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Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
Musical form. --- Formes musicales --- Musical form --- Form, Musical --- Music
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Form [Musical ] --- Forme musicale --- Musical form --- Muzikale vorm --- Musical form. --- Formes musicales --- Lorenz, Alfred Ottokar, --- Wagner, Richard, --- Form, Musical --- Music --- Lorenz, Alfred Ottokar --- Wagner, Richard --- Lorenz, Alfred
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Form [Musical ] --- Forme musicale --- Musical form --- Muzikale vorm --- Composition (Music) --- Technique
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Musical form --- 926 --- Form, Musical --- Music --- Repertoria - catalogi (genre) --- History --- muziekgenres --- muziekgeschiedenis
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muziekanalyse --- muziektheorie --- Music --- vormleer --- Form [Musical ] --- Forme musicale --- Musical form --- Muzikale vorm --- Musical analysis --- Formes musicales --- Analyse musicale --- Congresses --- Congrès --- 513 --- Academic collection --- Muziekanalyse - vormleer --- Musical form. --- Componeren. --- Vormleer (muziek) --- Vormleer (muziek). --- Congrès --- Form, Musical
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Form [Musical ] --- Forme musicale --- Musical form --- Muzikale vorm --- Finales (Music) --- Musical form. --- Music --- History and criticism. --- Philosophy and aesthetics. --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Form, Musical --- History and criticism --- Philosophy and aesthetics --- Philosophy --- 530 --- Muziekwetenschappelijke essays
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Compositie (Muziek) --- Composition (Music) --- Composition (Musique) --- Composition musicale --- Form [Musical ] --- Forme musicale --- Musical form --- Muzikale vorm --- Form, Musical --- Music --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- Composition
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Musical form --- Music theory --- -Music theory --- -Music --- Musical theory --- Theory of music --- Form, Musical --- Music --- History --- -History --- -Theory --- -Musical form --- Musical form. --- Music Theory --- Formes musicales --- -Form, Musical --- Theory
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muziekanalyse --- muziektheorie --- muziekwetenschappen --- Music --- vormleer --- Musical form --- Musical perception --- Auditory perception --- Form, Musical --- Psychological aspects --- 78.21.0
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Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, written by established and emerging scholars from the United States, the United Kingdom, Canada, and the European continent, run the chronological gamut from Haydn and Clementi to Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as symphonies, concerti, and chamber works; they treat Haydn's humor and Saint-Saëns's politics, while discussions of particular pieces range from Mozart's arias to Schoenberg's Verklärte Nacht. Running through all of these essays and connecting them thematically is the central notion of formal function. CONTRIBUTORS: Brian Black, L. Poundie Burstein, Andrew Deruchie, Julian Horton, Steven Huebner, Harald Krebs, Henry Klumpenhouwer, Nathan John Martin, François de Médicis, Christoph Neidhöfer, Julie Pedneault-Deslauriers, Giorgio Sanguinetti, Janet Schmalfeldt, Peter Schubert, Steven Vande Moortele Steven Vande Moortele is assistant professor of music at the University of Toronto. Julie Pedneault-Deslauriers is assistant professor of music at the University of Ottawa. Nathan John Martin is assistant professor of music at the University of Michigan.
Musical form. --- Formes musicales --- Form, Musical --- Music --- Adorno. --- Contemporary Music. --- Essays. --- Formal Analysis. --- Formal Functions. --- Haydn. --- Music Theory. --- Musical Form.
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