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Jews --- -Jews --- -National socialism --- -Nazism --- Authoritarianism --- Fascism --- Nazis --- Neo-Nazism --- Totalitarianism --- World War, 1939-1945 --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- History --- -Persecutions --- -Causes --- Gay, Peter --- -Childhood and youth --- National socialism --- Persecutions --- -History --- -Gay, Peter --- Nazism --- Causes --- Gay, Peter, --- Childhood and youth. --- Childhood and youth --- Germany --- Berlin (Germany) --- 1933-1945 --- Jews - Persecutions - Germany - Berlin.

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In this poignant book, a renowned historian tells of his youth as an assimilated, anti-religious Jew in Nazi Germany from 1933 to 1939-"the story," says Peter Gay, "of a poisoning and how I dealt with it." With his customary eloquence and analytic acumen, Gay describes his family, the life they led, and the reasons they did not emigrate sooner, and he explores his own ambivalent feelings-then and now-toward Germany and the Germans. Gay relates that the early years of the Nazi regime were relatively benign for his family: as a schoolboy at the Goethe Gymnasium he experienced no ridicule or attacks, his father's business prospered, and most of the family's non-Jewish friends remained supportive. He devised survival strategies-stamp collecting, watching soccer, and the like-that served as screens to block out the increasingly oppressive world around him. Even before the events of 1938-39, culminating in Kristallnacht, the family was convinced that they must leave the country. Gay describes the bravery and ingenuity of his father in working out this difficult emigration process, the courage of the non-Jewish friends who helped his family during their last bitter months in Germany, and the family's mounting panic as they witnessed the indifference of other countries to their plight and that of others like themselves. Gay's account-marked by candor, modesty, and insight-adds an important and curiously neglected perspective to the history of German Jewry.

Jews --- National socialism --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- History --- Persecutions --- Gay, Peter, --- Childhood and youth. --- Gay, Peter, -- 1923- -- Childhood and youth.. --- Jews -- Germany -- Berlin.. --- National socialism -- Germany -- Berlin.. --- Jews -- Germany -- History -- 1933-1945.. --- Jews -- Persecutions -- Germany -- Berlin.

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In a book that confronts our society's obsession with sexual violence, Maria Tatar seeks the meaning behind one of the most disturbing images of twentieth-century Western culture: the violated female corpse. This image is so prevalent in painting, literature, film, and, most recently, in mass media, that we rarely question what is at stake in its representation. Tatar, however, challenges us to consider what is taking place--both artistically and socially--in the construction and circulation of scenes depicting sexual murder. In examining images of sexual murder (Lustmord), she produces a riveting study of how art and murder have intersected in the sexual politics of culture from Weimar Germany to the present. Tatar focuses attention on the politically turbulent Weimar Republic, often viewed as the birthplace of a transgressive avant-garde modernism, where representations of female sexual mutilation abound. Here a revealing episode in the gender politics of cultural production unfolds as male artists and writers, working in a society consumed by fear of outside threats, envision women as enemies that can be contained and mastered through transcendent artistic expression. Not only does Tatar show that male artists openly identified with real-life sexual murderers--George Grosz posed as Jack the Ripper in a photograph where his model and future wife was the target of his knife--but she also reveals the ways in which victims were disavowed and erased. Tatar first analyzes actual cases of sexual murder that aroused wide public interest in Weimar Germany. She then considers how the representation of murdered women in visual and literary works functions as a strategy for managing social and sexual anxieties, and shows how violence against women can be linked to the war trauma, to urban pathologies, and to the politics of cultural production and biological reproduction. In exploring the complex relationship between victim and agent in cases of sexual murder, Tatar explains how the roles came to be destabilized and reversed, turning the perpetrator of criminal deeds into a defenseless victim of seductive evil. Throughout the West today, the creation of similar ideological constructions still occurs in societies that have only recently begun to validate the voices of its victims. Maria Tatar's book opens up an important discussion for readers seeking to understand the forces behind sexual violence and its portrayal in the cultural media throughout this century.

Murder --- -Murder in art --- Murder in literature --- Serial murders --- -Sex crimes --- -Abuse, Sexual --- Sex offenses --- Sexual abuse --- Sexual crimes --- Sexual delinquency --- Sexual offenses --- Sexual violence --- Crime --- Prostitution --- Multicide --- Multiple murder --- Murders, Serial --- Repetitive homicide --- Serial killing --- Serial killings --- Criminal homicide --- Killing (Murder) --- Homicide --- History --- -History --- -Murder in art. --- Murder in literature. --- Sex crimes --- Abuse, Sexual --- Murder in art. --- Murder in art --- Sex crimes. --- Serial murders. --- Murder. --- Meurtre dans l'art. --- Meurtre dans la littérature. --- Meurtres en série --- Crimes sexuels --- Meurtre --- Histoire --- Germany. --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Adler, Alfred. --- Anders, Gunther. --- Basic Instinct. --- Bernheimer, Charles. --- Bronfen, Elisabeth. --- Cahill, Tim. --- Carter, Angela. --- Comini, Alessandra. --- Dadoun, Roger. --- Denke, Karl. --- Dressed to Kill. --- Eberle, Matthias. --- Ensslin, Christiane. --- Felixmüller, Conrad. --- Frankfurter Zeitung. --- Friedrich, Otto. --- Gay, Peter. --- Grosz, George. --- Haarmann, Fritz. --- Hirschfeld, Magnus. --- Hitler, Adolf. --- Illustrated Police News. --- Jack the Ripper. --- Kaever, Roswitha. --- Kracauer, Siegfried. --- Kürten, Peter. --- Lessing, Theodor. --- Luxemburg, Rosa. --- Martini, Fritz. --- Petro, Patrice. --- Rentschler, Eric. --- Deguo --- 德国 --- Gėrman --- Герман Улс --- Europe