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Labyrinths & mazes : a journey through art, architecture, and landscape
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ISBN: 9781616895129 Year: 2016 Publisher: New York : Princeton Architectural Press,

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Chartres : Le labyrinthe déchiffré
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ISBN: 2908974045 Year: 1997 Publisher: [lieu de publication inconnu] Éditions Jean-Michel Garnier

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Das Labyrinthische : uber die Idee des Verborgenen, Ratselhaften, Schwierigen in der Geschichte der Architektur
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ISBN: 1282362887 9786612362880 3034601506 Year: 2009 Publisher: Gutersloh : Basel ; Boston : Bauverlag ; Birkhauser,

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Das Labyrinthische ist eine architektonische Qualität, die nur selten ins Blickfeld von Theorie und Geschichte der Architektur gelangt. Erstaunlich, denn es existiert eine ganze Welt des Verborgenen, Rätselhaften und Schwierigen, die sich dem begrifflichen Zugang entzieht, uns aber ebenso nachhaltig prägt und uns ebenso wichtig ist wie jene, die wir durchschauen. In seiner erstmals 1987 erschienenen, seit langem vergriffenen und nun erneut zugänglichen Arbeit zieht Jan Pieper immer wieder Zeugnisse des Labyrinthischen aus fremden Kulturen heran, in denen die anthropologischen Grundlagen des Labyrinthischen oft schärfere Konturen gewinnen als in den vertrauten Phänomenen der eigenen Kultur. Seine historischen, theoretischen und kulturvergleichenden Untersuchungen nehmen von der chiffrenhaften Labyrinthfigur ihren Ausgang. Im Zentrum aber steht die Vielfalt der Labyrinthideen, die in architektonischen Andeutungen, Gesten und Assoziationen des bedeutsamen Bauens stets mitschwingen. Jan Piepers im Wortsinne wundervolles Werk erschließt so die Ideen und die Ausdrucksformen der bewußten Verrätselung als subtilster Form architektonischer Ordnung.


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Jeppe Hein : livre numéro 9
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ISBN: 2844262759 9782844262752 Year: 2005 Publisher: Paris: Centre Pompidou,

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Ce livre est un dédale. Vous allez y errer et vous y fourvoyer, avant de pénétrer un peu mieux le labyrinthe de Jeppe Hein. Car il s'agira de livrer le secret du "labyrinthe invisible".


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Labyrinthes : Du Mythe au Virtuel
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ISBN: 2879007763 9782879007762 Year: 2003 Publisher: Paris: Paris Musées,

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Symbole universel et intemporel, la figure labyrinthique continue de nous fasciner et nous renvoie à nos interrogations les plus profondes. La richesse des œuvres et la diversité des artistes illustrent la pérennité du mythe à travers les siècles. Les auteurs qui ont participé à cet ouvrage y apportent l'éclairage de leur propre sensibilité. Autant de regards croisés pour aider le lecteur à cheminer une fois les portes du labyrinthe franchies.

The Idea of the Labyrinth from Classical Antiquity through the Middle Ages
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ISBN: 0801423937 1501738461 0801480000 1501738453 Year: 1990 Publisher: Ithaca : Cornell University Press,

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Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective-the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages.Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it.Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.


Book
The idea of the labyrinth from classical antiquity through the Middle Ages
Author:
ISBN: 0801480000 1501738453 1501738461 Year: 1992 Publisher: Ithaca : Cornell University Press,

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Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective-the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages.Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it.Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.


Book
Das Labyrinthische : über die Idee des Verborgenen, Rätselhaften, Schwierigen in der Geschichte der Architektur.
Author:
ISBN: 3528087080 9783528087081 Year: 1987 Publisher: Braunschweig Vieweg


Book
Labyrinth und Spiel : Umdeutungen eines Mythos
Authors: ---
ISBN: 3892449333 9783892449331 3892449333 Year: 2007 Publisher: Göttingen : Wallstein,


Book
Jan Vercruysse : The Villas : Haus Esters (museum), Haus Lange (museum)
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ISBN: 3926530766 9783926530769 Year: 1996 Publisher: Krefeld Stadt Krefeld

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