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This article analyses the dynamic role of Justice in Dante's Comedy. As the judge of his Otherworld, Dante establishes harsh punishments for the sinners in his Inferno. Moreover, he attacks their earthly fame in a way similar to what he experienced as an exile condemned to death by his Commune. Dante also defines the lighter penitences which torture the souls of his Purgatorio. Finally, Dante's Justice shines alive in his Paradiso, first in the sky of Mercury and then, at its apotheosis, in the sky of Jupiter, when the eagle an-wers Dante the Pilgrim's difficult questions about the salvation of pagan souls. As the eagle points out, even the blessed souls do not know the names of all the saved ones, and this remark should invite mortals to restrain from judging their peers. A similar message seems to be at the very heart of Aquinas' speech in the sky of the Sun.

Justice in literature.

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For James McMichael, Joyce's Ulysses invites the wide range of interpretations it has received: what it also does is to prod its interpreters to put the book to some just use. If Ulysses were more conventional than it is, McMichael claims, its readers could set more comfortable limits for themselves in their responses to it, limits that did not extend beyond Ulysses into their dealings with persons in the world. But what happens instead is that the singularly unconventional narrative structure of Ulysses keeps reminding them that the story they are being told about any of the characters is the same kind of story they tell themselves whenever they think about a person. It reminds them that every person needs to be responded to justly and that the justice of their response to any person depends on how justly they characterize that person in their thoughts. McMichael insists that it is justice that Joyce himself most wants. Distinguishing Joyce not only from the immature Stephen Dedalus but also from Ulysses' perfectly unresponsive narrator, this study describes Joyce's tacit but discomforting plea that Ulysses be judged not so much for its literary mastery as for the degree to which it is a just response to persons in need.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Justice in literature. --- Joyce, James, --- Joyce, James

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A Theory of Injustice : Philosophical and Literary Perspectives insists upon a re-thinking of Western theories of Justice. For 2500 years, philosophers have subordinated the concept of injustice to the concept of justice, as if injustice were only a secondary, derivative notion. This book summons literary classics, notably Shakespeare, to argue that injustice, not justice, should be the focus of our attention. A long line of thinkers, from Plato and Aristotle through to Kant, Hegel, Marx and Rawls, have overlooked the central problems of injustice. The book identifies two elements – unity and measurement – that are constantly assumed to be essential to justice. It shows how, in landmark literary classics, it is precisely those two elements that end up generating injustice. Western justice theory, it is concluded, cannot advance until it takes a new approach to the concept and the realities of injustice.

Justice --- Justice (Philosophy) --- Justice in literature

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This book looks at concepts of justice from points of view of various religious. and cultural traditions (Hinduism, Islam, Christianity, Cosmopolitanism, Tribal. Cultures) and different methodological perspectives (historical, theological,. philosophical, sociological). One common thread in these essays is the reflection. on ethics universally and reference to the basic values of the Indian constitution. People from different backgrounds were included in the dialogue process on justice. that lead to this publication. This volume attempts to express the opinions of people whose voices were not.

Social justice --- Caste --- Social justice in literature.

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The world's longest lasting republic between ancient Rome and modern Switzerland, medieval Iceland (c. 870-1262) centered its national literature, the great family sagas, around the problem of can a republic survive and do justice to its inhabitants. The Conflict of Law and Justice in the Icelandic Sagas takes a semiotic approach to six of the major sagas which depict a nation of free men, abetted by formidable women, testing conflicting legal codes and principles - pagan v. Christian, vengeance v. compromise, monarchy v. republicanism, courts v. arbitration. The sagas emerge as a body of great literature embodying profound reflections on political and legal philosophy because they do not offer simple solutions, but demonstrate the tragic choices facing legal thinkers (Njal), warriors (Gunnar), outlaws (Grettir), women (Gudrun of Laxdaela Saga ), priests (Snorri of Eyrbyggja Saga ), and the Icelandic community in its quest for stability and a good society. Guest forewords by Robert Ginsberg and Roberta Kevelson, set the book in the contexts of philosophy, semiotics, and Icelandic studies to which it contributes.

Justice in literature --- Law in literature