Listing 1 - 10 of 283 | << page >> |
Sort by
|
Choose an application
Choose an application
Choose an application
In the two decades since the first edition of Contemporary Plays by Women of Color published, its significance to the theatrical landscape in the United States has grown exponentially. In this second edition, Roberta Uno brings together an up-to-date selection of plays from renowned and emerging playwrights tackling a variety of topics.
American drama --- Women --- Minority authors.
Choose an application
The "margins" in Petra Fachinger's work are occupied largely by second-generation migrant writers from Spain, Italy, and Turkey, German Jewish writers of diverse ethnic origins, and writers born in the GDR. She demonstrates that during the 1980s and 1990s writers from various cultural backgrounds engaged in oppositional discourse to construct their own version of Germany and write back to the German canon. While most studies of texts by minority writers in Germany favour content over form, Fachinger focuses on identifying counter-discursive strategies, and applies postcolonial theory concerned with textual resistance to the German situation. In doing so, this study effectively relates marginal writing in Germany to similar forms of writing in other national and cultural contexts. The oppositional impulse, whether manifested in counter-canonical discourse, postcolonial picaresque, hybridity, rewriting of genre, or grotesque realism, is prompted by the exclusionary politics of the dominant culture. The discursive strategies used by the authors discussed to rewrite Germany expose the assumptions that underlie German public discourse and destabilize notions of Germanness, Jewishness, and Turkishness. Fachinger's reading of texts by marginal writers in Germany, all of whom endeavour to resist marginalization while simultaneously experiencing or even celebrating the margin as a site of empowerment, was motivated by the absence of comparative studies of such writing. Rewriting Germany from the Margins demonstrates the necessity and usefulness of comparative approaches to minority discourses across national and cultural borders.
German literature --- History and criticism. --- Minority authors
Choose an application
Studies of literary reflections on ethnicity are essential to the ever-renewed definition of Canadian literature. The essays in this collection explore the diverse ways of negotiating identity and the articulation of space in Canada, taking ethnicity as a driving force with ideological and cultural implications that lend public and literary discourse an urgent dynamism. While theorizing ethnicity is a valuable critical enterprise, these essays centre on the concrete realization of the problematics of ethnicity in creative writing, covering a wide range of Canada's mosaic. The creative inscription of ethnicity stimulates the evolution and expansion of Canada's literary heritage, the complexity of this cultural experience being the focus of the present collection. Fourteen essays, including a personal account by the Ukrainian-Canadian Janice Kulyk Keefer on the merging of private and public history, and two interviews - with the Chinese-Canadian writer Wayson Choy and the critic Linda Hutcheon - analyze the manifestations of the pluralism that has always characterized Canadian writers' consciousness of themselves, their engagement with the notion of the 'multicultural' and its significance in contemporary society and, in particular, its effect on creativity.
Canadian literature --- Minority authors --- History and criticism
Choose an application
Chinese literature --- Minority authors --- History and criticism
Choose an application
Chinese literature --- Manchu literature --- Manchus --- Minority authors
Choose an application
Pivotal Voices, Era of Transition gathers Rigoberto González's most important essays and book reviews, many of which consider the work of emerging poets whose identities and political positions are transforming what readers expect from contemporary poetry. A number of these voices represent intersectional communities, such as queer writers of color like Natalie Díaz, Danez Smith, Ocean Vuong, and Eduardo C. Corral, and many writers, such as Carmen Giménez Smith and David Tomás Martínez, have deep connections to their Latino communities. Collectively, these writers are enriching American poetry to reflect a more diverse, panoramic, and socially conscious literary landscape. Also featured are essays on the poets' literary ancestors--including Juan Felipe Herrera, Alurista, and Francisco X. Alarcón--and speeches that address the need to leverage poetry as agency. This book fills a glaring gap in existing poetry scholarship by focusing exclusively on writers of color, and particularly on Latino poetry. González makes important observations about the relevance, urgency, and exquisite craft of the work coming from writers who represent marginalized communities. His insightful connections between the Latino, African American, Asian American, and Native American literatures persuasively position them as a collective movement critiquing, challenging, and reorienting the direction of American poetry with their nuanced and politicized verse. González's inclusive vision covers a wide landscape of writers, opening literary doors for sexual and ethnic minorities.
American poetry --- Minority authors --- History and criticism.
Choose an application
American literature --- Ethnic groups --- Canadian literature --- Caribbean literature (English) --- Minorities --- Minorities --- Minority authors --- Minority authors
Choose an application
This open access book brings together storytelling and self-narrative, creative writing and narrative enquiry to explore a variety of topics in migration from an experiential lens. The volume is hybrid and multi-genre as it contains both scholarly chapters grounded in academic perspectives, as well as personal essays and creative non-fiction. In addition to critical reflections on key migration topics and concepts like, identity and diversity, integration and agency, transnationalism and return the scholarly chapters also propose a particular methodology for workshopping migration narratives, and writing about (personal) lived experiences through iterations of scientific reflection, narrative enquiry, and creative imagination. The book explores the potential of a new conceptual paradigm and methodological process to learn more, and also `differently, about the migration experience. Finally, this volume asks a bigger question too how do we define the boundaries of research; is it possible to entirely separate the spatial, temporal and methodological parameters in which projects are developed and pursued; and how can the specifics of these multiple contexts contribute to shaping the knowledge being produced?
Creative writing. --- Emigration and immigration in literature. --- Literature --- Minority authors.
Listing 1 - 10 of 283 | << page >> |
Sort by
|