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In a country only unified since 1871, German culture and art is derived from ancient tradition. Studying German painting requires viewing it on a different scale, larger than the current geographical frontiers. From the Middle Ages through to the New Objectivity of the 20th century, we introduce you to the German artists who have marked history: Albrecht Dürer, the Romantic Caspar David Friedrich, and the Expressionist Otto Dix. Original in its themes, German painting always seeks harmony whilst remaining inquisitive.
Painting, German. --- German painting --- Blaues Quadrat (Group of artists)
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Painting, German --- -Painting, Modern --- -Modern painting --- Paintings, Modern --- German painting --- Blaues Quadrat (Group of artists) --- History --- -History --- -German painting --- -Painting, German --- Neue Wilde (Group of artists) --- Duitsland --- Painting, German - 20th century
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Painting, German --- Votive offerings in art --- German painting --- Christian special devotions --- Folklore --- Blaues Quadrat (Group of artists)
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Rauch, Neo, --- Rauch, Neo --- Painting, German --- 75.071 RAUCH --- Duitsland --- eenentwintigste eeuw --- kunst --- Rauch Neo --- schilderkunst --- twintigste eeuw --- German painting --- Blaues Quadrat (Group of artists) --- Exhibitions
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Painting, Dutch --- Painting, Flemish --- Painting, German --- 701.18 --- German painting --- Blaues Quadrat (Group of artists) --- Flemish painting --- Dutch painting --- Mander, Carel van, --- Mander, van, Karel
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This book presents four case studies that interrogate how German fifteenth-century painted triptychs engage with, and ultimately blur various boundaries. Some of the boundaries are internal to the triptych format, for example, transgressed frames between narratives scenes on triptychs' interiors, or interconnections between imagery on triptychs' interiors and exteriors. Other blurred boundaries are regional ones between the Netherlands and Cologne; metaphysical ones between heaven and earth; and artistic distinctions between the media of painting and sculpture. The book's case studies, which shed new light on Conrad von Soest, Stefan Lochner, and the Master of the St Bartholomew Altarpiece, illuminate the importance of German fifteenth-century painting, while providing a fresh assessment of relations between German triptychs and their more famous Netherlandish counterparts' and demonstrating the value of probing Medialität, the implications of format and medium for generating meaning. The book's coda assesses the triptych in the age of Dürer.
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Painting, Abstract --- -Painting, German --- -German painting --- Blaues Quadrat (Group of artists) --- Abstract painting --- Non-objective painting --- Painting, Non-objective --- Painting, Modern --- -Painting, Abstract --- modernisme --- Painting --- schilderkunst --- painting [image-making] --- Modernist --- anno 1900-1999 --- Germany --- Painting, German --- German painting --- Painting [Abstract ] --- Germany [West ] --- Painting [German ] --- Painting [Modern ] --- 20th century --- Painting, Abstract - Germany (West) --- Painting, German - Germany (West) --- Painting, Modern - 20th century - Germany (West)
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Painting, German --- Painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- German painting --- Blaues Quadrat (Group of artists) --- Staatsgalerie Regensburg --- easel paintings [paintings by form] --- Städtische Galerie [Regensburg] --- anno 1800-1899 --- Germany
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Country life in art --- German literature --- Painting, German --- Pastoral literature, German --- German pastoral literature --- Painting, Modern --- German painting --- Blaues Quadrat (Group of artists) --- Young Germany --- History and criticism --- Painting --- anno 1700-1799 --- anno 1800-1899
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History in art. --- Painting, German --- Painting, Austrian --- Histoire dans l'art --- Peinture allemande --- Peinture autrichienne --- 7.044 --- 7:32 --- History in art --- -Painting, German --- -German painting --- Blaues Quadrat (Group of artists) --- Austrian painting --- Historical art --- Art and history --- Iconografie: geschiedkundige voorstellingen; staatshandelingen; veldslagen --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel-:-Politiek. Staatskunde. Staatswetenschappen --(algemeen) --- -Iconografie: geschiedkundige voorstellingen; staatshandelingen; veldslagen --- 7:32 Kunst. Ruimtelijke ordening. Architectuur. Sport en spel-:-Politiek. Staatskunde. Staatswetenschappen --(algemeen) --- 7.044 Iconografie: geschiedkundige voorstellingen; staatshandelingen; veldslagen --- -Historical art --- German painting --- Painting, Modern
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