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Come back, Dr. Caligari
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Year: 1964 Publisher: Boston (Mass.) : Little, Brown,

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Narralogues: truth in fiction
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ISBN: 0791444007 Year: 2000 Publisher: Albany State University of New York Press

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Overnight to many distant cities
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ISBN: 0399128689 Year: 1983 Publisher: New York (N.Y.): Putnam

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Donald Barthelme's fiction: the ironist saved from drowning
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ISBN: 0826203388 Year: 1982 Publisher: Columbia, Mo. University of Missouri Press

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Sixty stories
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ISBN: 0399126597 Year: 1981 Publisher: New York (N.Y.): Putnam

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McSweeney's 21
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ISBN: 1932416617 9781932416619 Year: 2006 Publisher: London : Hamish Hamilton,

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Understanding William H. Gass
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ISBN: 1570034729 Year: 2002 Volume: *28 Publisher: Columbia University of South Carolina Press

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"Hix offers readings of Gass's works, from the early books, Omensetter's Luck and In the Heart of the Heart of the Country, to his later The Tunnel and Cartesian Sonata. Hix identifies the continuous presence of psychological, metaphysical, and ethical themes, including the lingering effect on adults of childhood hurts, the results of being "trapped" in language, and the consequences of hatred. While agreeing with critics who label Gass's novels and stories metafiction, he contends that to stop the exploration there would be to miss a complete appreciation of the novelist. Hix demonstrates instead how Gass's writings both break and follow tradition - as metafiction belonging to the company of works by John Barth but also as moral fiction belonging to the long American tradition that includes The Scarlet Letter and To Kill a Mockingbird."--Jacket.

Silverless mirrors
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ISBN: 0813019222 9780813019222 0813007690 0813007720 Year: 1983 Publisher: Tallahassee, Fla. University Presses of Florida

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Kissed by
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ISBN: 1573668087 9781573668088 9781573661386 1573661384 Year: 2007 Publisher: Tuscaloosa FC2/University of Alabama Press

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"Alexandra Chasin’s remarkable stories employ forms as diverse as cryptograms (in 'ELENA=AGAIN') and sentence diagrams (in 'Toward a Grammar of Guilt') to display her interest in fiction as a form constituted by print on the page, every bit as much as poetry.In "They Come From Mars," the words are arrayed on the page like troops, embodying the xenophobic image of invading armies of undocumented immigrants that animates the narrative. One story incorporates personal ads ('Lynette, Your Uniqueness'), another is organized alphabetically ('2 Alphabets'), while another leaves sentences unfinished ('Composer and I'). A number of stories take metafictional turns, calling attention to the process of writing itself. The last piece in the collection plays with genre distinctions, including an index of first lines and a general index. Set in New York, New England, Paris, and Morocco, these tales are narrated by men and women, old and young, gay, straight, and bisexual; one narrator is not a person at all, but a work of art. Each of these deft, playful, and sometimes anarchic fictions is different from the others,yet all are the unmistakable offspring of the same wildly inventive imagination."- adapted from Amazon.com

Novel arguments : reading innovative American fiction
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ISBN: 0521471451 Year: 1995 Publisher: Cambridge ; New York, NY : Cambridge University Press,

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