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Jerónimo Antonio Gil and the Idea of the Spanish Enlightenment
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ISBN: 9780826357359 0826357350 9780826357342 0826357342 Year: 2017 Publisher: Albuquerque, [New Mexico] : University of New Mexico Press,

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An Essay upon Prints : Containing Remarks upon the Principles of Picturesque Beauty
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ISBN: 1107339073 110806678X Year: 1768 Publisher: Place of publication not identified : Cambridge : publisher not identified, Cambridge University Press

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Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. His approach as a teacher was enlightened: during his time as headmaster of Cheam School, his aim was to prepare his pupils for life. Moving in 1777 to become vicar of Boldre, Hampshire, where he remained for the rest of his life, he was able to endow two schools there with income from his successful writings. This knowledgeable appraisal of the print as an art form, and of its foremost practitioners, was first published anonymously in 1768 to positive reviews. It defines picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. Gilpin further developed and explored the concept in his volumes of Observations on various parts of Britain, which are also reissued in this series.


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A register of artists, engravers, booksellers, bookbinders, printers and publishers in New York City, 1821-1842
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ISBN: 091493015X Year: 1993 Publisher: New York The Bibliographical Society of America


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Dictionnaire des graveurs, illustrateurs et affichistes français et étrangers (1673-1950). Tome 1, A - Cher
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ISBN: 2913224199 2913224245 2913224229 2913224237 2913224202 Year: 2001 Publisher: Dijon : L'Echelle de Jacob,


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William Blake in the desolate market
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ISBN: 0773590293 9780773590298 9780773543065 0773543066 9780773581678 0773581677 Year: 2014 Publisher: Montréal, Québec : McGill-Queen's University Press,

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Experience taught William Blake that "Wisdom is sold in the desolate market where none come to buy." His brilliant achievements as a poet, painter, and engraver brought him public notice, but little income. William Blake in the Desolate Market records how Blake, the most original of all the major English poets, earned his living. G.E. Bentley Jr, the dean of Blake scholars, details the poet's occupations as a commercial engraver, print-seller, teacher, copperplate printer, painter, publisher, and vendor of his own books. In his early career as a commercial engraver, Blake was modestly prosperous, but thereafter his fortunes declined. For his most ambitious commercial designs, he made hundreds of folio designs and scores of engravings, but was paid scarcely more than twenty pounds for two or three years' work. His invention of illuminated printing lost money, and many of his greatest works, such as Jerusalem, were left unsold at his death. He came to believe that his "business is not to gather gold, but to make glorious shapes." William Blake in the Desolate Market is an investigation of Blake's labours to support himself by his arts. The changing prices of his works, his costs and receipts, as well as his patrons and employers are expertly gathered and displayed to show the material side of the artistic career in Britain's Romantic period.


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Briefwechsel
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ISBN: 3484365447 3110967286 Year: 2013 Volume: 44 Publisher: Tübingen : Max Niemeyer Verlag,

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Johann Georg Wille (1715-1808), ein deutscher Kupferstecher aus Hessen, der sich 1736 in Paris niederließ, dort Mitglied der königlichen Kunstakademie wurde und seine eigene Zeichenschule gründete, wurde bald zur zentralen Figur eines weitverzweigten Korrespondentennetzes, das sich von Paris aus über ganz Europa erstreckte. Künstler, die anschließend in den Kunstakademien von Dresden und Wien als Lehrer unterrichteten, wurden in seiner Pariser Werkstatt ausgebildet. Sein Haus galt als wichtige Anlaufstelle vieler deutscher Parisreisender. Werke Johann Joachim Winckelmanns und Salomon Geßners wurden durch seine Vermittlung in Frankreich eingeführt und übersetzt, Gemälde von Anton Raphael Mengs und Christian Wilhelm Ernst Dietrich mit seiner Unterstützung ausgestellt und verkauft. In diesem Sinne spielte der seinerzeit als "Voltaire de l'art" bezeichnete Künstler eine grundlegende Rolle als Vermittler deutscher Kultur in Frankreich. Sein Briefwechsel enthält die präzise Chronik seiner umfangreichen Beziehungen zu Deutschland, Italien, der Schweiz, Dänemark, England usw. Er wirft ein bezeichnendes Licht auf die Soziabilität der Aufklärung und stellt ein wichtiges Dokument zu den europäischen Kunst- und Kulturtransfers in der zweiten Hälfte des 18. Jahrhunderts dar, das nicht nur die Bedingungen des Kunstmarktes, sondern auch die Literatur- und Buchgeschichte erhellt.

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