Listing 1 - 10 of 29 | << page >> |
Sort by
|
Choose an application
Choose an application
Choose an application
Choose an application
Christian Kerez was born in 1962 in Maracaibo, Venezuela and obtained his degree in architecture at the Swiss Federal Institute of Technology Zurich. After extensive published work in the field of architectural photography, he opened his own architectural office in Zurich, Switzerland, in 1993. He has been appointed as a visiting professor in design and architecture at the Swiss Federal Institute of Technology Zurich since 2001, as assistant professor since 2003 and as full professor for design and architecture since 2009. In 2012-13 he led the Kenzo Tange Chair at the Graduate School of Design, Harvard University, Cambridge, MA, USA. He is currently working on different programs in various scales in France, the Czech Republic, Brazil and China.
Kerez, Christian. --- Architecture --- architectural firms --- Kerez, Christian --- Switzerland --- Peredo, Macias
Choose an application
Degelo, Heiri --- Kerez, Christian --- Morger, Meinrad --- Lichtenstein
Choose an application
Degelo, Heinrich --- Kerez, Christian --- Morger, Meinrad --- Lichtenstein
Choose an application
Choose an application
Architecture --- Projets d'architecture --- Kerez, Christian
Choose an application
Holl, Steven (1947 - ....) --- Kerez, Christian (1962 - ....) --- SERVO --- UN Studio (1998 - ....) --- Holl, Steven (1947 - ....) --- Kerez, Christian (1962 - ....) --- SERVO --- UN Studio (1998 - ....)
Choose an application
a+u’s June issue is dedicated to the Incidental Space series by Swiss architect Christian Kerez. The result of intense investigations, Incidental Space follows Kerez’s attempts to gauge the potential of ornamental space as a generative device, to seek further liberations and precision in thinking about and defining space. Concepts such as narrative space, fluid space, and atomized space are anthologized here in one of Kerez’s 2 essays. In the other essay, Kerez documents and reflects on his experiences in Baroque architect Francesco Borromini’s canonical buildings, translating them “from the medium of architecture into the medium of language.” Unusually for a+u, only 6 projects, 3 built and 3 unbuilt, are featured in this issue. Sketches, drawings, and models exhaustively archive the design process of each project, from the testing of concepts to the final form and spatial experience. Projects are never linear in Kerez’s disciplinary interrogation of architecture but rather take the form of research and experimentations. Together these projects underscore how spaces can be created – not merely found, but made with rigor – in the caprices of incident.
Listing 1 - 10 of 29 | << page >> |
Sort by
|