --- Social problems --- Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Activists, Political --- Persons --- Political participation --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Femininity --- Nakedness --- Nude --- Nudism
Choose an application
The Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that "decision" is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death. Laying out this theory of "unbecoming community" in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the "neutral mourning" of Barthes' Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
Arts and morals. --- Aporia. --- Art --- Art --- Philosophy. --- History and criticism. --- jean-luc nancy, queer theory, intimacy, sharing, community, separation, coexistence, loss, absence, departure, death, space, place, nonfiction, philosophy, literature, art, ethics, willem de kooning, robert rauschenberg, erased, erasure, writing degree zero, roland barthes, felix gonzalez-torres, camera lucida, catherine breillat, marguerite duras, jean genet, unmade beds, photography, blank pages, emptiness, neutral mourning, nude, nakedness.
Choose an application
This book provides a very accessible general introduction to the Jungian concept of ego development and Jung's theory of personality structure--the collective unconscious, anima, animus, shadow, archetypes.
Psychoanalysis. --- Self. --- Abraham. --- Aphrodite. --- Beatrice. --- Dante. --- Demeter. --- Elysium. --- Galileo. --- Magna Mater. --- Nakedness. --- Paradise. --- Satan. --- Taboos. --- Ulysses. --- Vishnu. --- autoerotism. --- behaviorists. --- cave man. --- coniunctio. --- exorcism. --- folklore. --- guide, ideal. --- impersonality. --- incarnation. --- irresponsibility. --- justice. --- legends. --- mana. --- oceanic feeling. --- ogress. --- premonitions. --- promiscuity. --- prophets. --- religious experience. --- saints. --- self-mutilation. --- transgression.
Listing 1 - 10 of 17 | << page >> |
Sort by
|