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761 <45> --- 76 <45> --- Chiaroscuro --- Wood-engraving, Italian --- -Italian wood-engraving --- Clairobscur --- Art --- Color prints --- Light in art --- Painting --- Hoogdruktechnieken in de grafische kunst--Italië --- Grafische kunsten. Grafiek. Prentkunst--Italië --- Catalogs --- Technique --- Chiaroscuro. --- Catalogs. --- -Hoogdruktechnieken in de grafische kunst--Italië --- 76 <45> Grafische kunsten. Grafiek. Prentkunst--Italië --- 761 <45> Hoogdruktechnieken in de grafische kunst--Italië --- -Clairobscur --- Italian wood-engraving
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761 <45> --- 76 <45> "14" --- Wood-engraving, Italian --- -Italian wood-engraving --- Hoogdruktechnieken in de grafische kunst--Italië --- Grafische kunsten. Grafiek. Prentkunst--Italië--15e eeuw. Periode 1400-1499 --- History --- History. --- -Hoogdruktechnieken in de grafische kunst--Italië --- 76 <45> "14" Grafische kunsten. Grafiek. Prentkunst--Italië--15e eeuw. Periode 1400-1499 --- 761 <45> Hoogdruktechnieken in de grafische kunst--Italië --- Italian wood-engraving
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In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.
Christian special devotions --- History of Italy --- Iconography --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Forli --- Wood-engraving, Italian --- Icons --- HISTORY / Europe / General. --- Cult --- Mary, --- Jesus Christ --- Madonna of the fire. --- Wood-engraving --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Italian wood-engraving --- Mary --- Jesus --- ישו, --- عيسى بن مريم --- מריה, --- مريم، --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Madonna del fuoco --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria, --- European 4 :
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