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Litterature africaine --- Ngugi wa thiong'o, 1938 --- -20e siecle --- Litterature africaine --- Ngugi wa thiong'o, 1938 --- -20e siecle --- Histoire et critique

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LITTERATURE AFRICAINE --- BA (MARIAMA) --- BRUTUS (DENNIS) --- FARAH (NURUDDIN) --- LOUTARD (JEAN BAPTISTE TATI) --- APARTHEID --- ACHEBE (CHINUA), 1930 --- -ARMAH (AYI KWEI), 1939 --- -COETZEE (JOHN MAXWELL), 1940 --- -HEAD (BESSIE), 1937-1986 --- LESSING (DORIS), 1919 --- -GORDIMER (NADINE), 1923 --- -NGUGI WA THIONG'O, 1938 --- -SOYINKA (WOLE), 1934 --- -HISTOIRE ET CRITIQUE --- LITTERATURE AFRICAINE --- BA (MARIAMA) --- BRUTUS (DENNIS) --- FARAH (NURUDDIN) --- LOUTARD (JEAN BAPTISTE TATI) --- APARTHEID --- ACHEBE (CHINUA), 1930 --- -ARMAH (AYI KWEI), 1939 --- -COETZEE (JOHN MAXWELL), 1940 --- -HEAD (BESSIE), 1937-1986 --- LESSING (DORIS), 1919 --- -GORDIMER (NADINE), 1923 --- -NGUGI WA THIONG'O, 1938 --- -SOYINKA (WOLE), 1934 --- -HISTOIRE ET CRITIQUE

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English literature --- Internal politics --- Kenya --- Ngugi wa Thiongo --- -Diaries --- Authors, Kenyan --- Political crimes and offenses --- Political prisoners --- Diaries. --- -Diaries. --- Diaries --- Kenyan authors --- Prisoners of conscience --- Prisoners --- Offenses, Political --- Political offenses --- Crime --- Extradition --- Political violence --- Subversive activities --- Ngũgĩ wa Thiongó, --- Politics and government --- Offenses against the State --- State, Offenses against the --- NGUGI WA THIONG'O, 1938 --- -AUTEURS KENYANS --- PRISONNIERS POLITIQUES --- CRIMES ET DELITS POLITIQUES --- KENYA --- JOURNAUX INTIMES --- POLITIQUE ET GOUVERNEMENT --- 1963-1978

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Decolonizing the Stage is a major study devoted to post-colonial drama and theatre. It examines the way dramatists and directors from various countries and societies have attempted to fuse the performance idioms of their indigenous traditions with the Western dramatic form. These experiments are termed 'syncretic theatre'. The study provides a theoretically sophisticated, cross-cultural comparative approach to a wide number of writers, regions, and theatre movements, ranging from Maori, Aboriginal, and native American theatre to Township theatre in South Africa. Writers studied include Nobel Prize-winning authors such as Wole Soyinka, Derek Walcott, and Rabindranath Tagore, along with others such as Ngugi wa Thiong'o, Jack Davis, Girish Karnad, and Tomson Highway. Decolonizing the Stage demonstrates how the dynamics of syncretic theatrical texts function in performance. It combines cultural semiotics with performance analysis to provide an important contribution to the growing field of post-colonial drama and intercultural performance.

Drama --- Theater --- Decolonization in literature --- Théâtre (Genre littéraire) --- Théâtre --- Décolonisation dans la littérature --- History and criticism. --- Developing countries --- Histoire et critique --- Pays en développement --- Literature and society --- Postcolonialism in literature --- History and criticism --- Postcolonialism in literature. --- Developing countries. --- Théâtre (Genre littéraire) --- Théâtre --- Décolonisation dans la littérature --- Pays en développement --- Drama - History and criticism --- Theater - Developing countries --- Literature and society - Developing countries --- DRAMA --- THEATRE --- TAGORE (RABINDRANATH) --- DAVIS (JACK) --- KARNAD (GIRISH) --- HIGHWAY (TOMSON) --- NGUGI WA THIONG'O, 1938 --- -SOYINKA (WOLE), 1934 --- -WALCOTT (DEREK), 1930 --- -HISTORY AND CRITICISM --- DEVELOPING COUNTRIES

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Sociology of literature --- British Commonwealth --- Decolonization in literature --- Colonies in literature --- Blacks in literature --- Colonies dans la littérature --- Noirs dans la littérature --- Literature and society --- Postcolonialism in literature. --- Colonies dans la littérature --- Noirs dans la littérature --- Commonwealth literature (English) --- Postcolonialism in literature --- 820 <100> --- 820 <100> Engelse literatuur: Commonwealth --- Engelse literatuur: Commonwealth --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Negroes in literature --- History and criticism --- History --- Social aspects --- English literature --- anno 1900-1999 --- Decolonization in literature. --- Colonies in literature. --- Blacks in literature. --- History and criticism. --- Littérature du Commonwealth (anglaise) --- Décolonisation dans la littérature --- Histoire et critique --- Black people in literature. --- Commonwealth literature (English) - History and criticism. --- Literature and society - Commonwealth countries - History - 20th century. --- POST-COLONIAL LITERATURE (ENGLISH) --- COMMONWEALTH LITERATURE (ENGLISH) --- LITERATURE AND SOCIETY --- DECOLONIZATION IN LITERATURE --- COLONIES IN LITERATURE --- BLACKS IN LITERATURE --- SOUTH AFRICAN LITERATURE --- BENNETT (LOUISE) --- BHABHA (HOMI) --- BERRY (JAMES) --- DABYDEEN (DAVID) --- GWALA (MAFIKA) --- JOHNSON (LINTON KWESI) --- MTSHALI (OSWALD) --- NARAYAN (R. K.) --- NICHOLS (GRACE) --- PLAATJE (SOLOMON) --- RAO (RAJA) --- SAHGAL (NAYANTARA) --- ACHEBE (CHINUA), 1930 --- -BRATHWAITE (EDWARD KAMAU), 1930 --- -COETZEE (JOHN MAXWELL), 1940 --- -SAID (EDWARD W.), 1935-2003 --- ONDAATJE (MICHAEL), 1943 --- -RUSHDIE (SALMAN), 1947 --- -GORDIMER (NADINE), 1923 --- -NAIPAUL (VIDIADHAR SURAJPRASAD), 1932 --- -NGUGI WA THIONG'O, 1938 --- -SPIVAK (GAYATRI CHAKRAVORTY), 1942 --- -WALCOTT (DEREK), 1930 --- -HISTORY AND CRITICISM --- COMMONWEALTH COUNTRIES --- HISTORY --- 20th CENTURY --- -POST-COLONIAL LITERATURE (ENGLISH) --- HISTORY AND CRITICISM --- -Sociology of literature