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Women --- -Muslim women --- -Women in Islam --- -Purdah --- -Veils --- -Headgear --- Hijab (Islamic clothing) --- Gender apartheid --- Hijab (Seclusion) --- Pardah --- Purda --- Sexual apartheid --- Segregation --- Burqas (Islamic clothing) --- Islam --- Islamic women --- Women, Muslim --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Social conditions --- -Social conditions --- -Gender apartheid --- Sociology of culture --- Religious studies --- Turkey --- Muslim women --- Women in Islam --- Purdah --- Veils --- Religious fundamentalism --- Norms --- Book --- Veil
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Islam --- Sociology of the family. Sociology of sexuality --- India --- Purdah --- 849 Gender --- 845 Religie --- 883.5 Zuid-Azië --- Feminism --- Muslim women --- Social conditions. --- Social conditions --- Women, Muslim - India - Social conditions. --- Feminism - India. --- Purdah. --- Gender apartheid --- Hijab (Seclusion) --- Pardah --- Purda --- Sexual apartheid --- Segregation --- Women --- Burqas (Islamic clothing) --- Hijab (Islamic clothing)
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Illustrated with photographs, drawings, and cartoons gathered from popular culture, this provocative book demonstrates that the veil, the garment known in Islamic cultures as the hijab, holds within its folds a semantic versatility that goes far beyond current clichés and homogenous representations. Whether seen as erotic or romantic, a symbol of oppression or a sign of piety, modesty, or purity, the veil carries thousands of years of religious, sexual, social, and political significance. Using examples from both the East and West--including Persian poetry, American erotica, Iranian and Indian films, and government-sanctioned posters--Faegheh Shirazi shows that the veil has become a ubiquitous symbol, utilized as a profitable marketing tool for diverse enterprises, from Penthouse magazine to Saudi advertising companies. She argues that perceptions of the veil change with the cultural context of its use as well as over time: in a Hindi movie the veil draws in the male gaze, in an Iranian movie it denies it; photographs of veiled women in Playboy aim to titillate a principally male audience, while cartoons of veiled women in the same magazine mock and ridicule Muslim society. Shirazi concludes that the practice of veiling, encompassing an amazingly rich array of meanings, has often become a screen upon which different people in different cultures project their dreams and nightmares. --provided by publisher.
Veils --- Muslim women --- Costume --- Muslim women in art. --- Purdah. --- Purdah in literature. --- Hijab (Islamic clothing) --- Clothing and dress --- Erotica --- Head scarves, Islamic --- Head scarves, Muslim --- Headscarves, Islamic --- Headscarves, Muslim --- Islamic head scarves --- Islamic headscarves --- Islamic scarves --- Muslim head scarves --- Muslim headscarves --- Muslim scarves --- Scarves, Islamic --- Scarves, Muslim --- Islamic clothing and dress --- Burqas (Islamic clothing) --- Kerchiefs --- Purdah --- Gender apartheid --- Hijab (Seclusion) --- Pardah --- Purda --- Sexual apartheid --- Segregation --- Women --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- Islamic women --- Women, Muslim --- Headgear --- Social aspects. --- Costume. --- Erotic aspects. --- Clothing --- Social conditions --- Muslimahs
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